Using audio and visual projection to heighten the viewers’ emotional states, this thoughtful one-hour play begins with Ben (played by Joe Hall) holding a jar containing what seems to be a real swallowtail butterfly (I’m assured it wasn’t harmed in the performance), and reliving a moment in past. The sound of the creature’s wings beating against the glass provides a constant background of noise as we watch Ben’s descent into depression following, but apparently not connected to, a tragedy in his family. Instead we are led to believe his breakdown in fact relates to a much earlier trauma, when the woodland idyll near his childhood home and all the wildlife living in it was destroyed.
The idea of a connection between mental health and access to nature isn’t a new one, and in an interview for mayfest, Nick himself explains that “the play is adapted from an essay called Flowers of the Sky by Dr. Mike Edwards.”
This is a work in progress, and while parts of it were beautiful and haunting (the scene in which Ben meets his doctor for the first time is incredible believable), others need something more. The final scene involved huge amounts of dialogue from Ben supposedly spoken to his partner (played by Amanda Horlock), but the two rarely make eye contact. I wanted them to be clinging to each other as he described discovering butterflies for the first time, and learning from them about love.
This intensity may well come, however, as the actors and co-directors welcomed for feedback after the performance, and are evidently keen to see their caterpillar of a play metamorphose into the butterfly it clearly has the potential to become.
The message is already there – that in harming our environment we risk damaging our own mental health – in fact there’s a lovely line from Ben at one point explaining that the Greek word psyche means both spirit or soul, and butterfly – binding the play’s ideas together in one neat package. Find out more at nickhuntscrutiny.com/news/butterfly-man.
One thing definitely not lacking in Hardy Animal – written, created and performed by Laura Dannequin – is intensity. Disarming in its portrayals of the frustrations, fears and hopes of a dancer enduring chronic back pain, it explores the lengths we’ll take in a bid to restore normality, the confused perceptions we’ll face from others, and the strength required to unlearn and relearn our own body’s capabilities.
It’s a beautiful and stark work, almost poetic at times, painterly at others – using spoken work, careful lighting, the vulnerability of exposed skin, and, at last, a brief, extraordinary dance that draws the whole thing together into a moment you’ll feel you’re truly a part of. Powerful, and unexpectedly uplifting. Find out more at www.lauradannequin.co.uk.