This year marks the launch of the Mslexia Women’s Fiction Awards, a quartet of writing competitions covering a short stories, children’s novels, their second-ever flash fiction competition and the all-new Mslexia Novella competition in association with Galley Beggar Press. The deadline is 1st October 2018.
Entry fees are £10 per short story, £25 per novel extract, £5 per flash fiction and £15 per novella extract.
Top prizes are £500 for the winning flash fiction, £1,000 for the winning novella and £5,000 apiece for the winning novel and short story.
‘Optional extras’ include optional extras a week’s writing retreat at Gladstone Library, introductions to agents and editors, and publication in Mslexia.
Find full details at www.mslexia.co.uk. It’s worth dropping by Mslexia’s winners gallery for some inspiration too. Good luck!
Mslexia’s annual short story competition for women writers is open for entries, so now’s the time to search out and polish up your plots!
The first prize is £2,000 – one of the biggest prizes available in the genre – and includes two optional extras: a week’s writing retreat at Gladstone Library, and a day with a Virago editor. Not too shabby!
Three other finalists will each receive £100. The winning stories will be published in the June 2017 issue of Mslexia.
Stories must be between 300 and 3,000 words in length, not including the title. The shortlisted entries will be judged by novelist, playwright and poet Deborah Levy. Entires cost £10 each.
The closing date for the competition is 20th March 2017, so there’s just time to get your entry together.
You can find full details of how to enter at www.mslexia.co.uk.
I’ve been subscribing to Mslexia for many years, and have been relishing the little ms newsletter that goes out to subscribers ever since its launch. It’s full of ideas, inspiration and quirky nuggets of information. Each one includes a flash card – an image you’re invited to turn into a 100-word story.
Image © Gabczi and Shutterstock via Mslexia
They’re fantastic writing prompts, and when I saw the one shown to the left, a story crept into my mind. I wrote a version that was twice as long as it needed to be, cut it down, polished the sentences, rearranged a few, replaced some with others and finally had a piece I liked, so sent it in.
When I opened the October little miss, I discovered to my pleasure and surprise that my tale had been chosen to appear! Such a joy.
Here is the first sentence for all those none subscribers (and I urge you to subscribe at once!).
It’s almost a decade since anyone came by our flooded city, so when the smoke went up, a bruised tower against the sky, my heart jumped in my chest…
I first reviewed this long-running quarterly magazine for EssentialWriters in December 2008 when the magazine launched by Debbie Taylor had just benefited from a fresh redesign.
At the beginning of April 2011 a more radical revamp was unveiled, revealing a classy matte white cover to a magazine that now boasts a spine (a physical one – it already had a metaphysical one), and a reintroduction of illustrative rather than photography cover art.
Today, the magazine maintains its strong outlook and valuable content, with in-depth interviews with notable writers working in a variety of mediums and genres, an analysis of a bestselling novel, and a gentle picking-apart-and-putting-back-together contemplation of a poem, as well as features aimed at helping you assess, improve and target your own writing. Continue reading