Writing prompt – hiatus

Dylan walk estuary serenityThese days between Christmas and New Year often feel like a secret to be stepped into. Moments of quiet to be inhaled and exhaled, to be harnessed or released – sand through fingers, light over water…

We’re on the brink of an ending, and a fresh start, and for many of us this offers a wealth of possibilities.

What ideas does this time unfurl within you?

If you write or create something prompted by this, please send an email to judydarley(at)iCloud(dot)com to let me know. With your permission, I might publish it on SkyLightRain.com.

Seasonal cheer

Christmas Tree Year 5 cr Judy DarleyWhat an immensely complex year it’s been. So much change. My life has taken such twists and turns that this Christmas period I’m most excited about the hiatus from from every day life. I need to catch my breath, absorb everything that’s happened and take a moment to both appreciate all that, and look forward to the new year preparing to break its first wave on my shore.

Little Christmas tree_yr 4_2016 cr Judy Darley

Our little tree in Christmas 2016, apparently relishing a new, roomier pot…

Our little tree has had its own challenges to face. Early on in 2017, our wee spruce began to drop needles at an alarming rate, and no amount of TLC would revive him. So we sorrowfully planned to chop him up and bid farewell.

But the thing is, we’re both really busy. After dragging the tree and his pot closer to the house, we left him alone for a week or two.

In which time he began to sprout fresh green needles at the end of each bough. And while the boughs and stem remain skeletal and bare, each one boasts a green flourish – a hell yeah, I’m still here, suckers! to the world.

Zombie tree?

I’m concerned this year’s bedecking could mark the end for our fine, if confused, tree, but we’re counting it as a final hurrah for this feisty fir. Whatever comes this January, we’ll know he’s done us proud.

Our little Christmas tree 2015 by Judy Darley

Our little Christmas tree 2015 – year 3.

LittleChristmasTree yr1 and 2

So Merry Christmas, however you choose to spend your day. And as always, remember, however dire things get, don’t give up. You never know what a burst of determination can achieve!!

Writing prompt – greetings

Dylan walk post box by Judy DarleyOne of the loveliest things about this time of year is the excuse to reconnect with friends and family. Distant relatives suddenly bob to the surface of your mind with the help of a card or email, and some heartfelt Christmas greetings.

Imagine two people who haven’t been in touch for months or years, and the Christmas card that changes that.

Use this as the foundation of a story – who is the person sending the card? What has motivated them to reach out now? Who is the recipient? What has prevented them speaking for so long? Does the card have the desired result?

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

Writing prompt – hull

Azores Boat Underside cr Judy Darley

I’m always intrigued by the parts of things that we rarely see – the underside of bridges, backstage catacombs, caves…

The underside of boats are particularly beautiful when hoisted into the air for maintenance. Someone told me recently that this is a seven-yearly process, which is curiously poetic. Every seven years these hulls are hauled from water to be licked by breezes.

Azores Boat Underside Moon cr Judy Darley

It seems to me that they carry with them the memories of navigations, stars and moons. The barnacles, rust and mottled paint are riddled through with sea shanties and myths. Some parts seem less than vessels than curious whales and other marine creatures….

Azores Boat Underside Hole cr Judy Darley

What do they stir in you?

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

How to handle a multi-person narrative

Image2 by Ewa DoddIn today’s guest post, debut author Ewa Dodd talks us through the challenges, and delights, of tackling a multi-person narrative in your fiction writing.

The idea for The Walls Came Down came to me quite suddenly when reading a Polish magazine article one idle summer afternoon in Warsaw. A grainy photograph of a crowd at a football game caught my eye. The poor quality shot looked like it has been enlarged many times, and the editor had placed a red ring around something in the far right hand corner of the image.

I peered at it closely. It looked like two people, one much smaller than the other, walking to the exit hand in hand. It was possible that the larger one had grey hair, or was wearing a grey-coloured hat, but I couldn’t make out any further details. To my surprise, the article revealed that this still from the footage of a 1987 football game formed a key part of the evidence of a child’s abduction. The child (now an adult), had miraculously been found more than fifteen years after she’d disappeared and had lived a seemingly uneventful life in another part of the country with people she believed to be her parents.

I read the article out to my grandmother. ‘That would make for a very interesting novel,’ she said, before getting back to peeling the potatoes. Later that evening, I opened my laptop and began to write. I changed the setting of the event and the gender of the missing child, but the premise remained the same. Of course, a great story is nothing without a good narrator and for the weeks that followed, I puzzled over the protagonist. Should it be the missing person? Somebody involved in the search? A casual observer loosely linked to the incident? After much internal debate, I ended up with three distinct voices.

But how do you handle a multi-person narrative? Read on to find out.

Image by Ewa DoddEnsure each small story feeds into a larger whole

Each of my protagonists has their own unique story to tell, but I had to be careful to ensure that they all furthered the broader narrative. I frequently checked that every chapter left the reader guessing about how the different pieces slotted together.

We meet Joanna for the first time in 1988 in Warsaw, when she is four years old. She discovers that her twin brother Adam has gone missing in the crowds during a protest that they have both attended with their mother. At first, she firmly believes that he will come home, but days, weeks and months pass and there is no news of him. She refuses to give up the search and uses her job as a journalist to keep the story in the public eye.

Matty is a young city slicker, set on a route to becoming a successful investment banker with a six figure salary and a mansion in one of the posher suburbs of London. On the surface he has everything, and is envied by most of his friends. But there’s something that gnaws away at his subconscious, never allowing him to fully relax into his success. An unusual news story about a plane crash in Russia spirals off a chain of events, which leads him to question who he is and where he has come from.

We first meet Tom when he gets a diagnosis of liver cancer by his doctor, having noticed some worrying symptoms, including huge weight loss. Tom has recently retired from forty years of hard labour, and the unfairness of the situation hits him with full force. Lacking any immediate family to look after him, he goes to nursing home, to live out the last months of his life amongst other people suffering from terminal illnesses.

It’s fairly apparent from the outset how Joanna and Matty’s narratives tie together, but my aim with Tom was to keep the reader guessing for longer.

Image1 Ewa Dodd

Make each voice distinct, and work out a backstory

I realised early on that in order for the three protagonists to be believable, they would each need a highly unique voice. Before I properly began writing, I wrote a rough backstory for each character and even sketched out what they looked like.

Joanna shares many of the traits of determined and successful young women that I know, but she has additional, almost super-human resolve to continue pursuing what she believes, whilst everything implies that she should give up.

Matty was a complex character to create, as he is so multi-dimensional. Superficially, he is cocky, confident and not always likeable. But on another level, he is burdened with a deep anxiety about having lost his true identity. When writing his sections, I based his narrative on the experiences of people who have lost their memory and the heart-wrenching emotions associated with slowly regaining these.

I found Tom’s character very difficult to bring to life, as I’d never previously written from the point of view of somebody both male and of a very different age to my own. What was most challenging was convincingly conveying the pain, fear and devastation that come with the diagnosis of a terminal illness, and here, I am deeply indebted to a number of brilliant and talented people who were brave enough to write about their experiences of exactly this, including the wonderful Kate Gross.

Ewa DoddAbout the author

The daughter of a bookseller, Ewa Dodd has been writing since she was young, starting small with short self-illustrated books for children. More recently, she has delved into novel-writing, and is particularly interested in literature based in Poland, where her family is from. The Walls Came Down is her first published novel, for which she was shortlisted for the Virginia Prize for Fiction. Buy it from Amazon or from Aurora Metro.

All images in this guest post have been supplied by Ewa Dodd.

Got some writing insights to share? I’m always happy to receive feature pitches on writing genres and writing tools. Send an email to JudyDarley@icloud.com.

Botanicals ablaze

Mother's Marjorelle Chair by Grace Green croppedWith an evocative sense of heat and botanical aromas imbuing every artwork, Grace Green’s paintings bring a hit of gorgeous colour to chilly days.

“I’ve always been preoccupied with colour, pattern and texture,” she admits. “As a child I was always drawing. Art is something that’s followed me through all my educational decisions, I took BTEC art and design instead of A levels, and at 16 I knew it was the only subject I wanted to pursue. Both my parents went to art college and my brother too, it’s almost as if I didn’t have a choice!”

Grace’s vividly fecund paintings are the result of hours of experimentation with different hues.

“I enjoy the way two colours sit with one another more than anything,” she says. “When I left college I went to India for three months, at the time I was unaware of how much it would influence my love for colour. Now I choose my holiday destinations by looking at how colour is used within a country. Nature is so vibrant and not afraid of colour either.”

Herbaceous Hot House 2 by Grace Green

Herbaceous Hot House 2 by Grace Green

It’s abundantly clear from her creations that the natural world is a driving force when it comes to composition.

“I appreciate the contrast between linear structures and organic plant forms, as a reminder of constraints that are placed by man over nature,” she comments. “I notice different patterns next to one another in everyday set ups and it reminds me that pattern is everywhere. When looking under the microscope at something that to the eye seems flat or single tone, you see its make up is so intricate. When I paint I let my minds eye imagine these shapes which allows me to free flow forms next to painted shapes that one can understand.” Continue reading

Writing prompt – Pareidolia

Sad Ghost Cereal cr Judy DarleyAccording to Kim Ann Zimmermann at Live Science, “Pareidolia is a type of apophenia, which is a more generalized term for seeing patterns in random data. Some common examples are seeing a likeness of Jesus in the clouds or an image of a man on the surface of the moon.“

It’s also the reason why a particular brand of breakfast food is known as ‘Sad Ghost Cereal’ in my household.

Imagine becoming convinced this was the truth – could you become haunted by your own snack? You can shift this phenomena to any household item. Just take a glance around and see what’s grinning or grimacing at you right now!

If you write or create something prompted by this, please send an email to JudyDarley(at)icloud.com to let me know. With your permission, I might publish it on SkyLightRain.com.

Take a trip with memory game Arabicity

Arabicity game by Daradam

This beautifully packaged memory game takes a familiar idea and carries it overseas. The first thing that struck me on opening the box was the sweet smell of plywood. Each smooth cornered square sports a miniature artwork, showing an architectural landmark from an Arab country, such as Jordan, Algeria or Lebanon, with the name written in one or two of three languages – English, French or Arabic.

I’ve always believed that reading and playing are two key ingredients for nourishing a child’s empathy and interest in the world. The third is undoubtedly travel. Arabicity is excellent example of how well this can work, encompassing all three elements as the squares offer glimpses of enticingly foreign settings, with each successfully matched pair providing an insight into a language entirely unlike English.

Arabicity game by Daradam1

The smooth, light playing pieces are a pleasure to handle, making this a refreshingly multi-sensory alternative to on-screen games. The illustrations by Noha Habaieb are exquisitely detailed too. Shady stepped streets, grand buildings and friendly locals abound, bringing a sense of distant cities into my chilly British living room.

Arabicity game by Daradam2

Arabicity is created by Daradam, a French-based publishing house that specialises in educational toys inspired by the cultural heritage of the Arab world. “Our concept is to awaken kids’ curiosity for this part of the world,” says founding director Hanna Lenda. “For instance, Arabcity takes players to the narrow streets of Sanaa’s old city, in front of the Samaraa mosque in Irak or to visit the Sursock palace in Beyrouth. Some of these architectural wonders are out of reach these days, and Daradam enables little ones to discover them in a fun way.”

I’m planning to take my younger two nephews on a whirl through Arabicity this Christmas, and I’m pretty sure their art-loving nan will relish the game just as much as they do.

Find out more at www.daradam.com, www.facebook.com/daradamkids and www.instagram.com/daradamkids/