The figures in Linda Samson’s artwork exude a distinct sense of solidity. Captured in paint, pen and ink or ceramics, they inhabit an enviably tangible space, as though they live deeply felt, vibrant lives just beyond their frames.
This impression makes sense to me when Linda explains that she draws inspiration from the Oceanic art of the Pacific Islands and, most recognisably perhaps, the monolithic statues of Easter Island.
“I think the strong forms came initially from my discovery of Oceanic art and the joined or reflected images from a study I did at the British Museum of conjoined twins,” Linda says. “Being traditionally trained at Glasgow School of Art, life drawings formed the foundations of my figurative style.”