Writing prompt – blooms

Blossom car, Bristol cr Judy DarleyThis Mazda MX-5 was recently parked in a smart part of Bristol, annoying locals by taking up a parking space, but charming passersby with its abundance of flowers.

This week, imagine the person who created such a floral cornucopia. Why plant it in a car? What does the car mean to them? Where do they intend to go with it? Why?

If you create something prompted by this, please let me know by sending an email to judydarley(at)gmail.com. With your permission, I’d love to share it on SkyLightRain.com.

Explore ideas of identity with an exhibition in Bath

Map of Days by Grayson Perry, etching 2013-detail- cr Grayson Perry and Paragon-Contemporary editions Ltd

Map of Days by Grayson Perry, detail © Grayson Perry and Paragon Contemporary Editions Ltd

What makes us who we are in the eyes of others? Is it our outer appearance, our inner turmoil or the objects and actions we surround ourselves with?

Portrait artists have been exploring these concepts for centuries, as a new exhibition at the Victoria Art Gallery in Bath reveals.

The free exhibition Portraits and Identity has been curated around Grayson Perry’s Map of Days etching, which was acquired last year for the Gallery’s permanent collection.

“The piece is an unusual self-portrait in the form of a walled city, the streets and buildings inside the wall representing aspects of the artist’s personality, whilst outside the walls are the things that did not penetrate the defences,” explains Jon Benington from the Gallery.

Map of Days by Grayson Perry, detail showing Bradley Wiggins

Map of Days by Grayson Perry, detail showing Bradley Wiggins

The river of imagination flows past a walled city made up of streets with names such as ‘Intuition’, ‘Revenge’ and ‘Churning Insecurity’.

Other portraits in the exhibition include works by artists as diverse as Hogarth, Dürer and William Nicholson.

H M the Queen (Victoria), by William Nicholson 1897

H M the Queen (Victoria), by William Nicholson 1897

It’s an intriguing insight into the ways artists used visual props, such as books or the tools as their trade, to impart us details of a sitter’s life. Other examples offer more subtle clues, such as this lithograph of Queen Victoria walking her dog in the gardens of Kensington Palace, and described by the artist as looking like ‘an animated tea-cosy’. It reveals her formidable character alongside her love for her affection, and, through this, for her people.

Then there’s the work of caricaturists, which are far more direct, with Gillray transforming naturalist Joseph Banks into a showy butterfly after receiving the Order of the Bath, while William Hibbard depicts the Bath Corporation with symbols of their businesses for heads.

Portrait and Identity is on at the Victoria Art Gallery, Bath, from 20th August until October 4th 2015, and runs alongside the Jane Austen’s Bath exhibition.

Are you an artist or do you know an artist who would like to be showcased on SkyLightRain.com? Get in touch at judydarley (at) iCloud.com. I’m also happy to receive reviews of books, exhibitions, theatre and film. To submit or suggest a review, please send an email to judydarley (at) iCloud.com.

Theatre review – The Curious Incident of the Dog in the Night-time

Curious Incident of the Dog in the Nighttime cr Brinkhoff Mogenberg

© Brinkhoff Mogenberg

Mark Hadden’s 2003 bestseller is dream material for any imaginative dramaturg. The result from playwright Simon Stephens, director Marianne Elliott and their team is an exquisite work of art, incorporating clever lighting, movement and huge volumes of emotion.

It begins with a dog, a garden fork and a distressed 15-year-old boy. Christopher Boone (Joshua Jenkins) has trouble making sense of other people, especially when it comes to reading their expressions. Unable to lie, in many ways he is an innocent, yet one equipped with extraordinary amounts of resourcefulness and determination.

Curious Incident of the Dog in the Night-time cr Brinkhoff Mogenberg

© Brinkhoff Mogenberg

Christopher sets himself the task of solving the mystery surrounding the dog’s demise, treating it as a project, and takes us along for the ride.

And what a ride it is. Through the street he lives on, to the train station and then into the bewilderment of the London underground. At times Christopher’s sensory overload became my own, as crowds ebbed and flowed, lights fractured and sound pulsated – ringing through us, the audience, as well as our hero on-stage.

There are moments of real fear amid the overriding tension, as well as sublime beauty, magic and even peace. The scene where Christopher imagines being an astronaut is particularly elegant.

Joshua Jenkins is extraordinary as Christopher – as the character he reels off strings of facts, figures and theories at speed, uses the entire stage and the full scale of human emotion. The whole cast were excellent – his parents, played by Gina Isaac and Stuart Long, were especially impressive – drawing us deep into Christopher’s vibrant, sometimes alarmingly intense, world.

The answers he finds in his search aren’t the ones he’s anticipating. If you’ve read the book, I urge you not to re-read it before seeing the play as the surprises when they come are revealed with grace as well as gut-wrenching power. As audience members we emerged exhausted but exhilarated – and, unexpectedly, understanding Pythagoras‘ theorem.

I watched the play at the Bristol Hippodrome. To find out where The Curious Incident of the Dog in the Night-time is on near you, visit www.curiousonstage.com

To submit or suggest a review, please send an email to judydarley (at) iCloud.com.