Upcoming literary events & activities

Celebration of the Book bannerI’m looking forward to a few weekends jam-packed with literary hi-jinks.

Saturday 26th October 2024 The Great Festival Flash Off, online

At this online session, I’ll be teaching a one-hour version of my ‘Writing on Water’ workshop, inviting flash writers to explore different ways of using water to inspire or shine up themes in their writing, with generative exercises, examples from a variety of writers, and time to write.

The full day (11.00am to 6.30pm) only costs £30, with two hour-long workshops and one 90min workshop, plus readings, breakout rooms for chats, yoga for writers and a competition each time.

In addition to ‘Writing on Water’, the 26th October edition of the Great Festival Flash Off includes workshops with Ingrid Jendzrejewski and a discussion/reading/Q&A with Karen Jones and Diane Simmons.

Book for The Great Festival Flash Off here.

Friday 1st November, Clevedon LitFest Writing Competitions prize-giving
Jubilee Lounge, Clevedon Community Centre, aka Princes Hall, BS21 7SZ, from 7.30pm

CompAwards showing KatLyon, bristol poet 2024, on orange and blue backgroundTo announce the winners Clevedon LitFest Writing Competitions, there’ll be an inspiring evening of celebrations and performances. As one of the judges for the short story entries, I can’t wait to meet the writers of the 1st, 2nd, and 3rd award-winning stories, and the writer of the highly commended story.

With a performance from the current Bristol City Poet Kat Lyons. it’s going to be a very special night indeed.

There’s no need to book for this free event – just turn up. See you there?

Saturday 2nd November, Celebration of the Book
Clevedon Community Centre, aka Princes Hall, BS21 7SZ, from 10am

Clevedon LitFest’s Celebration of the Book returns as a one-day convention of books and book arts.

A day-pass for all talks, discussions and readings costs just £15, with workshops costing extra.

Find full details for Celebration of the Book and book here.

I’ll be helping out with talks and panels throughout the day, and sharing a story or two of my own from 5.30pm as part of ‘Exploring the Edges: Literary fiction readings.’

Sunday 10th November, The Laurie Lee Prize for Writing 2024
Lansdown, Stroud, Gloucestershire GL5 1BB, from 5.30pm

As one of the shortlisted authors, I’ll be there to celebrate being part of the legacy of one of my long-time favourite authors and hear readings from the winning entries and those “which most captivated our judges” as part of Stroud Book Festival 2024.

The event will feature a performance of ‘April Rise’, a poem by Laurie Lee, set to music by Jonathan Trim and performed by Every Other Monday Choir, which sounds wonderful!

Book your free tickets for The Laurie Lee Prize for Writing 2024.

Saturday 30th November, The Festival of Stories
SPARKS (the old M&S), 78 
Broadmead, Bristol, from 10am

The celebration of storytelling is a free day bringing together an “eclectic mix of seasoned storytellers, emerging voices and passionate listeners for a day filled with tales that span generations, cultures, and experiences.”

I’m part of the ‘stories for grown ups’ line-up and can’t wait to discover what else is going on.

Enter the Bath Children’s Novel Award

Roman Baths by Judy DarleyThe Bath Children’s Novel Award invites submissions of books for children or teenagers from unaccented, and unpublished or self-published authors worldwide.

Deadline: 30th November 2024
Prize: £5,000, plus the coveted Minerva trophy, based on the famous sculpture in Bath’s Roman Baths.
Entry fee: £29.99 per manuscript with sponsored places available for low income writers.

Initial submissions are up to the first 5,000 words plus one page synopsis of novel or chapter book manuscripts for children, novels for teens, or up to three entire picture book texts with summaries.

Longlisted submissions are whittled down to a shortlist chosen by Junior Judges aged seven to seventeen years. 2024’s winning manuscript will be judged by literary agent Enrichetta Frezzato of Curtis Brown.

Shortlisted authors receive a compilation of Junior Judges’ comments on their full manuscript. All shortlisted authors win feedback worth £180 on their opening pages from an editorial director at Cornerstones Literary Consultancy.

The writer of the most promising longlisted novel will  win a place worth £1,980 on the 18-week virtual course Edit Your Novel the Professional Way from Cornerstones Literary Consultancy and the Professional Writing Academy.

The winner will be announced in February 2025.

Previous winners include Struan Murray for the manuscript of Orphans of the Tide (published by Puffin in 2020), Lucy Van Smit for The Hurting (Chickenhouse, 2018) and Matthew Fox for The Sky Over Rebecca (Hachette, 2022).

Find full details and enter here: https://bathnovelaward.co.uk/childrens-novel-award/ 

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud (dot) com.

Enter Clevedon LitFest’s Short Story Competition today

Gulls over Clevedon Pier_Photo by Judy DarleyDo you live in North Somerset and write fiction? If so, I urge you to enter Clevedon LitFest’s Short Fiction Competition.

Open to North Somerset postcode residents only, age 19 years or above.

Prizes

  • 1st Prize is £100
  • 2nd is £75
  • 3rd is £50

One short story no longer than 500 words can be submitted.

Closing date = 12th August 2024 at 11.59pm BST.

Entry fee £5 (when paying please give the same email address as that used to submit your entry).

Your entry can only be submitted by email, as an attachment, using the email
address given when you paid your entry fee.

Find the rules and full details here.

Pay your entry fee here.

Julie Davies won the inaugural Clevedon Literary Festival short story competition with her story Remembrance in 2023. She says: “Winning the Clevedon LitFest Short Story Competition was a huge boost to my confidence as a writer. It’s a badge of validation I wear with pride. Also, it funded a whole new stack of books for my reading pile, thanks to the generous prize money!”

Your judges

Jackie Hales head shot cropJackie Hales moved to Clevedon in 2022 and is thoroughly enjoying being involved with local writing, reading, singing and walking groups. Before retiring, she taught Creative Writing modules, and back in the 1990s, she was a Poetry Guild national semi-finalist.

Jackie’s Her début novel was published in 2022, with her second due for release in August 2024. She has also had published memoir, short stories, microfiction and poetry, both online and in print.

She has annually marked a writing competition in Yorkshire, and she enthusiastically judged Clevedon Literary Festival short story competition last year, so she is looking forward to reading this year’s entries.

What Jackie is looking for in Competition entries:

“I’m looking for writing that draws me into its world through originality, impact and engaging characterisation, making me want to read to the end. Language use and structure  will be carefully crafted for maximum effect on the reader.”

Judy Darley photo credit Jo Mary Bulter Photography_cropJudy Darley is an award-winning writer, editor and creative workshop leader who relocated to Clevedon in December 2023. She is the author of short fiction collections The Stairs Are a Snowcapped Mountain (Reflex Press), Sky Light Rain (Valley Press) and Remember Me To The Bees (Tangent Books).

She previously judged competitions for National Flash Fiction Day UK and Oxford Flash Fiction Prize, among others. She won first prize in the New Writers UK Winter Story competition 2024 with her micro-tale A Bright Day.

In her other life, Judy is a Community Manager and helps to run conferences about financial wellbeing.

What Judy is looking for in Competition entries:

“I want to be moved by what I read. Although 500 words is no longer than a flash fiction, that’s enough space to create a story arc. There should be some sense of change in the story, if only in the protagonist. I want to read stories that ignite my imagination and capture my heart!”

Good luck!

Pure Slush invites music-inspired prose

Heart leaf by Judy DarleyIndie publisher Pure Slush is currently inviting submissions for The Absent Bassoonist, the 4th and final anthology in Pure Slush’s Music series.

Submissions close on 30th September 2024.

Here is the set-up for the anthology …

The Quonsettville Community Orchestra is set to open the newly-rebuilt LaChute Cultural Center with a sparkling concert.

The concert on Saturday 18th June 2023, was set to include the first public performance in 68 years of Dudley Donegal O’Day’s magnificent (and very underrated) Triple Bassoon Concerto (transcribed for two bassoons).

But on the night of the concert, First Bassoonist Solomon Schweitzer never arrives.

Why?

The Pure Slush team want to know what Solomon is doing instead of showing up to perform.

What do you believe happened to Solomon?

This is an unusually specific brief, but luckily the team have supplied from clear pointers, starting with the story An Empty Chair by Matt Potter (click here to read).

You can also read some information on Solomon here, and explore a map of Quonsettville, where the action in The Absent Bassoonist is set, here.

Pure Slush publishes print anthologies of fiction, non-fiction, and poetry.

When asked what Pure Slush is ‘about’, founding editor Matt Potter said: “Fun, humour, attention, absurdity, humanity, love, sex, more fun and more humour and more absurd humanity.”

But what do the folks at Pure Slush like?

Here are just a few pointers (and some editing tips): “Send a story about knitting that’s funny … and we’ll probably like it.

Send a story with arty, complex imagery … and we probably won’t like it.

Send an honest story about love or a funny story about sex … and we’ll probably like it.

Send a story that’s stylish but empty … and we’ll probably ask you to rewrite it.

Send a story about human foibles that’s real but has no feeling … and we’ll probably ask you to give it more emotion.

Send a story that’s 1000 words long but only in one or two paragraphs … and we’ll ask you to divide it further.

Or send us a story that is all reported (or indirect) speech – She said (that) she couldn’t keep her breakfast down – and we’ll ask you to make it direct (or quoted) speech – She said, “I couldn’t keep my breakfast down.” (What is this fashion for stories entirely made of reported speech? Direct speech is always more immediate and takes you there now!)

Send a story where you want us to love every single word and space … and not suggest changes … and, um, you will probably be disappointed and / or angry with the response. We enjoy working with writers who want to make their story better: writers married to every word can be tiresome.”

There are a lot more tips on the website. Take a look before you submit.

Find full details of how to submit your story here: https://pureslush.com.

Got an event, challenge, competition, opportunity or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) iCloud (dot) com.

Enter Winchester Poetry Prize 2024

Sunshine snail cr Judy Darley

Winchester Poetry Prize 2024 invites you to submit poetry “with a good emotional thwack.” The closing date for entries is 31st July 2024.

Entries cost £6 for first poem, £5 for subsequent poems.

A ‘Pay it Forward’ scheme introduced by 2020’s competition winner, Lewis Buxton, allows you to pay for an extra entry that will fund a submission by a poet who wouldn’t otherwise be able to enter the competition.

The judge is Clare Shaw, whose fourth poetry collection Towards a General Theory of Love (Bloodaxe, 2022) won a Northern Writers Award and was a Poetry Society Book of the Year. Clare teaches creative writing at the University of Huddersfield, and is a regular tutor at Wordsworth Grasmere, the Royal Literary Fund and the Arvon Foundation.

“Whatever the subject, fill your poetry with curiosity, and an excitement for language. Tone, language, form – all of these tools bring the poem to life in the imagination, intellect and heart of the reader. Send me your living, breathing poems!”

Winchester Poetry Prizes

  • 1st prize = £1000

  • 2nd prize = £500

  • 3rd prize = £250

Winning and commended poems will be published in a competition anthology.

The Kathryn Bevis Prize will be awarded for the best poem written by a Hampshire-based poet. 

The winner of the Kathryn Bevis Prize will receive £150, will read their poem as part of a special prize-giving event at Winchester Poetry Day 2024, and will feature in a printed anthology made available on the day. In addition, The Writing School will offer the winner of the Kathryn Bevis Prize three one-day poetry workshops with leading poets, as well as a five-day Digital Poetry Retreat with Costa Prize Winner Jonathan Edwards.

This prize is designed to offer a year of development opportunities and coaching to help the winner of the Kathryn Bevis Prize to develop their poetic career, in honour of Kathryn who has supported many new writers to develop their own talent.

Flamingo, Kathryn’s debut pamphlet published by Seren, was named as one of the Poetry Society’s ‘Books of the Year’ for 2022 and shortlisted for the Saboteur Award for Best Poetry Pamphlet, 2022. ‘My body tells me that she’s filing for divorce’ was shortlisted for the Forward Prize for Best Single Poem – Written – 2023.

Her debut collection The Butterfly House was published by Seven in March 2024.

Find full details of the competition here: www.winchesterpoetryfestival.org/prize.

Got an event, challenge, competition, creative opportunity or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) ICloud (dot) com.

Enter the Searchlight Writing for Children Awards

Brandon Hill, Bristol, child in tree by Judy Darley

The Searchlight Writing for Children Awards is open for entries.

The closing date for entry is 1st September 2024.

There are two competition categories: Best Novel Opening for Children or Young Adults and Best Picture Book Text.

Winners will be chosen by Rachel Petty of The Blair Partnership and Lorna Hemingway of Bell Lomax Moreton.

Prizes

First prize is a one-to-one call with the agent judge plus £500 for the author of the winning picture book and £1000 for the author of the winning novel opening.

Second prize is manuscript feedback from celebrated author and creative writing tutor Steve Voake or expert picture book editor Natascha Biebow of Blue Elephant Storyshaping.

The top 10 stories in both categories will feature in an agent/publisher pitch book and be sent to literary agents/publishers who have requested it.

The entry fee is £12 for the picture book category and £16 for the novel opening category.

For full details, visit www.searchlightawards.co.uk.

The Bridport Prize Memoir competition

Ammonite on Sidmouth Beach_Photo by Judy DarleyThe Bridport Prize for Memoirs is open.

The deadline is 30 September 2024.

All entries are judged anonymously. To avoid disqualification, make sure you do not include your name, address, phone number, email, website, twitter handle etc on the document or in the file name.

Memoir extracts must be between 5,000 and 8,000 words.

If you’re longlisted they’ll ask for a total of 15,000 words, including your original word count. Shortlisted writers will be asked to submit a total 30,000 words, again including your original entry and longlisted word count.

The fee is £24.

Kit de Waal is judging memoir entries. Kit began writing in her fifties. She won the Bridport Prize twice for flash fiction. Her recent memoir ‘Without Warning & Only Sometimes’ tells of ‘hunger, hellfire and happiness.’ Her first novel, MY NAME IS LEON was shortlisted for the Costa Book Award and adapted into a BBC drama.

Kit says: “Write what you know is great advice, what better than by writing a memoir. Don’t think you’re too ordinary – there are no ordinary lives – and don’t think you’re too inexperienced. Write from the heart and tell me who you are. I can’t wait to read.”

Top prize is £1,500. 

The winner will receive a year’s mentoring from The Literary Consultancy through their Chapter & Verse scheme. You’ll also have the chance to consult with A.M. Heath, a leading London literary agency, plus get valuable advice from an editor at John Murray, part of Hachette publishers. You have the option of a discussion with the University of Exeter’s Creative Writing Department. In addition, the opening chapter/s of your memoir will be published on the Bridport Prize website. You’ll also be championed as part of the Bridport Prize family.

Don’t forget to check out the Writers’ Room on the Bridport Prize website for resources and inspiration.

Find full details of the Bridport Prize Memoir Award.

Find full details and enter your creative works at www.bridportprize.org.uk.

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud(dot)com.

Edinburgh Book Festival welcomes word-lovers

Edinburgh Book Festival. Shows people in a park enjoying the literary festivalThis year’s Edinburgh International Book Festival is on from 10th-25th August 2024, celebrating the joy of words with more than 550 world-class luminaries from 50 countries contributing to over 500 events.

This year’s theme is Future Tense as the Festival relocates Edinburgh Futures Institute (EFI) under the Directorship of Jenny Niven. “FUTURE TENSE comprises six sub-themes, each exploring an aspect of how we can, or should, change our individual and collective futures.”

Located just off The Meadows in the leafy heart of the city, the Festival’s new home is a stone’s throw from key Fringe venues at George Square and the home of the Edinburgh International Festival at the Hub.

Key themes include:

A Toast to the Future, with an opening gala event of readings presenting “a kaleidoscope of perspectives and provocations, from the hopeful to the momentous, as we ask a diverse line-up of stellar writers to explore the idea of The Future in 7 minutes each. Participants include experimental author Martin MacInnes; form-bending writer Irenosen Okojie; speculative novelist Naomi Alderman; and award-winning poet and performer Joelle Taylor.

Future Library, a project described as a meditation on time, and the imagination, which has commissioned renowned authors, including Margaret Atwood, to create works which are placed inside the Future Library in Oslo, remaining unread until 2114. Literary superstar Margaret Atwood contributed the first book to this visionary project, Atwood will join the event via livestream to explore how we can engender a better future. There will also be hands-on workshops, and the announcement of the 2025 Future Library contributor.

Generations, which offers perspectives on how we can become ‘good ancestors’, from Roman Krznaric and Ella Saltmarshe, and on how our political systems can be adapted to consider more deeply our impact on the generations after us (led by Wales’ first Commissioner for Future Generations, Sophie Howe). There will also be a series of intergenerational conversations between writers who share common ground, including  poets Roger McGough and Hollie McNish.

Discover all the themes in detail here.

Our programme Future Tense speaks to the complexity of the moment we’re in, but hopefully also brings some optimism – the world is full of brilliant, insightful people working in so many imaginative ways. We’re excited to showcase some of that incredible thinking and writing – and the ways people are working together to solve problems and keep learning,” says Jenny Niven, Director at Edinburgh International Book Festival. “It’s been an honour to engage with authors, publicists, poets, performers, artists and audience members since I took on this role, and all of these conversations have informed what you will find on site this summer.”

Find full details of the Edinburgh International Book Festival programme.

Got an event, challenge, competition, opportunity or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) iCloud (dot) com.

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Enter the Fractured Lit Flash Fiction Open prize

Button on Kilve Beach cr Judy DarleyGot a fresh micro or flash fiction you’re ready to zing out into the world? Enter the Fractured Lit Flash Fiction Open Prize.

The deadline is 14 July 2024.

Guest judge Maurice Carlos Ruffin is the author of the new historical novel The American Daughters, published in February 2024 by One World Random House. He is the recipient of the 2023 Louisiana Writer Award and the Black Rock Senegal Residency. He also wrote The Ones Who Don’t Say They Love You, which was published by One World Random House in August 2021. The collection was the 2023 One Book One New Orleans Selection, a New York Times Editors’ Choice, a finalist for the Ernest J. Gaines Award for Literary Excellence, and longlisted for the Story Prize. The Ones was also selected to represent Louisiana at the 2023 National Book Festival. His first book, We Cast a Shadow, was a finalist for the PEN/Faulkner Award, the Dayton Literary Peace Prize, and the PEN America Open Book Prize. It was longlisted for the 2021 Dublin Literary Award, the Center for Fiction Prize, and the Aspen Words Literary Prize. The novel was also a New York Times Editors’ Choice.

A New Orleans native, Ruffin is a professor of creative writing at Louisiana State University, and the 2020-2021 John and Renee Grisham Writer-in-Residence at the University of Mississippi.

The first place winner will receive $2,000 and publication, while 15 finalists will receive $100 and publication. All entries will be considered for general publication.

They say; “We want your most creative and resonant flash and microfictions. No themes. Send us those pieces that hum with life, velocity, and intimacy. Write that story you’ve been thinking about for months, the one that needs to exist, the one that caught you in its glare of white-hot inspiration. Please don’t forget that we love stories that involve actions, reactions, and reckonings. Write and submit the stories only you can tell!”

Entries must be under 1,000 words in length.

You need to pay a $20 reading fee per entry of up to two tales. Writers from historically marginalized groups may submit for free until a cap of 25 submissions is reached in this category.

Find full details and enter here: https://fracturedlit.com/flash-fiction-open/

Good luck!

Got an event, challenge, competition, opportunity or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) ICloud (dot) com.

Enter The Queen Mary Wasafiri New Writing Prize

Terra Nostra Tropical plants cr Judy DarleyWasafari magazine invites submissions of Poetry, Fiction and Life Writing for The Queen Mary Wasafiri New Writing Prize.

The prize closes on 1st July 2024 at 5pm BST.

The prize supports writers who have not yet published a book-length work, with no limits on age, gender, nationality, or background. Winners of each category receive a £1,000 cash prize and will be published in Wasafiri’s print magazine. Shortlisted writers will have their work published on the Wasafiri website. All 15 shortlistees and winners will be offered the Chapter and Verse or Free Reads mentoring scheme in partnership with The Literary Consultancy (dependent on eligibility), and a conversation with Nikesh Shukla of The Good Literary Agency to discuss their career progression

The fee is £12 for a single entry and £16 for a double entry. No entry may be more than 3,000 words long.  

Subsidised entry is available for those who would otherwise be unable to enter the prize.  

Shortlisted entrants will be notified in September

Find full details of how to enter at www.wasafiri.org.

About the judges

The chair of judges is Margaret Busby CBE, Hon. FRSL (Nana Akua Ackon) is a major cultural figure around the world. Her career has spanned work as a publisher, editor, interviewer, reviewer, scriptwriter, lyricist, radio and TV presenter, activist and mentor. She has judged prestigious literary prizes, including the Booker Prize, and served on the boards of such organisations as the Royal Literary Fund, Wasafiri magazine, Tomorrow’s Warriors, and the Africa Centre in London. She has been a guest on BBC Radio 4’s Desert Island Discs. In 2023, she was appointed President of English PEN.

Isabel Waidner (fiction judge) is a novelist based in London. Their work includes Corey Fah Does Social Mobility (2023), Sterling Karat Gold (2021), We Are Made of Diamond Stuff (2019), and Gaudy Bauble (2017). They are the winner of the Goldsmiths Prize 2021 and were shortlisted for the Goldsmiths Prize in 2019, the Orwell Prize for Political Fiction in 2022 and the Republic of Consciousness Prize in 2018, 2020 and 2022. They are a co-founder of the event series Queers Read This at the Institute of Contemporary Arts and they are an academic in the School of English and Drama at Queen Mary University of London.

Cristina Rivera Garza (life writing judge) is an author, translator and critic. Recent publications include Liliana’s Invincible Summer(Hogarth, 2023), which was long listed for the National Book Award in nonfiction. The Taiga Syndrome, trans. by Suzanne Jill Levine and Aviva Kana, (Dorothy Project, 2018), won the 2019 Shirley Jackson Award. Grieving. Dispatches from a Wounded Country, trans. by Sarah Booker (The Feminist Press, 2020), was a finalist National Book Critics Circle Award In Criticism. She is M.D. Anderson Distinguished Professor and founder of the PhD Program in Creative Writing in Spanish at the University of Houston, Department of Hispanic Studies, and a MacArthur Fellow 2020-2025.

Meena Kandasamy (poetry judge) is a poet, writer, translator, anti-caste activist and academic based in India. Her extensive corpus includes two poetry collections, Touch (2006) and Ms Militancy (2010), as well as three novels, The Gypsy Goddess (2014), When I Hit You (2017) and Exquisite Cadavers (2019). In 2022, she was elected as a Fellow of the Royal Society of Literature (FRSL) and was also awarded the PEN Hermann Kesten Prize for her writing and work as a ‘fearless fighter for democracy, human rights and the free word.’ Her latest published work is Tomorrow Someone Will Arrest You, a collection of political poetry written over the last decade.

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud (dot) com.

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