Writing prompt – calm

Eastwood Farm pond by Judy DarleyI recently discovered a rural idyll just a half-hour stroll from our home in the hectic centre of Bristol. Brimming with spring-fresh greenery and duck playgrounds aka ponds, it’s a place to unwind and relax amid a natural soundtrack of birdsong and gently lapping water.

Of course, I instantly thought of the bodies that could be lurking in the murk, and the dubious deeds that could be committed here under the cover of starless nights.

Can you create a character who finds a sense of calm here, either through pure or nefarious means?

What does it prompt in your mind? Can you turn that into a tale or work of art?

If you write or create something prompted by this, please send an email to judydarley (at) iCloud.com to let me know. With your permission, I may publish it on SkyLightRain.com.

Enter the Fractured Lit Anthology Prize

Lake Michigan and Navy Pier. Photo by Judy DarleyFractured Lit invite you to submit flash fiction to the Fractured Lit Anthology Prize.

The closing date for entries is 19th April 2021.

Guest judge Kathy Fish will choose 20 prize winners from a shortlist. Kathy is the author of  five collections of short fiction, most recently Wild Life: Collected Works from 2003-2018.

Her 20 chosen winners will each receive $250, publication in the Fractured Lit Anthology, and five contributor copies of the printed anthology. All entries will be considered for publication. Do double-space, use Time New Roman 12 pt font and anonymise your story document.

I recommend you submit work that embraces the publication’s tagline: fiction that lingers long after the flash.

In exchange for a $20 reading fee, you may submit up to two stories of 1,000 words or fewer each per entry, set within the same document.

Find the full guidelines and submit your flash fiction here: fracturedlit.submittable.com/submit 

Good luck!

Got an event, challenge, competition, opportunity or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) ICloud (dot) com.

Sky Light Rain – Carry the Sky

Severn River reed beds cr Judy DarleyI can never resist a ‘behind-the-scenes’ glimpse into the workings of a creative endeavour. It’s why I launched this series of posts offering insights into the inspiration behind the flash fiction and short stories that make up my Valley Press collection Sky Light Rain.

The thirty-sixth and final story is ‘Carry the Sky’. The story sprang from a variety of sources, including me visiting a town in Italy built to re-home a community after their streets were intentionally flooded to create a leisure lake. The idea of that money-driven cruelty scandalised me! It provided a side-note in a story about a man caring for his eleven-year-old granddaughter in the aftermath of a family tragedy. I wanted to find a way for the pair to bond on the riverside, when the granddaughter would rather be “just about  anywhere else when he’s charged with keeping an eye on her.”

‘Carry the Sky’ also reflects elements of ‘Untrue Blue’, the first story in my Sky Light Rain collection, creating a hint of symmetry, if not quite resolution.

‘Carry the Sky’ begins:

Not many folks are out this afternoon. All it takes is a fine dousing drizzle to keep the dog walkers, cyclists and joggers away, John thinks, half-pitying them, half-glad for the peace their absence affords. In front of him, the river dapples like a thing alive, reflecting fractured pieces of sky. Following the storms, large branches still drift through, faking at being creatures worth pointing out to Amy before sinking out of sight.

They’d seen an eel the afternoon before, dead and sliding with the current like an old piece of tubing. Amy had recoiled, face screwed up. John isn’t buying that though. He remembers when she was small, nudging frogspawn with curious fingers. That inquisitive child still has to be in there somewhere.

Sky Light Rain is published by Valley Press and is available to purchase here.

Discover the inspiration behind my other Sky Light Rain stories by clicking on the story titles below.

Discover the inspiration behind ‘Untrue Blue‘. 
Discover the inspiration behind ‘Weaving Wings‘.
Discover the inspiration behind ‘Woman and Birds.
Discover the inspiration behind ‘Shaped from Clay‘.
Discover the inspiration behind ‘Knotted Rope‘.
Discover the inspiration behind ‘Two Pools of Water‘.
Discover the inspiration behind ‘Apollo’s Offspring‘.
Discover the inspiration behind ‘The Puppeteer’.
Discover the inspiration behind ‘Fascinate‘.
Discover the inspiration behind ‘A Blackbird’s Heart‘.
Discover the inspiration behind ‘Paper Flowers‘.
Discover the inspiration behind ‘Strawberry Thief‘.
Discover the inspiration behind ‘The Moth Room‘.
Discover the inspiration behind ‘Far From the Farm‘.
Discover the inspiration behind ‘Breaking Up With You Burns Like Fire‘.
Discover the inspiration behind ‘Flamingos and Ham‘.
Discover the inspiration behind ‘Elevated Truths‘.
Discover the inspiration behind ‘Not Every Wound Can Heal‘.
Discover the inspiration behind ‘Little Blessings‘.
Discover the inspiration behind ‘Lodged‘.
Discover the inspiration behind ‘Invertebrates‘.
Discover the inspiration behind ‘Geese Among the Trees‘.
Discover the inspiration behind ‘Distant Storms‘.
Discover the inspiration behind ‘The Sculptor‘.
Discover the inspiration behind ‘Reeds and Curlews.
Discover the inspiration behind ‘Fin‘.
Discover the inspiration behind ‘Underwire‘.
Discover the inspiration behind ‘Blossoming Almond Tree‘.
Discover the inspiration behind ‘Merrow Cave‘.
Discover the inspiration behind ‘Milk and Other Lies‘.
Discover the inspiration behind ‘Edge of the Sand‘.
Discover the inspiration behind ‘What Rises‘.

Writing prompt – leavings

Home for tea with every step the sound of the riverThere’s a woodland I love to walk to where the trees are gloriously sculptural and a white egret once posed like a storm-blown umbrella, whiles dogs and children rampaged in the brook and remnants of old tin barrels hulked beneath the earth over the bridge. It’s a curious mix of bucolic and industrial histories, and there’s always some new wonder to see.

Recently, the treasure was a scrap of poetry affixed to a trunk. What a lovely glimpse from ted.poems

‘home for tea
with every step
the sound of the river’

It made me think of how we draw inspiration from nature while contributing to our surroundings. There’s a constant rhythm of ebb and flow, whether that’s the act of adding something meaningful or only a shower of litter.

What would you choose to leave behind? Can you use this thought to dream up a story or other creative work?

If you write or create something prompted by this, please send an email to judydarley (at) iCloud.com to let me know. With your permission, I may publish it on SkyLightRain.com.

Night Sky Press invites you to collaborate on a fictional planet

Iceland cr Judy Darley. A winter sunrise over a snowy landscape where everything is white, silver, blue and blackNight Sky Press is a brand-new, biannual, same-world anthology series. For every issue, Founders A’liya Spinner and Keith Nelson come up with a different unique and original world for you to root your stories on. The first issue’s focus is Orcanus: The Crystalline World, a brilliantly detailed creation designed to inspire your imagination and prompt a curated collaboration while pushing “same-world speculative fiction into an accessible, modern spotlight.”

Your submissions must, in some way, have this world as a setting or key factor in the story. “This is meant to inspire creativity, rather than constrain it, and we encourage authors to expand on the world’s provided skeleton in unique and visionary ways.”

Selected works will appear together in that planet’s anthology, reimagining collaboration to build a world from contributors’ shared vision.

Submissions are open until 30th April 2021.

The emphasis is on collaboration.  “As an idea, it’s as expansive as the universe we wish to create,” A’liya Spinner and Keith Nelson say. “Night Sky Press was founded on the ideals of teamwork, creativity, and openness to ideas that haven’t garnered ‘mainstream’ attention. For now and forever, our vow is that every issue will be a new and incredible vision, every planet will be a playground for inventiveness, and every author will be as greatly valued as they deserve to be. (…) We have created the skeleton and the sky; you will create the stars.”

You are invited to send:

  • Flash fiction and short stories between 500 and 5,000 words. Longer stories accepted within reason. Poetry submissions are also accepted, so long as they relate to that issue’s world.​
  • Stories about hope, discovery, mercy, love, and passion. “We love tales about the better half of humanity (or alien-ity!), but we won’t reject stories about struggle, turmoil, or conflict, either. We acknowledge that life, even in the interstellar age, isn’t all glory and tranquillity.”
  • The founders welcome works from authors of all backgrounds, and especially encourage works by and about LGBTQ+, BIPOC, disabled, and other traditionally marginalised writers and characters.
  • Unusual perspectives are welcomed. “Have you always wanted to write from the viewpoint of an android, alien lizard, or amorphous, sentient fog, but been unsure where to submit it? We love the creative, the strange, and the new.”
  • “Stories that take creative use of our setting, and expand, deepen, and enrich our world. Don’t be afraid to add your own flare, aliens, landmarks, and history within our provided framework.”

Along with the usual vetos on gore, sex and hate-writes, the founders comment: “Our anthology is open to all writers, of all experience levels, ages, and perspectives. Don’t doubt yourself or your work; we want to hear your voice!”

Find full details of how to submit here: https://nightskypress.wixsite.com/night-sky-press/submit 

Got an event, challenge, competition, opportunity or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) ICloud (dot) com.

Book review – Gaps in the Light by Iona Winter

Gaps in the LightThere’s a rare exhilaration that comes from beginning to read a book crammed with written works that you can’t hope to pigeonhole, and to choose instead to dive nose-first and headlong into, trusting the words to catch and anchor you where they will.

Poetry, memoir, flash fiction, sociological and psychological and anthropological study, myth, dream… In Gaps in the Light by Iona Winter, it all builds together into a tidal wave of impressions, sensations and emotions that you’d do well to surrender to and allow it to sweep you away.

Scattering in the Te reo Māori language, where water (wai) and song (waiata) are separated by three letters, and the word for ground is the same as the word for placenta (whenua), Winter ensures that divisions between who and where we are blend as well. The relationship between our bodies and nature are intertwined.

Likewise, the gap between fact and fiction are muddied in the most natural way, for fiction often provides the means to share our most honest emotional truths. If this thing didn’t happen to the author, that doesn’t mean it happened to no one, and the strata of feelings are undoubtedly authentic, regardless of what seeded them.

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