Enter Chestnut Review’s Prose Chapbook Contest

Salisbury horse chestnut. Phot by Judy Darley
Chestnut Review launched its first ever Prose Chapbook Contest in 2021 and is keeping up the trend for 2022. Editor Maria S. Picone invites you to submit any kind of prose manuscript, whether that’s fiction, CNF, or hybrid forms. A single powerful story is as welcome as a series of vivid flashes.

Submissions are open until 1st September 2022,

Maria S. Picone says: “We are looking for smart, daring manuscripts that overtake us, break us, and rebuild us with beautiful language. We welcome all forms of prose manuscripts: fiction, CNF, or hybrid. Hit us with one powerful story or delight us with a series of flash. Blur genres or stay true to form. Surprise us. Challenge us. Manuscripts with more than one piece should feel cohesive and coherent.”

The manuscript’s length should be between 5,000 and 12,000 words in total, which amounts to approximately 20-30 pages.

The winner will receive $600 and 20 copies of their published chapbook. Chapbooks will be published through Chestnut Review via a print-on-demand provider. The winner will earn 30% royalties, distributed annually on all copies sold.

The winning chapbook will be advertised in Chestnut Review and on social media, and will be featured for sale on Amazon.com and via https://chestnutreview.com/.

The winning author will be interviewed in a feature in the Summer 2023 issue of Chestnut Review.

Find full details here: chestnutreview.com/contests/

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud (dot) com.

Writing prompt – mismatch

Parasol. Photo by Judy DarleyI love this image of a couple where they appear in step but out of time. The bloke on the left looks utterly contemporary, while their partner’s parasol could slide them into an entirely different era.

Can you weave this scene into a rom-com or other genre tale where a visual mismatch could prove to be the perfect match?

If you write or create something prompted by this idea, please send it to me in an email to judydarley (at) iCloud.com for possible publication on SkyLightRain.com.

Enter The Masters Review Award for New Writers

Lake Michigan beach.Photo by Judy DarleyThe Masters Review is inviting entries for its Summer Short Story Award for New Writers.

The deadline for submissions is 28th August 2022.

The winning story writer will receive $3,000, an agency review and publication online.

Second and third place finalists will be awarded publication, agency review and $300/$200 prizes respectively.

Participating agents include: Nat Sobel from Sobel Weber, Victoria Cappello from The Bent Agency, Andrea Morrison from Writers House, Sarah Fuentes from Fletcher & Company, and Heather Schroder from Compass Talent.

The judge is Chelsea Bieker, author of GODSHOT and the new collection Heartbroke

Crucial details

  • $20 entry fee
  • $3000 1st prize
  • $300 2nd prize
  • $200 3rd prize
  • Stories must be under 6,000 words in length
  • Previously unpublished stories only
  • Simultaneous and multiple submissions allowed
  • Emerging writers only; writers with book-length work published or under contract with a major press are ineligible. Authors with short story collections are free to submit unpublished work, as are writers with books published by indie presses)
  • Deadline: 28th August, 2022
  • No identifying information on your story

Find full details here.

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley(at)iCloud(dot)com.

Anthology review – Monsieur, three Novelettes-in-Flash

Monsieur_Front Cover. Shows a jetty reaching into water in sepia tones.The latest anthology of winning novelettes-in-flash from Retreat West offers up three intriguingly layered tales.

The first is the title novelette, Monsieur by David Rhymes. It opens with an impressively crafted line that succeeds in telling you reams about setting, time and character: “I tell Monsieur that if I were a man, I’d be a libertine, immune to the chains of propriety.”

That Jeannie, our heroine, is examining her master’s nipples “with the aid of an enlarging glass” within that page neatly informs us that this is a woman determined to explore life from every available viewpoint, unhindered both by class and gender.

A yearning for freedom and passion for the natural world hum throughout this densely and visually rich tale, as, encouraged by Monsieur, Jeannie disguises herself as the less fair sex and discovers a fresh side to her own nature: “with my chest pressed flat, my chin made sooty with a lick of dust, I felt more confident – I strode out in plain sight.”

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