Writing prompt – Die Waldfrau

Die Waldfrau by Meret Oppenheim_1939This deliciously creepy painting is by the Swiss surrealist painter and sculptor Meret Oppenheim. She painted it in 1939, when she was just 26 years old, Meret titled it Die Waldfrau, which translates as The Forest Woman.

As someone who occasionally feels like she might be part tree, I particularly like the ambiguity of this scene. As sinister as the woman, with her long green tail, appears, the child looks utterly unafraid.

What happens next?

Find more of Meret’s evocative artwork in the book Meret Oppenheim: Works in Dialogue from Max Ernst to Mona Hatoum.

If you write or create something prompted by this, please send an email to judydarley(at)iCloud.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

SaveSave

SaveSave

SaveSave

Book review – Meret Oppenheim: Works in Dialogue

Meret Oppenheim_Rintgenaufnahme des Schndels M.O._1964Has any book ever had a more intriguing title? In fact, the full title is Meret Oppenheim: Works in Dialogue from Max Ernst to Mona Hatoum. When I received this book to review, I admit, I knew little about the German-born Swiss painter and sculptor Meret Oppenheim, despite having been a fan of the surrealists since my teens. Reading this book I discovered that she was something of a phenomenon in her lifetime, managing to stand out amidst the extrovert eccentricity of the male-dominated Surrealist art scene.

This glorious book acts as a retrospective of the artist’s work, in the context of the time in which she created it, with insights into her influences and inspirations. Through the book’s editors art historian Guido Comis and museum director Maria Guiseppina Di Monte, we encounter Meret’s peers, friends and acquaintances, with accounts packed with absorbing titbits from her intriguing life. While her affiliations evidently impacted enormously on her creativity, she clearly helped to mould much of their output just as powerfully.

Handschuhe (Paar) by Meret Oppenheim, 1985

Handschuhe (Paar) by Meret Oppenheim, 1985

My favourite chapter in the book is written by Bice Cunger, which opens with a splendid sentence from Meret: “Men are a species as bizarre as women and, like then, caricatures of what they could be.” it’s a perfect example of the wry observation and light-hearted wisdom that infuses Meret’s work, reflecting her outlook and candour. While many of her paintings resemble scenes from the darker examples of fairytales, she never looses her focus on the absurdities of real life.

Vogel mit Parasit by Meret Oppenheim_1939

Vogel mit Parasit by Meret Oppenheim, 1939

It’s an extraordinary read, especially accompanied by lustrous photography of Meret’s unsettling yet appealing creations. There’s a stunning finesse to her sculptures, so that they’re at once elegant and discomfiting – a duality I find irresistible.

Das Paar by Meret Oppenheim, 1956, from a private collection

Das Paar by Meret Oppenheim, 1956, from a private collection

Published to accompany an exhibition at the Museo d’rate della Swizzeria Italiana, the tome humbly describes itself as a catalogue. In fact, it is a beautifully put together coffee table book worthy of treating as a work of art in its own right, yet packaged in such a way that you can draw it into your arms to shape and stimulate your own creative meanderings, just as Meret’s mind and spirit shaped and stimulated generations of artists, thinkers and innovators. Quite frankly, a fabulous last-minute Christmas present or New Year’s gift to yourself.

Meret Oppenheim: Works in Dialogue from Max Ernst to Mona Hatoum is published by Skira.

What are you reading? I’d love to know. I’m always happy to receive reviews of books, art, theatre and film. To submit or suggest a book review, please send an email to judydarley(at)iCloud.com.

SaveSave

Writing prompt – escape

Bournemouth fire escape by Judy DarleyA fire escape creates the perfect set for a moment of reflection or conflict in a story, whether you’re hanging over a creepy alleyway or hotel car park, or looking up at the stars.

Something about all those different levels overlooked by different windows and different lives, plus the perils of height and exposure add up to a scene rife with intensity. What could your character reveal or discover on a fire escape’s stage?

If you write or create something prompted by this, please send an email to judydarley(at)iCloud.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

SaveSave

SaveSave

SaveSave

SaveSave

Writing prompt – discards

Christmas tree binbags cr Judy DarleyAt this point in January each year a sorry sight appears as unwanted Christmas trees are hacked up and bagged or simply cast out, ready to be disposed of.

Write a story or poem inspired by the idea of a similar undignified turfing out of a guest previously welcomed in, honoured and celebrated.

If you write or create something prompted by this, please send an email to judydarley(at)iCloud.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

SaveSave

Taf and Garden Shed – writing inspired by dementia

Walking to Dylan Thomas' home in Laugharne with Dad 2016 cr Judy Darley

Walking to Dylan Thomas’ home in Laugharne with Dad, November 2016

I’m thrilled that my poem Taf has been published in issue 3 of DNA magazine. I wrote it while visiting Laugharne in South Wales with my mum last summer. It’s a place we’ve often stayed as a family, and this was the first time I’d visited since Dad became too unwell with Alzheimers to travel.

The issue hinges on the theme Locations, so a poem written with such a strong sense of place felt like the right submission. The town, its woods and the tidal estuary are full of reminders that Dylan Thomas lived there for a while, and this time it felt as though Dad’s ghost and Dylan’s were strolling together through every view. It’s a strange thing to grieve a person whose heart still beats.

My poem aims to capture some of that emotional conflict, as well as the beauty of Laugharne. You can read Taf here.

My story Garden Shed has been published by the excellent New Flash Fiction magazine. It’s a deeply personal piece reporting almost verbatim from a dream about my father, who has Alzheimer’s Disease. I woke reeling with the discovery that all this time the man we’ve lost has been out there, safe in the shed, while the poor soul he’s become ambles through an increasingly confusing world.

You can read my story here: http://newflashfiction.com/judy-darley/

SaveSave

SaveSave

Water, vapour and light

Weston Pier by Ruth Ander

Weston Pier by Ruth Ander

I met artist Ruth Ander at Peter Ford’s beautiful Off-Centre Gallery and was immediately drawn to the cool, calm quality of her work. To me they feel full of clean air and miniscule water droplets. In fact, Ruth states on her website that her work is inspired by water, vapour and light. What would be more refreshing after a days of intense family time and over indulgence? Her paintings and prints offer a chance to stand still, breath deep and feel newly alive.

Sandbay Reflections by Ruth Ander

Sandbay Reflections by Ruth Ander

“For me it’s an emotional kick,” Ruth says of the urge to begin a new work of art. “Landscape, nature and the sea feed my emotions and inner life, and when the light and weather conspire to create those beautiful effects I just feel I have to express that somehow. I’m lucky that I’ve found a technique whereby I’m able to express that feeling well – though it took a long time to get there! I can create very thin layers of paint that can be equivalents to light and vapour, so now if a view inspires me, I find I will start deconstructing it into how I can convey it, Not sure if that’s a good thing though!”

Cadbury Camp by Ruth Ander

Cadbury Camp by Ruth Ander

As much as this may detract from Ruth’s own enjoyment of the views she depicts, each artwork provides a moment of peace for the viewer, captured through a process Ruth describes as painted prints, or printed paintings.

“Generally, I make pictures as mono-prints, which means a one-off print, a bit of a contradiction in terms.” She explains. “Basically, I’ll roll ink out onto a flat surface, manipulate it if I want to, then lay paper over it and press onto the back to transfer the ink. It can create wonderful unexpected marks and textures, but of course the downside is that once the ink is taken off the surface onto the paper, it’s gone for good and so can’t be reproduced as a multiple.”

Recently Ruth has had the chance to use the print facilities at Bower Ashton, one of the University of the West of England’s sites, as part of a scholarship programme. “This has been really exciting for me and allowed me to make etchings and screen prints mixed with my mono-prints to make, if not editions, multiples and variations on a theme.”

Ruth aims to reflect something universal in the scenes she recreates.

“I think light and weather are so fundamental to us as human beings that they’re bound to affect us,” she comments. “Certain landscapes in certain lights have an impact, and I don’t think I’m alone here, or I hope not anyway. Especially living on a wind and rain swept island, where the weather changes so dramatically and often.  It does seem to be a Northern European thing to use the weather as a way to express feelings.”

The opportunity to spend a day making things is deeply pleasing to Ruth.

“Absolutely nothing beats being creative and playing in the studio all day with no restrictions – time or otherwise.  Nothing at all,” she says. “It’s an incredibly satisfying and fulfilling feeling. It doesn’t happen often, but when it does I’m very thankful.”

Harbourside by Ruth Ander

Harbourside by Ruth Ander

Ruth’s work is currently stocked by Clifton Fine Art on Perry Row, Bristol and Tincleton Gallery in Dorset, as well as with Tinca Gallery in Portishead and Church House Designs in Congresbury. “Next year I’ll be opening my house for the Southbank Bristol Arts Trail and taking part in Dorset Art Weeks so keep your eyes peeled for more information.”

Find out more at ruthander.co.uk.

Are you an artist or do you know an artist who would like to be showcased on SkyLightRain.com? Get in touch at judydarley(at)iCloud.com.

Writing prompt – hut

Westcliff Lift, Bournemouth cr Judy DarleyI adore seaside locations out of season. This little hut is the entrance to a Westcliff Lift, which leads down to a Bournemouth beach, but only in summer. In winter, it’s locked up and abandoned. There’s even ivy growing through one window, reclaiming the space.

Imagine someone discovering this small building and taking shelter from the cold. Could this become their home, if only for a time? What might happen if someone notices their infringement? What will occur when summer returns?

If you write or create something prompted by this, please send an email to judydarley(at)iCloud.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.