Time to rev up for the I AM Writing Festival

Red ladybird on a red rosebud. Photo by Judy DarleyFormerly known as the Writers’ Weekend, (and before that Winchester Writers’ Festival), the I AM Writing Festival is a hybrid literary event with 65+ talks and workshops, some online and some in-person at the University of Winchester.

Aimed at budding writers keen to improve writing and editing skills, find inspiration, pitch to an agent or better understand the world of publishing, there are nine package prices available ranging from £37 for a single workshop to £597 for an Access All Areas pass.

The 11 live virtual talks take place 4th-8th June, with access to recordings available until midnight on 8th July 2022.

The in-person chapter of the festival is at the University of Winchester from 10th-12th June.

Speakers, workshop leaders and industry experts you can expect to encounter include:.

Keynote speakers: Philip Ardagh, Joanna Cannon, Lucy Diamond, Juliet Mushens and Adele Parks;

Workshop leaders: Rhoda Baxter, Helen Dennis, Karen Hamilton, Debbie Howells, Lauren James, David Litchfield, L.V Matthews, Nicola May, Jenny McLachlan, James Nicol, Neema Shah, Amy Sparkes, Bookouture, HarperCollins, Tracy Corderoy, Adrienne Dines, Simon Hall, Scott Pack and many, more.

Don’t miss the famous Agent121s!

The festival’s new organisers Elane and Sarah exclaim (presumably in unison):”Of course, we couldn’t have a festival without bringing #Agent121 to the fore – so we have a multitude of in-person literary agents/editors for you to seek feedback from and 20 to choose from online!”

Find full details here.

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud (dot) com.

Writing prompt – ruse

Freddies Flowers_Photo by Judy Darley

How cute is this extra-long bicycle laden with boxes claiming to contain flowers?

But what if they didn’t really hold flowers? What if that was all a devious ruse? What could they contain instead, and why the subterfuge?

Can you write this into a comic or suspense-filled tale?

If you write or create something prompted by this idea, please send it to me in an email to judydarley (at) iCloud.com for possible publication on SkyLightRain.com.

‘Family Psychology’ on the radio

BBC Upload

My flash fiction ‘Family Psychology’ is being aired on Chris Arnold’s BBC Upload radio show this evening (7-10pm). It’s a micro tale from my Reflex Press collection The Stairs Are a Snowcapped Mountain, and inspired the title.

The story itself draws on memories of playing a game my sister and I dived into on rainy days, when we turned our home into the whole world. The UK’s pandemic lockdowns brought that to mind vividly!

There’s a lot of talent on the show tonight, but mine is the only scrap of fiction.

Update: If you missed it, listen in here – my micro is at approx 1.38min: bbc.co.uk/sounds/play/p0

It’s available for 21 days.

Upload your own stories here: bbc.co.uk/send/u16896881

Writing prompt – hero

Rajah Rammohun Roy _Bristol Cathedral_Photo by Judy Darley

Not all the people we once thought philanthropists stand up under scrutiny. One that may is Raja Ram Mohan Roy, (also written as Rajah Rammohun  Roy, Rammohan Roy, or Ram Mohun Roy) who was born on 22nd May 1772 and is credited as being a reformer, philosopher and scholar. The statue shown here with Bristol Cathedral in the background was created by the sculptor Niranian Pradhan.

My favourite biographical fact about Rammohun Roy is that he successfully campaigned against sati, the now thankfully mostly past-tense Hindu practice of burning widows on their deceased husbands’ funeral pyres.

Can you build a story around a hero, fictional or historical, who instigates a change for the better that makes them worthy of a statue?

If you write or create something prompted by this idea, please send it to me in an email to judydarley (at) iCloud.com for possible publication on SkyLightRain.com.

Novella review – The Exhibition by Cara Viola

The Exhibition - Cover by Cara ViolaSet in the earliest days of the 1900s, this exquisitely immersive novella by Cara Viola invites you to stride into the archives of Glasgow’s glorious Kelvingrove museum when it has been built but is yet to be filled with treasures.

Our guide is 19-year-old Madeleine, a young woodworker with a talent for recreating priceless artefacts, who arrives rain-drenched on pages soaked in Carla Viola’s lyrical writing.

We soon learn three things about Madeleine: she is from Great Yarmouth, the only thing she will miss is ‘her’ marsh, and she keeps secrets, a fact told sideways as she meets Mrs Deepdene, the wife of Madeleine’s employer (and a formidable character in her own right). Madeleine “tried to see the other woman’s face, to gauge whether she, too, would be someone who kept secrets.”

The Kelvingrove museum feels equally ripe for secrets, breathed into life by the author’s vivid writing: “From the shadows of the Gothic tradition, the structure rose into the sky, where, at a tremendous height, solid walls divided into many-armed turrets (…) The door had not been locked since the last workman left, yet nobody wanted to venture inside. Kelvingrove was a building lying in wait.”

Continue reading

Writing prompt – flora

Bluebells by Judy Darley

Bluebells are currently painting British woodlands glorious shades of purple and giving us an excuse to pause and admire their beauty.

Like the pastime of hanami (literally ‘flower viewing’) focused on Japan’s cherry blossoms to the passion for ‘leaf peeping’ at Colorado’s aspen trees turning gold, our floral world has some tricks up its billowing sleeves to make us take notice and perhaps even give thought to protecting these natural wonders.

Can you write an uplifting tale about a wild plant with the power to halt us in our busy lives and perhaps even change our behaviour for the better? Don’t forget to use the sense of smell as well for some evocative passages.

If you write or create something prompted by this idea, please send it to me in an email to judydarley (at) iCloud.com for possible publication on SkyLightRain.com.

Writing prompt – defiance

Brown-lipped snail_Judy DarleyThis gravity-defying snail struck me as so beautiful that I had to investigate and discover that it is a brown-lipped snail commonly seen in Britain’s gardens and green spaces.

Imagine if we had time to notice every natural miracle and celebrate its wonder. What difference could that make to the way we live our lives? Imagine if we had as much attention to give the plants and creatures around as we do celebrities and shopping?

As a small step in this direction, can you write a poem, essay or short work of fiction celebrating the wild lives we share our surroundings with?

If you write or create something prompted by this idea, please send it to me in an email to judydarley (at) iCloud.com for possible publication on SkyLightRain.com.

Enter The Bruntwood Prize for Playwriting

Joseph Quinn and Erin Doherty in Wish List at the Royal Court. Photo by Jonathan Keenan

Joseph Quinn and Erin Doherty in Wish List by Katherine Soper

Eager to see your words performed on stage? The Bruntwood Prize invites playwrights of all levels of experience to submit original, previously unperformed and unproduced plays.

Entries can be submitted online at www.writeaplay.co.uk. The closing date is 6pm on 6th June 2022.

The winner will receive £16,000 and a full production of their play at the Royal Exchange Theatre, Manchester.

There is also a Judges Award of £8000 and the Bruntwood Prize International Award of £8000, introduced in 2019 andiron to international playwrights who can apply through the Prize’s partners:

    • Atlantic Theatre (New York, USA)

    • Berkeley Rep (Berkley, California, USA)

    • Australian Plays Transform (Carlton, New South Wales, Australia)

    • Melbourne Theatre Company (Melbourne, Australia)

    • Canada Banff Playwrights Laboratory (Banff, Canada) 

This year, the Prize launches a new category: The North West Original New Voice Award and Residency. Winners in this category must be based in the north west of England and not have had a full-length play professionally produced for 12 performances or more in a professional venue.

As well as £8000, the winner will be given access to an additional £10,000 fund dedicated to their professional development at the Royal Exchange Theatre, Manchester during a bespoke one-year residency.

The Bruntwood Prize for Playwriting is open to anyone aged 16+ in the UK, Ireland and the British Territories with a story to tell. The biennial prize is a partnership between property company Bruntwood, a major supporter of the arts, and world-class producing theatre, the Royal Exchange Theatre, in Manchester.

“The Bruntwood Prize for Playwriting is a genuine endeavour to discover new stories and help playwrights develop their craft, providing everybody and anybody with the opportunity to write a play,” they say. “It offers a fantastic opportunity to hone your writing skills, whether or not you have written for the stage before. In addition to a high proportion of winning and shortlisted plays being produced professionally, each of the top 100 plays receives individual feedback from the Royal Exchange Theatre’s creative team.”

This year’s Judging panel comprises Nihal Arthanayake, television and BBC Radio 5 Live presenter; Miranda Cromwell, Olivier Award winning Theatre Director; Julie Hesmondhalgh, award winning actor and supporter of the Royal Exchange Theatre; kimber lee, winner of the inaugural Bruntwood Prize International Award in 2019; Farai Matekenya Nhakaniso, Local Exchange Ambassador for the Leigh area for the Royal Exchange Theatre; Kate Vokes, Non-Executive Director at Bruntwood, and Roy Alexander Weise, Joint Artistic Director at the Royal Exchange Theatre.

Erin Doherty as Tamsin Carmody in WISH LIST by Katherine Soper. Photo Jonathan Keenan

Erin Doherty as Tamsin Carmody in Wish List by Katherine Soper.

In 2015 Katherine Soper became the fifth overall winner of the Bruntwood Prize for Playwriting. Her play Wish List premiered at the Royal Exchange Theatre in 2016 before transferring to the Royal Court Upstairs from 10th January – Saturday 11th February 2017).

For full details of how to enter, visit www.writeaplay.co.uk.

All images in this post were taken by Jonathan Keenan and supplied by The Bruntwood Prize for Playwriting.

Got an event, challenge, competition, opportunity or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) iCloud (dot) com.