My second guided visualisation has been published by Planet Mindful as part of their issue 11, aka Planet Mindful 2020 issue 3.
The print magazine industry is being hit hard by the coronavirus, as in the UK most people still prefer to buy from newsstands. As a result, publishing companies across the country have cancelled freelance contracts. It’s understandable, but difficult! I’ve only recently returned to freelancing so am unlikely to benefit from government measures to keep the self-employed afloat.
On the upside, you can help by buying magazines online, and have some sunshine delivered to your door. Planet Mindful is a gorgeously positive magazine, and my guided visualisation in 2020 issue 3 will hopefully give you a few moment’s respite and serenity. It’s set in a Japanese garden and accompanied by one of my original paintings, pictured above.
‘The path guides you towards a pool shaded by cherry blossom trees. As you stroll amidst the trees, petals fall and alight on your skin.’
I’m pleased to say that writing and painting these guided visualisations is a pleasure I’m able to continue.
My short story The Tempered Lake has been published as part of Ayaskala‘s beautiful March 2020 issue. Based in India, the online publication led by editor-in-chief Vaishnavi Sharma has a focus on mental health. As a writer with a preoccupation for the fallibilities of the human mind, I’m thrilled to have my story featured.
The Tempered Lake is part of my novel-in-progress Lake Glas, which explores a sister’s growing obsession with her brother, who removed himself from her life when she prevented him making a dangerous decision.
If you fancy a read, you can buy and download Ayaskala’s March 2020 digital issue here. It’s packed full of inspiring and moving writing and art.
I’m utterly delighted that my short story Enduring Night, inspired by a visit to Iceland, is feeding the wonderful, eternally ravenous The Cabinet of Heed. It has taken up residence in Issue Twenty-Nine, out now.
Enduring Night is a love story that may not be a love story, set against the elemental beauty of Iceland in the snow.
It begins with a moment of anticipation, which I wrote before I actually visited Iceland, and long before the rest of the tale took shape.
I haven’t been here yet, but this is what I imagine it will be like. Dark as ink from waking till sleeping, with an occasional reprieve when the sun lifts its lead-heavy head. Fissures of aurora borealis dancing above bare-branched trees as ice crystallises in the air. Eyeballs rolling in the fight not to freeze; skin tightening; breath blooming like fog.
Read Enduring Night in full.
My first feature for Planet Mindful appears in issue 10, aka Planet Mindful 2020 issue 2, out today. The lovely editor, Becky, commissioned me to write about the benefits of mindful reading and writing. As you might suspect, I had a lot to say on the topic! The feature’s titled ‘Through the Looking Glass’, and offered me a chance to chat about my favourite pastimes. Heaven!
I also wrote a guided visualisation for the magazine. It felt a bit like writing an extremely peaceful ‘Choose Your Own Adventure’ story, with lots of opportunities for readers to interpret their imagined surroundings in ways that personalised the experience to themselves and their own life
‘A blackbird resting on a nearby branch pauses, mid-song, to watch you pass.’
As part of the process of dreaming it up, I painted a picture of the scene I was envisioning, and Becky printed that too. Very exciting!
Becky also included a mention of my short story collection Sky Light Rain. Marvellous.
Planet Mindful magazine is available to buy here.
My short story Stealing from Windowsills, which I wrote at the Flash Fiction Festival 2019 has been published by the marvellous Thin Air magazine. Based on a traditional fairytale, the story began life in a flash workshop at 2019, but swiftly outgrew the form.
Likewise, my character Zel has, I believe, outgrown her inspiration.
Here’s Zel, introducing herself from her tower room:
My mirror shows me my imperfection – my wide nose as dappled as a hooded crow’s egg rather than grandly hooked like Mother’s; my eyes large and dark, unlike Mother’s fine bloodshot glints.
My wild, long hair is almost a separate creature. I pretend it is a pet, one that purrs, neighs, and, on rare instances, bites. I bunch, braid and tint it sea-dragon green with the ivy and other plants that shimmy up the stonework to meet me.
You can read the full story here.
I’m excited to share the news that I’ve been appointed Flash Fiction Editor at Reflex Press.
I’ll be managing all the flash fiction submissions submitted for publication on the publishing house’s website. I’ve already received some fantastic submissions and am eagerly anticipating plenty of other mini masterpieces!
I want to read work that moves me, startles me, and, most of all, makes me think: ‘Wish I’d written that!’ A skilful flash fiction writer can condense a whole novel into a paragraph, and leave you feeling you’ve absorbed a whole novel in a few moments. I’m hoping to discover entire worlds coiled into a few carefully chosen words.
Find full details here: https://www.reflex.press/introducing-our-new-flash-fiction-editor-judy-darley/
I’m delighted that my flash fairy tale ‘Click clack twitch’ has been selected by STORGY magazine for their #FestiveFlash #AdventCalendar. My story is live today, 12th December 2019. 😃🥳
This Advent Calendar such a wonderful idea – a perfect parcel of fiction each day of December, far more nourishing and satisfying than substandard chocolate. My story involves knitting, a dropped mitten, a hint of romance and an unlikely fairy godmother…
Read ‘Click clack twitch’ here.
In June I spent a glorious weekend helping out at the Flash Festival at Trinity College near Bristol. I attended as many of the workshops as I could and found myself utterly inspired! Vanessa Gebbie’s workshop ‘The Wierd and Wonderful World of Flash Fiction’ generated zillions of ideas, one of which began with a seahorse and bloomed into my 250-word micro tale Going Coastal.
Here are the opening lines:
“Bernadette looked at the seahorse bobbing in its jar of saltwater. It blinked at her through the thick bevelled glass. She thought it seemed depressed.”
I’m delighted to see it published in the Flash Fiction Festival Three anthology, where it jostles happily alongside 81 other micros, including works by some of the flash fiction universe’s luminaries, not least Vanessa herself, Ingrid Jendrzejewski, Carrie Etter, Karen Jones, Santino Prinzi and Peter Wortsman, plus a whole exceptional horde of others!
Can’t wait for next year’s Flash Fiction Festival – tickets are available here. The anthology is published by Ad Hoc Fiction and available to buy here.
In the meantime, this is what I’ll be reading:
I’m chuffed to pieces that my short story Simmer and Steep has been selected for Liars’ League Hong Kong’s Exits & Entrances themed event.
My story was inspired by the drawn doorway shown above, and is about finding your own exits and entrances to embrace the life (and perhaps the person) you want.
“I passed the door on my way to work, and each day the sight of it lit a smile within me. I felt it was shouting what none of us dared say – that most of what we did was filler while we waited for something real to come along.”
In case you weren’t aware, Liars League is an event that matches short fiction to actors, celebrating the spoken word while giving it some thespian panache! Their tagline is Writers Write. Actors Read. Audience Listens. Everybody Wins. There are regular events in various locations around the world.
Liars’ League Hong Kong’s Exits & Entrances themed event takes place on Monday 9th December 2019 at 8pm at Terrible Baby, Eaton Hotel Hong Kong. Find full details here.
You can watch actor Frances Chen perform my story Simmer and Steep here: https://liarsleaguehk.com/2020/01/21/simmer-and-steep-by-judy-darley-read-by-frances-chen/