Wasafari magazine invites submissions of Poetry, Fiction and Life Writing for The Queen Mary Wasafiri New Writing Prize.
The prize closes on 30th June 2023 at 5pm BST.
The prize supports writers who have not yet published a book-length work, with no limits on age, gender, nationality, or background. Winners of each category receive a £1,000 cash prize and will be published in Wasafiri’s print magazine. Shortlisted writers will have their work published on the Wasafiri website. All 15 shortlistees and winners will be offered the Chapter and Verse or Free Reads mentoring scheme in partnership with The Literary Consultancy (dependent on eligibility), and a conversation with Nikesh Shukla of The Good Literary Agency to discuss their career progression
The fee is £10 for a single entry and £16 for a double entry. No entry may be more than 3,000 words long.
Subsidised entry is available for those who would otherwise be unable to enter the prize.
Shortlisted entrants will be notified in early September.
Find full details of how to enter at www.wasafiri.org.
About the judges
Leila Aboulela (fiction judge) is the first ever winner of the Caine Prize for African Writing. Nominated three times for the Orange Prize (now the Women’s Prize for Fiction), her novels include Bird Summons, The Kindness of Enemies, The Translator, a New York Times 100 Notable Books of the Year, Minaret and Lyrics Alley, which was Fiction Winner of the Scottish Book Awards. Her short story collection Elsewhere, Home won the Saltire Fiction Book of the Year. Leila’s work has been translated into fifteen languages. Her sixth novel, River Spirit, set in Sudan in the lead up to the British invasion of 1898, is due for publication in March 2023. Leila grew up in Khartoum, Sudan and now lives in Aberdeen, Scotland.
Diana Evans (Chair) is the author of the novels A House for Alice, Ordinary People, The Wonder and 26a, which was the inaugural winner of the Orange Award for New Writers. Ordinary People won the 2019 South Bank Sky Arts Award for Literature and was shortlisted for the Women’s Prize for Fiction, the Rathbones Folio Prize and the Orwell Prize for Political Fiction. She also publishes stories, essays and criticism, is associate lecturer in Creative Writing at Goldsmiths, University of London, and a Fellow of the Royal Society of Literature.
Raised on the North Peckham estate in South London, Caleb Femi (poetry judge) is a poet and director. His debut collection, Poor, was published in 2020 by Penguin Press. He has written and directed short films for the BBC, Channel 4, Bottega Veneta and Louis Vuitton. A former Young People’s Laureate, Caleb won the Forward Prize for Best First Collection (2021) and has been shortlisted for the Rathbones Folio Prize (2021), and longlisted for the Jhalak Prize (2021). He has been featured in the Dazed 100 list of the next generation shaping youth culture.
Aanchal Malhotra (life writing judge) is a writer and oral historian from New Delhi. She is the co-founder of the Museum of Material Memory, and the author of two critically acclaimed books, Remnants of Partition and In the Language of Remembering, that explore the human history and generational impact of the 1947 Partition. Her work has won the Council for Museum Anthropology Book Award, and been shortlisted for the British Academy Book Prize, the Sahitya Akademi Yuva Puraskar, Hindu Lit for Life Non Fiction Prize, Kamaladevi Chattopadhyay NIF Book Prize and the Shakti Bhatt First Book Prize. Her newest work is a debut novel titled The Book of Everlasting Things.
Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud (dot) com.
I have a passion for imaginative, creative attractions, especially those that blend theatre, art and immersive experiences. Bristol is home to a curious ‘amazement park’, Wake the Tiger, which leads you into another dimension via a glowing tree. Laid out over an old warehouse, the park features an enticing steam-punk aesthetic coupled with an ecological narrative, but beyond that a favourite aspect for me were the countless hidden doorways and passages leading from room to room, or world to world.
This travel article was originally published in April 2020.
