Enter the Bridport Prize

Bladderwrack by Judy Darley
The Bridport Prize, one of the UK’s most prestigious writing competitions, is currently seeking submissions of short stories, flash fiction, poems and debut novels.

The deadline for all competition entries is 31st May 2019.

Bridport Prize artwork cr Paul Blow

Image by Paul Blow

Poems may be up to 42 lines in length. The entry fee is £10. The winning poet will receive £5,000.

Short stories may be up to 5,000 words long. The entry fee is £12. The winning short story writer will receive £5,000.

Flash fiction may be up to 250 words long. The entry fee is £9. The winning flash fiction writer will receive £1,000.

The winning and highly commended flash fiction, short stories and poems will be published in the Bridport Prize anthology 2019.

Novel extracts may be up to 8,000 words long. You must also supply a 300-word synopsis, which should be the first page of your entry. The fee is £20.

First prize is £1,000 plus a year’s mentoring through The Literary Consultancy’s Chapter & Verse mentoring scheme, and possible publication. T

Second prize is £500 plus a full manuscript assessment from The Literary Consultancy

There are runners-up awards of £100, plus a 50-page manuscript assessment (redeemable against a full appraisal if desired), which will be made to three shortlisted writers.

The opening chapters of the first prize and runner-up novel will be published on the Bridport Prize website.

Find full details and enter your creative works at www.bridportprize.org.uk.

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at judydarley(at)iCloud(dot)com.

The 507 micro fictions I have read

Dinefwr water meadows. Phot by Judy DarleyRecently, in a little under two days, I read and digested 507 micro fictions. Some of them I returned to and chewed over multiple times. In the two days after that, I set aside more than stories until I’d selected the 25 tales that have… well, yes, cast ripples.

The 507 specimens are 100-word stories submitted to the National Flash Fiction Day competition, which I was lucky enough to co-judge. On the morning after the contest closed to entries, I opened my inbox to find a fat document brimming with them all, ready to read at my leisure.

Well, not at my leisure, but it was a Saturday and I had almost an entire free morning in which to luxuriate over the carefully crafted creations.

During the first day I soon built up a rhythm that swept me along. As I swam through the compact fictions, I developed a labelling system of Yes, for the ones that stopped me in my tracks, Maybe, for the ones that snagged my attention at all, and No, for those that, I’m afraid, I felt I could remove without too many qualms.

By the end of day two I’d completed my second reading of all surviving stories, and was down to around 130.

Day three saw me whittle these down to a scant 61.

Patterns began to emerge as my brain sorted them into a series of recurring themes. I and my fellow judges, Angela Readman, Diane Simmons and Kevlin Henney, each attended dozens of funerals, including a high number where the chief mourner was also the murderer. We spent time in hospitals reeking with antiseptic and regret, waded through the mud of a multitude of wars. We met ghosts, unhappy children and cheating lovers in their droves.

We visited far-off planets, encountered people contemplating violence to themselves and others, and grazed our knees on numerous allegories and analogies. We bore witness to sensual and sinister moonlit cavorting. On at least three separate occasions we were told of the pain experienced via injury done to a twin. We eavesdropped on #MeToo revelations and felt the heat or skin-creeping chill of first times. These echoed narratives made our jobs a fraction easier, as we sought as the best of one type or another and used these to narrow our choices.

The process taught me to recognise a number of important things.

  • Word play is good, but not enough. For me a story needs to have heart too
  • A twist in the tail really needs to be handled with skill so as not to become an irritant
  • In some cases, even a 100-word story can have too many words
  • In some cases, a story trimmed down to 100 words can lose all meaning
  • Titles matter. With only 100 words to play with, the title offers precious opportunity to set the tone, and even layer in background information
  • Last lines matter. Somehow, they are the pebble that really casts a ring of ripples that will draw readers back to your story time and again.

To reach the small sum of 25, we each had to extricate and wave sorrowful farewells to some truly outstanding works. One I removed on day three continue to wriggle in my mind with such insistence that I retrieved it on day four and included it in my 25.

Once we’d ordered our 25 choice according to  preference, Santino Prinzi, the competition coordinator, correlated these, reissued the shortlist of 26 and asked us to narrow these down to our top ten. At this point, certain stories really began to shine.

I have emerged from tales breathless with wonder. It’s been an incredible, exhilarating journey, every step of the way.

NFFD 2019 logo

Now we have announced our winners and high commendably micro fictions, all of which will be published in the National Flash Fiction Day anthology 2019. There are some absolute stunners among them. Huge congratulations to these final ten, as well as everyone who reached the shortlist!

Being a co-judge of the NFFD completion 2019 has been a privilege. more than that, it’s been an education that’s spurred me on to aspire to write deeper, write truer and uncover more through my own writing.

A perfectly crafted paragraph is a powerful thing.

Bristol Short Story Prize 2019

Bristol hot air balloons cr Judy DarleyOne of my favourite writing competitions (and not just because it’s local), Bristol Short Story Prize 2019 is open for entries. Flick through any of their anthologies and you’ll discover a wonderful breadth of themes, topics and styles.

The closing date for entries is May 1st 2019. Submissions can be up to a maximum length of 4,000 words. There is an entry fee of £9 for each submission.

The 2018 Bristol Short Story Prize was won by Dizz Tate  for her story, Cowboy Boot. 2nd prize went to Chloe Wilson. You can read an interview with Dizz about her win, here. Chloe Wilson has been signed by literary agent Kate Johnson of the New York-based MacKenzie Wolf Literary Agency. Kate is part of the judging panel for the 2019 competition, along with editor Lucy Cowie, writer Polly Ho-Yen, and writer Billy Kahora.

The 2017 Bristol Short Story Prize was won by Dima Alzayat for her story, Ghusl. Following her win Dima has been signed by literary agent Juliet Pickering.

BristolShortStoryPrize-vol-9-coverThe 2016 Bristol Short Story Prize was won by Stefanie Seddon for her story, Kãka.

The 2015 Bristol Short Story Prize was won by Canadian writer Brent van Staalduinen for his story A Week on the Water.

The 2014 Bristol Short Story Prize was won by Mahsuda Snaith for her story The Art of Flood Survival.

Find the full competition rules here.

The writing competition prizes

First prize is £1,000. Second prize is £500, and third prize is £250.

Each of the 17 remaining shortlisted finalists will receive £100. The winning story will be published in the print edition of Bristol 24/7 magazine in November 2019, as well as in the Bristol Short Story Prize Anthology Volume 12. An additional prize of £100, The Sansom Award, in recognition of the contribution to Bristol publishing of John and Angela Sansom, may be presented to the highest placed story by a Bristol writer.

For full details or to enter, go to www.bristolprize.co.uk.

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at judydarley(at)iCloud(dot)com.

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Enter the NFFD Micro Fiction Competition

Sweets by Judy DarleyI’m excited to be one of the judges of the National Flash Fiction Day micro fiction competition 2019, along with the marvellous Diane Simmons, Angela Readman and Kevlin Henney.

We’re hungry for your most finely crafted, resonant unpublished words. Disturb us, discombobulate us, turn our expectations upside down and make us regard the world anew, or draw us into a life and move us, all in only 100 words or fewer.

The deadline is Friday 15th March 2019, 23:59pm GMT. You’re invited to submit up to three flash fictions on any theme.

Titles aren’t included in the word count.

First prize is £75.

Second prize is £50.

Third prize is £25.

The winning and shortlisted authors will be published in the National Flash Fiction Day 2019 anthology. Winning and shortlisted authors will also receive a free print copy of this anthology.

Find full competition rules and entry fees here.

You can read my interview with Diane Simmons, in which I talk about what I’m hoping to see in submissions, here.

I can’t wait to read your submissions. Good luck!

Writers’ & Artists’ Yearbook 2019 Short Story Competition

Beautiful skies, Victoria Park cr Judy DarleyThis annual competition is one of my favourites on the literary calendar. There’s no theme for you to base your story on – all you have to do is make sure you’re registered with the website www.writersandartists.co.uk, that the subject line of your email reads ‘W&A Short Story Competition 2019‘ and that you send it to waybcompetitions@bloomsbury.com.

Your story must be no more than 2,000 words long. The closing date for entries is midnight on Wednesday 13th February 2019.

The winner of the competition – along with two runners-up – will be announced on the W&A blog pages in March 2019.

Entry is free, but don’t forget to register before submitting your story. Continue reading

Enter the Lucy Cavendish College Fiction Prize 2019

Bud. Photo by Judy DarleyThe Lucy Cavendish College Fiction Prize 2019 invites entries from women over the age of 21 who have written a novel “that marries literary merit with unputdownability.”

The judges say they’re equally open to literary fiction and genre fiction, as well as to young adult fiction and children, providing they are primarily word-based.

Your submission must be previously unpublished, and you must not have had other full-length novels published. However, having short stories, poetry, non-fiction or picture books published previously does not exclude you.

To be considered, you need to submit the first 40-50 pages of the novel via the online form and a five to ten-page synopsis of the remainder.

The entry fee is £12.

All shortlisted entrants receive a half-hour one-to-one consultation and editorial feedback from PFD literary agency. In addition, the 2019 winner will receive a cash prize of £1,500.

Shortlisted applicants will also be invited to the Annual Fiction Prize dinner at Lucy Cavendish College, Cambridge, on Thursday 23rd May 2019.

Find out about previous winners.

For full details, visit www.lucy-cav.cam.ac.uk/fictionprize/how-to-enter, and make sure you follow the competition Terms and Conditions.

The closing date for entries is 12 noon on Friday 8th February 2019.

Win a spot at the Iceland Writers Retreat 2019

Gullfoss Falls Iceland photo by Judy DarleyThe good folks of the Iceland Writers Retreat have partnered with Iceland Travel to offer one person a free spot at their retreat scheduled for April 2019. The winner will receive  a free hotel stay, tours, most meals, and all workshops for the duration of the event, from 3rd to 7th April 2019.
To be in with a chance you need to write an essay, story or poem on the theme of equality, preferably including a mention of Iceland. Your entry must be no more than 500 words long.
The submission deadline is 23:59 (GMT) Monday 17th December 2018. There is no fee to enter. Click here to enter.
If you win and have already paid to attend the Iceland Writers Retreat, your payment will be refunded. Entries will be judged anonymously.
Find the full details and conditions here. but note that the prize does NOT include airfare to Iceland or airport transfers.
About the Iceland Writers Retreat
Held for the first time in April 2014, the Iceland Writers Retreat is an event comprised of a series of small-group writing workshops and cultural tours designed to introduce participants to Iceland’s rich literary heritage. Faculty in 2019 include Louis de Bernieres, Tessa Hadley, Ivan Coyote, Chigozie Obioma, and Lina Meruane. The Iceland Writers Retreat was named one of the world’s best writers’ retreats by the Sydney Morning Herald, and one of the top 10 “Events to travel for in 2014” by Four Seasons Magazine.

Manchester Poetry and Fiction Prizes

The Royal Exchange, Manchester cr Judy Darley

Manchester Writing Competition 2018 is open to online and postal entries, with categories for Poetry and Fiction. Both prizes offer a £10,000 first prize, so why not enter?

The competitions were instigated in 2008 by by Poet Laureate Carol Ann Duffy in 2008. The aim was designed to attract the best new writing from around the world, and to establish Manchester as a literary focal point. These are the UK’s biggest literary awards for unpublished writing.

The deadline for all entries is 5pm GMT on 14th September 2018.

The chair of poetry judges is Adam O’Riordan, with former National Poet of Wales Gillian Clarke, along with Imtiaz Dharker and Carol Ann Duffy, also judging. The entry fee is £17.50. The £10,000 prize will be awarded for the best portfolio of three to five poems (maximum combined length is 120 lines).

Find full details and enter on the Poetry Prize page.

The chair of fiction judges is Nicholas Royle, with Alison Moore, Niven Govinden and Livi Michael also judging. You may enter short stories on any theme amounting to up to 2,500 words. The entry fee is £17.50.

Find full details and enter on the Fiction Prize page.

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at Judy(at)socket creative(dot)com.

The Aesthetica Creative Writing Award

MShed cr Judy DarleyThe Aesthetica Creative Writing Award celebrates outstanding short fiction and poetry from around the world. The deadline for entering the award is 31st August 2018.

Prizes include publication within Aesthetica Creative Writing Anthology and £1,000 for each category winner. Winner of the short fiction competition will receive a consultation with literary agency Redhammer Management, while the Poetry winner will have a Full Membership to The Poetry Society. To whet your appetite for creating more literary works, the winners will also receive, a subscription to Granta and books courtesy of Bloodaxe Books and Vintage Books.

There’s no theme – just submit your finest story or poem offering your own unique window on a slice of the world!

Fiction entries should be no more than 2,000 words each and poetry entries should be no more than 40 lines each. Both short fiction and poetry entries should be written in English. It costs £12 to enter the Poetry category and £18 to enter the Short Fiction category.

Timeline

  • Now until – 31 August 2018: Entries open
  • September 2018: Judging begins
  • December 2018: Winners and finalists are announced
  • December 2018: Publication of winners and finalists in the Aesthetica Creative Writing Annual

For full details, visit www.aestheticamagazine.com/creative-writing-award
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Enter The Bare Fiction Prize 2018

Almunecar cr Judy DarleyThe excellent folks at Bare Fiction are inviting submission to their creative writing awards. This year Deborah Alma judges the Poetry category (max 40 lines), C.G. Menon judges the Flash Fiction category (max 500 words), and Luke Kennard judges the Short Story category (max 3,000 words).

First, second and third prize winners in each category will receive £500, £200 and £100 respectively, plus two highly commended entrants will receive £25 each.

Fee per entry is £5 for poetry, £6 for flash fiction, and £8 for fiction, however, Bare Fiction is offering free entry to the Bare Fiction Prize 2018 for 50 UK low income writers. To be eligible you must be in receipt of benefits such as Job Seeker’s Allowance, Working Tax Credits, Universal Credit, Disability Living Allowance, Carer’s Allowance, or Employment and Support Allowance, or earn less than the London Living Wage of £9.45 per hour.

Eligible applications for free entries will be accepted on a first-come, first-served basis, and must be received by Tuesday July 31st 2018.

Click here to submit your application for free entry.

There’s no theme, but bear in mind that the British periodical aims to “offer a platform for new creative writing across poetry, fiction and plays to encourage writers who are testing their boundaries to stretch themselves creatively.”

The deadline for all non-free entries is 31 October 2018. Find full competition details here.

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