Enter Mslexia Fiction Competitions 2022

Mum's eye view cr Judy DarleyThe Mslexia Fiction Competitions are open for entries.

There are three categories this year: Novel for Children/YA, Short Story, and Flash Fiction. The deadline for each is 19th September 2022.

Prizes include manuscript feedback and agent introductions, plus publication.

Mslexia Novel for Children or YA competition – everything you need to know

  • Judged by Cressida Cowell, Chloe Seager and Imogen Russell Williams, this competition is open to unpublished novels of at least 20,000 words in any genre for children and/or young adults.
  • Submit first 5,000 words only in the first instance. Longlisted entrants will be asked to submit finished manuscripts later in the judging process
  • Entry fee: £26
  • 1st prize £5,000.
  • The winner and three finalists will also receive manuscript feedback from leading editorial and mentoring agency The Literary Consultancy,

Plus

  • Pitch training at a day-long professional workshop in Newcastle upon Tyne, where participants will learn to summarise and present their book in an effective way.Plus
  • Personal introductions to agents and editors at a Talent Party in central London. Both the workshop and Talent Party are arranged in partnership with New Writing North. 
  • Mslexia will contribute a total of £100 towards each finalists’ travel expenses.

Mslexia Short Story competition 2022 – everything you need to know

  • Judged by Diana Evans, this competition is for unpublished complete short fiction of up to 3,000 words in any genre and on any theme.
  • The entry fee is £12.
  • 1st prize £3,000.
  • Three additional finalists will each receive £100
  • The winning entry and three finalists will be published in the December 2022 edition of Mslexia.
  • The winning entry, three finalists and eight further shortlisted stories will be published   in Mslexia’s ebook anthology, Best Women’s Short Fiction 2022, due out in December 2022.

Mslexia Flash Fiction Competition 2022 – everything you need to know

  • Judged by Audrey Niven, this competition is for unpublished complete short fiction of up to 300 words in any genre and on any theme
  • Entry fee: £6
  • 1st prize £500
  • Three additional finalists each receive £50
  • All four winning entries are published in the December 2022 issue of Mslexia
  • Winning entries plus eight more shortlisted entries will be published in Mslexia’s inaugural ebook anthology Best Women’s Short Fiction 2022.

Visit Mslexia’s entry instructions for a more comprehensive guide on how to enter, and be sure to read the full rules before submitting.

Find full details at www.mslexia.co.uk. Good luck!

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud (dot) com.

Published stories

View between two trees showing other trees
I relish writing and editing short stories and flash fiction, and have a self-imposed rule of submitting every month. If you write, I highly recommend this trick. It ensures that for every rejection, there are still a handful of tales out in the world that may yet be published, plus a gentle flurry of successes to bolster your writing mojo!

Here are some of my recent publications.

August 2022

The Green-Gold of Wet Kelp – Fairlight Books

June 2022

The egret and I don’t belong here – The Phare Literary Magazine Summer 2022 issue

Tricks to uproot a guest who has outstayed their welcome – Tiny Molecules issue 13

After Dad Goes into Care – National Flash Fiction Day FlashFlood 2022

Bees Breathe Without Lungs – Honeyguide Magazine

How to Hook a Heart – And We Live Happily Ever After, National Flash Fiction Day anthology 2022

The Tempest Inside – Micro Madness

April 2022

Milk Tooth – Wyldblood Press

March 2022

Awkward Liaisons – Flash Fiction Festival Volume Four

Falling in a Forest Mslexia magazine issue 93

Oxblood – Flash Frontier

Fishing for Green and Blue – Retreat West 10th Birthday Anthology

December 2021

Reasons Your Kefir Might Sour – Litro Magazine Flash Friday

The Only Language He knows Now is Touch – Blink-Ink, Moonlight #46

The Finch in My Sister’s Hair – The Birdseed

The Sea Lives in Her Mum’s Head – Ellipsis Zine

November 2021

The Salt Sting of Learning When To Say No – Flash Frontier

September 2021

My Choice – Six Sentence Stories

Three Shades of Summer – Flash Fiction Magazine

Storm Beckoner – Bandit Fiction

June 2021

Leaf After Leaf – National Flash Fiction Day Write-In

The Hare I Miss – Thimble Literary Magazine

What’s That? – Spilling Cocoa Over Martin Amis

May 2021

Reaching (collaborate work – I wrote the first stanza) – 100 Words of Solitude

April 2021

Stretching Out – Hencroft

The Sideways House – Twin Pies Volume IV

March 2021

Unstill Life With Plums – The Pomegranate

Foraging for Inspiration at the Flash Fiction Festival

Owl carving and baby shoe by Judy Darley
The Flash Fiction Festival takes place from Friday 8th until Sunday 10th July, with real world events happening at Trinity College, Bristol, and six hybrid workshops (online as well as face-to-face) workshops occurring over the weekend.

There are some amazing flash fiction writers teaching over the weekend, including Kathy Fish, Nancy Stohlman, Vanessa Gebbie, Eltra Rhodes, K.M. Elkes and Susmita Bhattacharya.

I’m delighted to be leading a workshop on ‘Foraging for Inspiration’ at 8.45am on Sunday 10th July. Expect random word prompts and other stimuli to get your imagination whirring!

One of the questions I’m asked most is where I get ideas from. The truth is that inspiration can come from anywhere, if you’re open and ready to gather the ideas as they come.

As someone who is, in all honesty, easily bored, I’m constantly on the lookout for entertaining distractions that can convert into story fuel, from overheard conversations to momentarily misunderstood glimpses (the weirder the better), to objects that could be important to a character in a tale.

I publish weekly writing prompts on my SkyLightRain blog,and collect small found objects and images that lead to piece of narrative prose. In this workshop you will be provided with a variety of writing prompts and investigate ways you can combine different sources with your own unique experiences to build up an original story.

Suitable for beginners and up. I intend to take participants on a short stroll of the grounds to forage for inspiration, returning to the workshop room for half an hour or so for the writing exercises.

I’ll also be reading my story ‘How to Hook a Heart’ from the Freedom-themed National Flash Fiction Day Anthology 2022 on the Friday evening. Find the full festival programme here.

I hope to see you there!

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud (dot) com.

Enter the Bridport Prize

Pebble man by Judy DarleyThe Bridport Prize, one of the UK’s most prestigious writing competitions, is currently seeking your short stories, flash fiction, poems and debut novels.

The deadline for all competition entries is 31st May 2022.

All entries are judged anonymously. To avoid disqualification, make sure you do not include your name, address, phone number, email, website, twitter handle etc on the document or in the file name.

Poems may be up to 42 lines in length (not including the title). There is no minimum line count. The entry fee is £12. The winning poet will receive £5,000.

Short stories may be up to 5,000 words long. The entry fee is £14. The winning short story writer will receive £5,000.

Flash fiction may be up to 250 words long. The entry fee is £11. The winning flash fiction writer will receive £1,000.

Novel extracts must be between 5,000 and 8,000 words long. You must also supply a 300-word synopsis, which should be the first page of your entry. The fee is £24.

First prize is £1,500 plus mentoring by The Literary Consultancy and consultations with literary agent AM Heath and publisher Tinder Press.

Bridport Prize judges

Inua Ellams will judge poetry entries. Born in Nigeria, Inua is a touring poet, playwright and performer. He is an ambassador for the Ministry of Stories and his books of poetry include Candy Coated Unicorns and The Half-God of Rainfall – an epic story in verse.

He recently completed his first full poetry collection The Actual. He lives and works from London, where he founded the Midnight Run, a nocturnal urban excursion.

Inua is seeking: “The distillation of human experience in language, and economical use of words, and transformation, where the sentiment of the poem is greater than the sum of its parts… when it leaps into the beyond.”

Tim Pears is the short story judge. Tim’s collection of short stories Chemistry and Other Stories was published in 2021 by Bloomsbury and chosen by the Sunday Times for their best new short story collections. Tim’s novel In a Land of Plenty was made into a BBC drama series. He was shortlisted for the Royal Society of Literature Ondaatje Prize, the IMPAC Dublin Literary Award and is a Fellow of the Royal Society of Literature.

Tim says: “I have developed an idea of the kind of short story I like to write, and to read, but what I look forward to judging the Bridport Prize is discovering new ways of writing, and fresh methods of telling, untold stories of this world we live in. What an exciting prospect!”

Kathy Fish is the flash fiction judge. Kathy has published five collections of short fiction including Wild Life: Collected Works 2003-2018. Her work has appeared in Ploughshares, Copper Nickel, Washington Square Review, and numerous other journals, textbooks and anthologies.

Kathy says: “Give me a story I’ve never read before. Or tell an oft-told tale in a wholly original way. I love stories that play with form or language. If you can do all that and also break my heart or make me laugh, so much the better!”

Monique Roffey is judging novel award entries. An award winning Trinidadian born British writer of novels, essays, literary journalism and a memoir, Roffey’s most recent novel, The Mermaid of Black Conch (Peepal Tree Press) won the Costa Book of the Year Award 2020 and was nominated for seven major awards.

Monique advises: “Write exactly what you like and never mind what the market seems to want. Be independent-minded at all times. You are the dog . You be creative and wag your tail. Do not ever worry what seems to be popular.”

Don’t forget to check out the Writers’ Room on the Bridport Prize website for resources and inspiration.

Key dates for your diary

Key dates in 2022

Save these dates to keep you ahead of the competition.

31 May

Competition deadline!

20 July

Novel longlist announced here and on social media.

25 July

Novel longlisted writers to submit 15,000 words, including the synopsis and original submission.

26 August

Novel shortlist announced here and on social media.

2 September

Novel shortlisted novel writers to submit 30,000 words, including the synopsis and original submission.

Early to mid-September

Winners and shortlisted writers in poetry, short story and flash fiction contacted.

Late September

All other writers contacted.

Early October

Novel winner and runner up informed.

Late October

Awards celebration.

Find full details and enter your creative works at www.bridportprize.org.uk. And don’t forget to sign up for their newsletter full of useful tips and inspiration.

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud(dot)com.

Retreat West online flash fest –5th-6th March

Three editors in a boat. Photo by Ivan Lapyrin on UnsplashI’m excited to be taking part in Retreat West’s online flash fest that’s happening on Saturday 5th and Sunday 6th March.

Ten_Ways-anthology book coverThere are inspiring events unfurling all weekend, including the launch of ‘Ten Ways Animals Will Save Us‘, Retreat West’s tenth birthday anthology, which contains one of my climate fiction flashes, ‘Fishing for Green and Blue’. The anthology is crammed with amazing stories from spectacular authors, on the theme of ‘ten’.

The anthology launch is at 10am, when the festival begins. Writers who will be sharing their anthology stories at the festival include Sara Hills, Martha Lane, Amy Barnes and Edward Barnfield.

Unfortunately I’m not able to attend the launch, but I will be there for a panel discussion on Sunday:

15.15 – 16.15 – LITERARY JOURNAL EDITOR’S Q&A

I’ll be answering questions and sharing insights from the perspective of my flash fiction editor role at Reflex Press, along with Christopher Allen of Smokelong Quarterly and J. Archer Avary of Sledgehammer Lit.

Find full details of this energising literary weekend here.

I hope to see you there!

Got a literary or arts event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud (dot) com.

Flash Frontier entreats your stormy words

Tintagel storm cr Judy Darley

The lovely folks at New Zealand’s Flash Frontier magazine are currently inviting submissions of short tales from across the world on the theme of ‘thunder’.

The deadline is 28th February 2022. Submissions must be only 250 words in length. Stories of 251 words won’t be accepted.

They say: “We are looking for variety and originality. Tickle us, haunt us, gobsmack us. Choose your words carefully and leave our readers wanting more. And do it in a small space. (…) We love original art in all forms – colourful and daring, muted and understated. We’ll choose art each month that reflects the theme.”

Send only previously unpublished stories, and make sure you follow their style guide to the letter!

For a taste of what the editors like and to be inspired, read Flash Frontier’s recent issue on the theme of Salt, which includes my flash fiction story The Salt Sting of Learning When To Say No.

Find full details of how to submit your work here: www.flash-frontier.com/submissions/ 

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) iCloud(dot)com.

Enter National Flash Fiction Day’s microfiction competition

Sweets by Judy DarleyNational Flash Fiction Day’s 100-word microfiction competition 2022 invites your submissions. Send something funny, something that resonates, is fresh and exciting, and leaves the judges lost for words.

The deadline is 15th February 2022. You’re invited to submit up to three flash fictions on any theme at no more than 100 words each. Titles aren’t included in the word count.

This year’s judges are Christopher Allen, Joanna Campbell, Tracy Fells and Damhnait Monaghan.

The microfiction competition prizes are:

  • £150 for first place
  • £100 for second place
  • £50 for third place
  • seven awards of £20 for highly commended pieces.

The winning and shortlisted authors will be published in the National Flash Fiction Day 2022 anthology. Winning and shortlisted authors will also receive a free print copy of this anthology.

Please only submit work that is not and will not be under consideration elsewhere before 15 March 2022.  By submitting work to the NFFD Microfiction Competition, you are agreeing to publication online and in the 2022 NFFD Anthology if your work is selected as a prizewinner or highly commended flash.

Find full details here.

This year, National Flash Fiction Day is on Saturday 18th June. How will you be celebrating?

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) ICloud(dot)com.

Enter The Masters Review chapbook contest

Bible_St John On The Wall. Photo by Judy DarleyThe Masters Review is inviting submissions to their chapbook contest for emerging writers. The type of submission is up to you (they actually mention flash collections, mini novellas, 40-page short stories, braided essays, eclectic brainchildren and experiments…), providing it is original, between 25 and 40 double-spaced pages, and is not poetry.

The deadline for entries is 31st December 2021.

The winning writer will receive $3,000, digital and print manuscript publication, and 50 contributor copies.

Matt Bell will choose this year’s winner.

The Masters Review say: “We’re seeking to celebrate bold, original voices within a single, cohesive manuscript of 25 to 40 pages. We’re interested in collections of short fiction, essays, flash fiction, novellas/novelettes, longform fiction or essays, and any combination thereof, provided the manuscripts are complete (no excerpts, chapters, works-in-progress, or other incomplete work). We are NOT interested in poetry. (We’re sure your poetry is fantastic, but we’re not qualified to judge its merit!).”

Find full details here: mastersreview.com/chapbook-contest/

Got an event, challenge, competition, new venture or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud (dot) com.

Anthology review – The Weight of Feathers

The Weight of Feathers cover. Shows purple book cover with pink, yellow and orange dots loosely shaped into a feather.The Weight of Feathers anthology comprises the winning, short-listed and highly commended fictions plucked from the riches submitted for the Retreat West Prize 2020. It opens with The Stonecutter’s Masterpiece by Jennifer Falkner, a bitter-sweet short story with a vivid sense of place, opening as it does with a paragraph that includes an expertly crafted line on the valley setting: “His workshop was the only thing in it, curled at the bottom like a sleeping cat.”

As short story judge Peter Jordan writes in his report: “It won because the writing on an individual sentence level was superb.”

In fact, there are outstanding sentences throughout this anthology. The book brims with intriguing short stories and flash fictions, each of which shimmers and hums with sensory details: a butterfly fluttering inside a double-glazed window; a woman turning to stone; a mouthful of damson jam. The delights are myriad, offsetting the sadness at the heart of many of these tales.

Continue reading

Enter a Halloween podcast Flash Fiction competition

Pumpkin eating person. Photo by Judy Darley

The Failing Writers Podcast Halloween Flash Fiction Writing Competition is eager to hear your words.

Entry is free. The prize is £100 plus the chance to hear your story performed in full by professional voice actors.

The deadline for submissions is Friday 22nd October 2021.

They invite you to send them a Halloween-themed flash fiction story of no more than 666 words. It can be any style, any genre, anything you like, as long as it’s themed around Halloween.

To enter, you need to listen to Episode 24 of the Failing Writers Podcast (available here) for a specific word or phrase that you MUST include in the story. They also recommend you subscribe to the podcast and sign up to their newsletter.

Once it’s ready, email your eerie masterpiece to failingwriterspodcast@gmail.com by Friday 22nd October.

Find full terms, conditions and entry requirements here.

Good luck!

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud (dot) com.