Novella review – Season of Bright Sorrow by David Swann

Season-of-Bright-Sorrow-webBook Balm recommendation: read to rediscover the beauty in every rock pool and puddle.

With a cover printed to resemble a weathered and pre-loved artefact, Season of Bright Sorrow by David Swann is a find to treasure. Scattered with elegant miniature artworks by Sam Hubbard, the strung-together stories piece together a precarious time in a young girl’s life on a seashore, with a physically  absent father, an emotionally absent mother and uncertain friendships with an old man and a young boy who both seem to live on a perilous edge just as she does.

Swann sketches the setting and its inhabitants with sparse but carefully selected lines. In Set Your Clock, we have our first meeting with Mr Flook, who “knotted his neck-tie as tight as a whelk and kept his trilby at the correct angle, no matter how hard the wind charged in.” With him is his border collie Ringo, aka “that daft article”. It’s so sharply written that you’ll feel you’ve met the pair.

Then there’s daydreaming, story-spinning Archie who’s “drawn to the puzzle of fields on the edge of the bay” and “spent whole afternoons hopping between the little islands. But the hero of the novella is Lana, the young girl whose life we’re pulled into as though by a tide as she struggles to keep herself and her mother afloat.

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Book review – Inside Fictional Minds by Dr Stephanie Carty

Inside-Fictional-Minds-book coverI don’t know about you, but I often find ‘how to’ books a little hard to digest. Rules can be particularly off-putting when it comes to creative acts such as writing fiction.

With Inside Fictional Minds, Dr Stephanie Carty overcomes those barriers with ease. A light, hearty tone delivers psychological insights that will help you to regard your protagonist, and, let’s face it, yourself, afresh.

The book falls into three sections: The Basics, The Specifics and Putting It All Together. As Carty writes in the introduction: “The first section will cover a wide range of topics about how characters (well, humans… but let’s keep saying characters) feel, think and interact.”

Through exploring the fundamental beliefs, relationships and perceptions that inform  behaviour, alongside exercises that place your characters in settings beyond the story world you’ve created for them, Carty equips us to view our created people with dazzling clarity and to unpick the complex myriad of experiences that have shaped them. Even if these moments happen off-page and aren’t mentioned within the story itself, through identifying these influences and their impacts, Carty furnishes us to build three-dimensional characters whose responses to the plot will be as richly nuanced as any real person’s.

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Book review – The Evolution of Birds by Sara Hills

The-Evolution-of-Birds. Shows book cover of girl with matchstick legs and a bird's head.As fans of Sara Hills’ flash fiction have learnt to expect, the author’s debut collection The Evolution of Birds is crammed with crisp, heart-glancing prose that will leave you at times reeling, and often desperate to give the narrator a hug.

The title story tells of a group of girls at Survival Camp learning to whittle and fire arrows, a skill many of the characters in the following stories could benefit from. In three compact pages, Hills captures the savagery of girls, where reluctance to kill (a pigeon, though more is hinted at) results in goading and scorn.

“With shaking hands, she held her bow taut and took aim. Her arrow was off by a foot. When the lucky bird rose up in flight, we weren’t far behind.”

Hills excels at duality in tales, slanting her word choices with care so they can be read in multiple ways depending on how you hold them up to the light.

Talking of words, Hills demonstrates a visual, visceral way with language that ensures you can feel her sentences on the tips of your fingers and in the back of your throat. Pre-teen protagonists have “breast buds like bottle caps”, a pink dress is “frilled-lizard ugly.”

In ‘Finders Keepers’, the ravages of parenthood are summed up in little over two pages: “When the baby coughs, you measure your youth in medicinal, syrupy spoonfuls. When it’s teary, you weave a blanket from the pink striated fibers of your heart.”

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Book review – the other side of better by Michelle Elvy

the other side of better by Michelle Elvy book coverFans of Michelle Elvy’s novella-in-flash the everrumble (and yes, I very much count myself among them) are in for a treat with the author’s newest offering. the other side of better, is another literary marvel the defies categorisation, skirting genres and forms alike, with flash fiction, creative non-fiction, poetry and general musings all layering together like a bowl of salt, sweet and umami-flavoured popcorn.

I was left with a palpable impression of the author’s deep affection for both her invented and remembered characters and the spaces they inhabit.

In ‘A Midsummer Night’s Shore’, Elvy offers up a painterly scene while drawing on all our senses: “A sandbar juts out and canvas claps as we tack away”, “Squishing feel, wet marsh”, and, most beautifully of all, in writing of a heron: “My wants are a blue-grey ghost, gliding.”

Something about those word choices suggest the cool of the barely discernible sky, the smell of the water and the quiet of the author’s heart, at that time, in that place.

Elvy’s specificity illuminates images in your mind’s eye. Consider ‘And in the museum: triptych’, in which fledging yearnings are offset against whaling memorabilia. “Beth is always at Marianne’s side. They have matching sweaters. John is wedged in, trapped behind the girls. (…) Beth takes Marianne’s hand: a barricade of laced fingers.” Those tightly written sentences capture a moment wholly particular and yet entirely universal.

Interspersed between some of the stories, and in a 27-page wedge in the collection’s centre, you’ll find notes from “the Fuddy-Duddy Editor” who “was once a Fuddy-Duddy Writer.” These intrusions, the literary equivalent of a theatrical aside, add humour and insight, as well as making you, in some cases, feel a surge of defensiveness towards the tale you just enjoyed and which she is now picking holes in. It’s a neat trick.

“Lost and found in Berlin” is a self-contained tale that re-emerges in this central part as a powerfully constrained abbreviation. By shifting from first to third person, the second version shines up our impression of the protagonist and of her tenderness towards an old man with a trainset in his basement at the end of an East Berlin trainline. “The girl recalled  the tiny free world, and the bigger walled world.”

It’s an imperfect echo that ripples through many of Elvy’s works – the themes explored, exquisitely polished, and then tipped on their heads; the memories subverted into fictions that read truer than any inventory of facts; and of sounds swelling with unuttered secrets just beyond the pages’ confines. It all succeeds in challenging us to engage in dialogue with Elvy’s hybrid forms.

Adventures small and large brim within these pages, where you’ll only need to hold your breath for exhilaration’s sake.

In the final section, ‘in a dream in a dream in a dream’, Elvy splices together fragments of climate fiction in the voices of an elephant, a sloth, a giraffe, and a deeply self-satisfied hippo, among others. The author sweeps us across oceans to shores where “waves roll in like timpani” and libraries serve up poetry with tea, draws us into childhood dreams of sails and pectoral fins, and enshrouds us in loss and discoveries. Through it all, Elvy reminds us of the joy to be found in this extraordinary world of ours, and that it’s up to us to choose to “give it a try.”

the other side of better by Michelle Elvy is published by AdHoc Fiction. Buy your copy.

This book was given to me in exchange for a fair review.

Seen or read anything interesting recently? I’d love to know. I’m always happy to receive reviews of books, art, theatre and film. To submit or suggest a review, please send an email to judydarley (at) iCloud.com. Likewise, if you’ve published or produced something you’d like me to review, please get in touch.

Book review – Gaps in the Light by Iona Winter

Gaps in the LightThere’s a rare exhilaration that comes from beginning to read a book crammed with written works that you can’t hope to pigeonhole, and to choose instead to dive nose-first and headlong into, trusting the words to catch and anchor you where they will.

Poetry, memoir, flash fiction, sociological and psychological and anthropological study, myth, dream… In Gaps in the Light by Iona Winter, it all builds together into a tidal wave of impressions, sensations and emotions that you’d do well to surrender to and allow it to sweep you away.

Scattering in the Te reo Māori language, where water (wai) and song (waiata) are separated by three letters, and the word for ground is the same as the word for placenta (whenua), Winter ensures that divisions between who and where we are blend as well. The relationship between our bodies and nature are intertwined.

Likewise, the gap between fact and fiction are muddied in the most natural way, for fiction often provides the means to share our most honest emotional truths. If this thing didn’t happen to the author, that doesn’t mean it happened to no one, and the strata of feelings are undoubtedly authentic, regardless of what seeded them.

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Book review – The Yet Unknowing World by Fiona J Mackintosh

The Yet Unknowing WorldLayered like skeins of vivid ribbons, the stories in Fiona J. Mackintosh’s flash fiction collection The Yet Unknowing World strew colours through their readers’ minds.

Each tethers a moment in time, offering a sense of eavesdropping on stranger’s secrets. Many are portraits of love, others a sidewise glance at grief or betrayal. Woven by Mackintosh’s deft fingers, even the deepest losses are shared as exquisite parcels to be marvelled over. In ‘Hindsight’, the author opens with an image of cartwheels and trailing silk, before revealing that it’s these slippery fabrics that led to our narrator waking with his “heart fractured.”

There’s poetry whirled into these tales, and imagery rich enough to leave your senses tingling. Though most of the stories are only a paragraph or so long, they’re packed with details that evoke more than the sum of their words, and yet lie lightly on the page.

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Book review – if there is no shelter by Tracey Slaughter

if there is no shelter book cover showing seats in a bus shelter.Piecing together the gritty aftermath of an earthquake in extraordinarily vivid and poetic language, Tracey Slaughter’s novella-in-flash has the strength to shake you to your core.

Written entirely in the second person, she places ‘you’ directly inside the drama that unfolds as people count their loved ones, their possessions and their blessings. With each header a line from instructions on what to do in a disaster, she both deepens and lessens the horror through the relationships shivering around her narrator: her severely injured husband, her missing, presumably dead, lover, her guilt-stricken father and his determinedly buoyant friend Jack, who provides much of the comfort while seeking relief from his own fears through gathering and hoarding fragments of other people’s shattered lives.

In “use common sense, keep calm, and follow any instructions given’, Slaughter depicts the discombobulation following a cataclysm on this scale, wryly observing the sightseers venting in the narrator’s dad’s taxi. “They feel compassion, but also ripped off. It’s like booking a luxury break in a carpark.” Even in the bleakness, Slaughter serves up humour amid lines of startling beauty: “The gouge through the Cathedral roof is like a hole straight through to God.”

Slaughter describes unfathomable terrors in sentences so perfectly crafted that we’re standing right there beside the narrator. Her husband, being carried through a fractured hospital, is “all the emergency I could breathe.” Glass is a threat: “we know it careens at you in jerks, until your freckles are lit up, red studded.”

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Book review – When It’s Not Called Making Love by Karen Jones

when-its-not-called-making-love coverFewer friendships are more complicated than the same-sex ones we have as we near and break into our teens. In ‘When It’s Not Called Making Love,’ Karen Jones draws us into the intimacy that straddles bullying and lust, as innocence sloughs off cell by cell.

Jones makes powerful use of the novel-in-flash form, with each of her 16 flash fictions building on the last as her characters hurtle towards adulthood.

While each story could be siphoned off to stand alone and shimmering in solitary perfection, each plays such a crucial role to the overarching tale that should any be removed, the whole structure could shatter. This contributes to the tension of the underlying story, with a sense of characters clinging on by their fingertips.

The novella opens with ‘Recommended Stopping Distance’, a flash that rings out for almost a full page in one long torrential sentence, before finally a full stop allows us to take a breath. There’s so much crammed into this first sentence that it’s worth reading twice – once for the sheer exhilaration of it, and again, to catch the details that may become important later.

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Book review – Don’t Tell The Bees by Mary-Jane Holmes

Don’t Tell The Bees by Mary-Jane HolmesIn this powerfully layered and tightly stitched novella-in-flash, author Mary-Jane Holmes weaves a world where nature waits in corners and on the edge of hearing, barely out of sight.

Our protagonist, known as ‘No-more’ after the refrain her mother was rumoured to have repeated after her birth “over and over again”, is as spirited as the wild creatures who share the landscape she roams. The opening story deposits her in our lap as her mother leaves her “howling in twitch grass by the river” so that she survives only  because her father finds her stumbles back to the loom, leaving her father Maurice to tie her to his back so that her waking moments are spent “in quarry and field” with his blood pulsing against her own.

Although rooted in “the marshlands from Damvix to Gruelle” in France, there’s a sensuous texture to the novella that evokes folk tales from all parts of the world where people are in rhythm with the land.

Holmes draw us ever deeper into a place where we can feel the cool mud under our feet, and when No-more’s beloved father is hooked by a tip of a weather-vane he is repairing, we fly with him, caught on the same breeze, so visceral is the writing.

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Book review – The House on the Corner by Alison Woodhouse

The House on the Corner coverBookended by the purchase and sale of a home, Alison Woodhouse’s debut novella in flash explores the bricks and mortar that form a family. Woodhouse mines the emotions grinding below the activities of everyday life – the small resentments, disappointments and unspoken dreams we pick up on without identifying, knowing only that we feel uneasy.

The unnamed estate agent has ambitions for the home she needs to sell – “She hoped she’d found the right family to bring the house back to life.”

In less than four pages, Woodhouse introduces us to the individuals that make up the 1980s family tasked with this job: Martin, “who turned up in a smart suit, carrying a briefcase”, Helen, “flustered and fifteen minutes late”, plus the children, later named as Joe and Natalie, who “had climbed into the pink bath. They sat opposite each other, foreheads touching as they whispered.”

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