I was given this beautiful book for Christmas, requested by me after I heard a Guardian podcast of our lady laureate reading several of the pieces contained within The World’s Wife. While presented in the form of poems, these are very much tales, each one telling the story of the wife of a notable man and giving her personal twist on his deeds, and in many cases, misfortunes.
You don’t need to get all the references to enjoy this feisty, humorous and occasionally contemplative collection, but it does add to the words on the page. In many, Duffy follows up on a known piece of mythology, effectively giving us a glimpse of what happens after the curtain’s close.
The wife of King Midas sees the glimmer of a pear in her husband’s palm, and ends up sleeping with a chair to the door – terrified he’ll touch her as she sleeps and transform her to gold too.The wife of Tiresias, who is transformed into a woman, endures his laments on suffering his first period (‘One week in bed./Two doctors in./Three painkillers four times a day.), then moves on, matter-of-fact. Mrs Aesop is viciously sharp in her boredom over the endless fables.
King Kong, in Duffy’s version, is a queen, who, in one of the more tender poems, loves her discoverer, her ‘little man’, until his death, then loves him still, worn as ornamentation “with tiny emeralds for eyes”, “against my massive breathing lungs.”
Tongue-in-cheekily wry, but always practical, Duffy’s heroines are steadfastly independent.
One of my favourites, read on Christmas Day, was Queen Herod, which explains the murder of baby sons in a fresh light that almost makes the horror of infanticide seem like a perfectly sensible act.
There are passages of exquisitely raw beauty too – especially in Little Red-cap and Anne Hathaway, not to mention Mrs Quadimodo – a tale of a disappointed marriage and damaged self esteem avenged by a wholehearted act of savage vandalism.
While some of the poems are too glib for my taste (I would like to dig more into the psychological impacts of some of the aftermaths) the humour plays a vital role in whisking us through poems that cast a light on a hitherto unseen side of myth and history. It’s a view that shifts what we’ve always known into something we might easily have suspected, and are glad to finally have been shown.
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