Old Friends in print

My short story Old Friends appears in the August issue of The Simple Things magazine, now on sale across the UK.

sim26coverThe story taps in to a lot of nostalgia, and I’ll confess to raiding my own childhood for one of the memories. It’s a sweet, sad but hopefully heart-mourning tale. Two people have already been in touch to tell me Old Friends made them cry, but hopefully in a good way!

The tale is accompanied by artwork from talented designer and illustrator Christine Rosch. I think it’s gorgeous!

Get your copy of the mag online or find it on sale in stores such as WHSmith.

Midweek writing prompt – trees

Trees cr Judy DarleyThis week’s writing prompt was inspired by Tony D’Arpino, author of Trees of Bristol, who asks the question: What’s your favourite tree?

It’s a question he’s faced frequently since the book came out, and he agrees it’s almost impossible to answer. Is it one from childhood, the first you ever climbed, or the one you pass every day on your way to work?

Whatever your favourite tree is at this present moment in time, write an homage to it – the leafiness, the sound the wind creates in its branches, the thought of all the people (or one particular person) it’s sheltered from the rain or sun.

If you write something prompted by this, please let me know by sending an email to Judy(at)socket creative.com. With your permission, I’d love to publish it on SkyLightRain.com.

Breathing space

Arnos Vale Cemetery cr Judy DarleyMy feature about Bristol’s green spaces is in issue 180 of Clifton Life magazine, currently scattered through coffee shops, art galleries, independent shops and other desirable spots throughout the city.

I pitched it to the editor, Deri, back in April. I write a lot of journalism anyway – it forms the bulk of my income – but I wanted to re-brand myself a bit as an author, in the wake of the launch of my short story collection Remember Me To The Bees.

So this is the pitch I sent:

I’m a Bristol-based freelance journalist and fiction writer. My debut short story collection, Remember Me To The Bees, is just out. I wondered if you would be interested in a piece about my favourite green spaces in Bristol, and how they benefit my writing.

Then I powered on into the pitch itself, part of which also formed the opening paragraph of the feature:

I didn’t realise until I moved into Bristol quite how much I need green spaces. I grew up in relatively rural surroundings, and in my first few months in the city I found myself seeking out the parks, without quite knowing why. 

Being amid greenery clears my head, allowing space for the next paragraph, piece of dialogue or, just occasionally, entire plotlines, to flood in. Away from the clamour of my laptop screen, peace descends, and with it words. If I’m walking, I may carry a notebook, but if I’m running the only thing for it is to allow my thoughts to coalesce, then speed up my pace to reach home before they have a chance to slip away.

The pitch caught Deri’s attention, resulting in a commission for a piece I really enjoyed writing. It gave me the chance to share the places I love, talk about writing, and let the world know I’m a creative as well as journalistic writer.

Job done!

Breathing Space feature Clifton Life

How to write a dictionary

DICTIONARY FOR DYLAN - DOOZIEToday’s guest post comes from award-winning poet Emily Hinshelwood, and offers details of her Dictionary for Dylan project, shares her passion for words, and invites you to get involved.

Two years before his death, Dylan Thomas said: “words are the most important things to me ever.” He commented that as a young child he had fallen in love at once. “There they were, seemingly lifeless, made only of black and white, but out of them, out of their own being, came love and terror and pity and pain. Out of them came the gusts and grunts and hiccups and heehaws of the common fun of the earth.”

Relish a literary legacy

When I was invited to be the writer in residence in one of this year’s centenary projects, The Dylan Thomas’ Pop-up Writing Shed, I knew I wanted to do something that enjoyed words and involved people in playing with them. Dylan Thomas crafted his works with such skill and dedication that this seemed to me to be a fitting tribute to a man who had lived for and loved those black and white shapes.

I also wanted to encourage people to explore their own use of language, and not to feel restricted to using words as they appear in our dictionaries. So I decided to invite people to invent entirely new words and their associated meanings. It’s something that anyone of almost any age can do – and at the end of the year I’ll be compiling the words into a Dictionary: The Dictionary for Dylan.


The pop-up writing shed is a replica of Dylan’s iconic shed in Laugharne where he worked for the last four years of his life. It has been faithfully re-created down to the curled pictures on the walls, the cigarette butts, the beer bottles on the desk, and his jacket on the back of the chair. And it’s on wheels!

Gorslas school with shed

Tap into the hwyl

So since February I have had my head in the shed, visiting schools and festivals, talking with people about Dylan Thomas and being witness to the birth of literally thousands of new words.

People’s eyes light up when they hear that their word will go into a dictionary. Often it is a family word that they’ve used for generations, or a word one of their children coined when they were learning to speak. Some people make an anagram their name or splice two words together, or do what Dylan did and write them backwards. There are those that give me the detailed etymology of the word, those that produce onomatopoeic words, those that give multiple definitions. And so far I have not had the same word twice!

I’m delighted with the response, the imagination and the hwyl with which people are embracing the project. (in case you were wondering, hwyl means ‘stirring feeling of emotional motivation and energy’) And it’s not restricted to people who come into the shed. We have an online form and a postcard for people to send me their words.


Marvel at what rolls in!

I find it fascinating the different kinds of words people invent. In primary schools they are often about superpowers and magical creatures, the world with infinite possibilities; in secondary schools there seems to be a lot of words that reflect teenage anxieties, the loss of friends, or being hurt by gossip; then there are all the situational words, eg in Hay Festival (pictured above) there were plenty of words about mud and waiting around too long for friends!

I have many, many favourites and I tweet a word of the day @dylandictionary; but just to give you an idea here’s a few:

MECHANAISSANCE the period 1860-1980 when machinery & typewriters were used. (Euan Sinclair)
BOOZEFUMBLE to botch any activity while under the influence or drink (Alan)
WELLIBRATION a happy event where everyone wears wellies (Rebecca McGrattan)
TWACKERED To be exhausted from looking after twins (Daniel McCallum)
KETTELAK When there’s not quite enough water in the kettle for all the cups of tea (Annette Edwards)
KLANGSKRUNT hatred of piped ‘music’ in cafe’s, shops and other places (Kathryn Stone)
EXPAEDIATE to win time away from your children (Randal Turner)
NOGARD someone who doubts the existence of dragons (Nuala Reid)
HONKY-PONKY the sexual activity of geese (Mike Maguire)
FRAMBOIDLED sunburnt (Peter C. Frost)
BAGSEA to secure a place by the sea (Sarah Jenkins)
GOBULUS talking endless jibberish (Sarah E Fenton)
SNOZEFELDE a favourite blanket or piece of material which aids sleep (Claire Neville)
MEMDIMION A moment when you forget a long-standing acquaintance’s name (Delyth Eirwyn)
NOXILATE to perplex someone with endless facts (Lara Gardner)
LILLENPOP a person who refuses to take life seriously (Olivia Field)
POSICULT A collective noun for optimists (Leigh Keen)

If you would like to contribute a word to the dictionary, please do send it to us via the online form at www.dylanthomasboathouse.com/dictionary-for-dylan, and keep your eyes peeled for the shed. It really is popping up all over the place!

Emily Hinshelwood at writing shed

Author bio

Emily Hinshelwood (pictured above) is a freelance writer, performer, animator and community arts facilitator. Winner of the John Tripp Award for Spoken Poetry, Emily performs her poetry in a variety of settings, from outdoor poetry walks, to the sitting rooms in IKEA, to sustainability conferences as well as traditional arts venues. Her recent poetry collection, On Becoming a Fish was inspired by a series of walks around the 186-mile Pembrokeshire coastal path and took seven years to complete. She has won many literary awards for her poems and is especially interested in engaging audiences with poetry. Emily also runs a programme of Arts and Climate change projects for the charity Awel Aman Tawe, which engages people in the issues of climate change through a variety of arts genres.