Enter the Lucy Cavendish College Fiction Prize 2021

Bud. Photo by Judy DarleyThe Lucy Cavendish College Fiction Prize 2021 invites entries from women over the age of 18 who have written a novel “that marries literary merit with unputdownability.”

The closing date for the competition is 12 noon on Friday 12th February 2021.

The judges say they’re equally open to literary fiction and genre fiction, as well as to young adult fiction and children, providing they are primarily word-based.

Your submission must be previously unpublished, and you must not have had other full-length novels published. However, having short stories, poetry, non-fiction or picture books published previously does not exclude you.

To be considered, you need to submit the first 40-50 pages of the novel via the online form and a three to five-page synopsis of the remainder. Authors must not have agent representation at the time of submission.

The entry fee is £12. Sponsored entries for low income writers are available.

All shortlisted entrants be offered a one-to-one consultation, editorial feedback and advice on the marketability of their work from PFD literary agency.

The 2021 winner will receive a cash prize of £1,500.

Shortlisted applicants will also be invited to the prize-giving drinks reception and awards ceremony where they will have the chance to meet. Industry representatives.

Award-winning author and journalist Allison Pearson is chair of the judging panel. For full details, visit www.lucy-cav.cam.ac.uk/fictionprize/how-to-enter, and make sure you follow the competition Terms and Conditions.

Before entering, read these tips.

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) ICloud (dot) com.

Enter Oxford Flash Fiction Prize 2021

Oxford University buildings. Photo by Judy Darley. Photo of old buildings in the English city of Oxford.Oxford Flash Fiction Prize 2021 invites you to submit your finest flash fiction tale for a chance to get 2021 off to an excellent start.

The deadline is 31 January 2021.

The word limit is 1,000.

  • First prize is £1000.
  • Second prize is £200.
  • Third prize is £100.

Shortlisted entrants will be offered the chance to be published in the end of year digital anthology.

You can choose to enter one flash at £6, two at £10 or three at £14.

A limited number of free entries are available to low-income writers. Find out more here.

Rules of entry

  • All entries must be formatted as a single-spaced word document or PDF.
    Font: Arial, 12pt. This is to standardise entries so that all stories are treated equally. Only entries that are under the 1000-word limit (not including the title) will be accepted.
  • All entries must include the title of the story but not the name or address, or any identifying information of the entrant.
  • This is an international competition, and all entries must be in English.
  • All entries must be the work of the person entering and must not have been published anywhere online (including blogs and websites) or accepted for publication elsewhere. The copyright remains with the author.
  • Entries will not be accepted without payment, and any entries that do not comply with the competition rules will be disqualified.
  • No corrections post-entry can be accepted or refunds given.
  • The results of the competition will be published online and the decision of the judge(s) will be final.
  • The closing date for entries is midnight (UK time) on the 31st January. Winners will be notified by email within six weeks of the closing dates.

Find full details here.

Manchester Poetry and Fiction Prizes

The-Royal-Exchange-Manchester-cr-Judy-DarleyManchester Writing Competition 2020 is open to online and postal entries of poetry and fiction. Each category offers a £10,000 first prize.

The competitions were instigated in 2008 by by Poet Laureate Carol Ann Duffy in 2008. The aim was designed to attract the best new writing from around the world, and to establish Manchester as a literary focal point.

The deadline for all entries is 5pm GMT on 18th September 2020. The entry fee for both contests is £18, with a limited number of reduced price entries  available to writers who might not otherwise be able to take part

The chair of poetry judges is Malika Booker. The £10,000 prize will go to the writer of the best portfolio of three to five poems (maximum combined length: 120 lines). Find full details and enter on the Poetry Prize page.

The chair of fiction judges is Nicholas Royle. The writer of the winning short story of up to 2,500 words will be awarded £10,000. Find full details and enter on the Fiction Prize page.

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at JudyDarley(@)ICloud(dot)com.

Green Stories invites upbeat #CliFi flash fiction

Pataya, Thailand beach by Judy DarleyThe Green Stories’ team are inviting entries of Flash Fiction for their latest competition.
This competition is free to enter.

The deadline is 21st March 2020. Entries should be no longer than 500 words, excluding title.

Specifically, they are seeking Flash Fiction entries that explore themes around building a sustainable society.

“Most stories set in the future are dystopian, meaning they have a pessimistic view of society. We will consider all stories, but we encourage you to imagine a more positive settings and practices for your stories,” they say. “The story doesn’t have to be about sustainability or climate change directly. A rom-com, for example, could be set in a society that replaces ownership with borrowing and the heroine goes to a clothes library to pick up a posh dress and borrow jewellery for her big date.”

The Green Stories website is packed with information on the topics they’d like you to consider, ranging from practices such as the sharing economy to advances such as nanotechnologies and green transport.

For full details of prizes and how to enter, visit www.greenstories.org.uk/flash-fiction/

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send me an email at JudyDarley(@)ICloud(dot)com.

The 507 micro fictions I have read

Dinefwr water meadows. Phot by Judy DarleyRecently, in a little under two days, I read and digested 507 micro fictions. Some of them I returned to and chewed over multiple times. In the two days after that, I set aside more than stories until I’d selected the 25 tales that have… well, yes, cast ripples.

The 507 specimens are 100-word stories submitted to the National Flash Fiction Day competition, which I was lucky enough to co-judge. On the morning after the contest closed to entries, I opened my inbox to find a fat document brimming with them all, ready to read at my leisure.

Well, not at my leisure, but it was a Saturday and I had almost an entire free morning in which to luxuriate over the carefully crafted creations.

During the first day I soon built up a rhythm that swept me along. As I swam through the compact fictions, I developed a labelling system of Yes, for the ones that stopped me in my tracks, Maybe, for the ones that snagged my attention at all, and No, for those that, I’m afraid, I felt I could remove without too many qualms.

By the end of day two I’d completed my second reading of all surviving stories, and was down to around 130.

Day three saw me whittle these down to a scant 61.

Patterns began to emerge as my brain sorted them into a series of recurring themes. I and my fellow judges, Angela Readman, Diane Simmons and Kevlin Henney, each attended dozens of funerals, including a high number where the chief mourner was also the murderer. We spent time in hospitals reeking with antiseptic and regret, waded through the mud of a multitude of wars. We met ghosts, unhappy children and cheating lovers in their droves.

We visited far-off planets, encountered people contemplating violence to themselves and others, and grazed our knees on numerous allegories and analogies. We bore witness to sensual and sinister moonlit cavorting. On at least three separate occasions we were told of the pain experienced via injury done to a twin. We eavesdropped on #MeToo revelations and felt the heat or skin-creeping chill of first times. These echoed narratives made our jobs a fraction easier, as we sought as the best of one type or another and used these to narrow our choices.

The process taught me to recognise a number of important things.

  • Word play is good, but not enough. For me a story needs to have heart too
  • A twist in the tail really needs to be handled with skill so as not to become an irritant
  • In some cases, even a 100-word story can have too many words
  • In some cases, a story trimmed down to 100 words can lose all meaning
  • Titles matter. With only 100 words to play with, the title offers precious opportunity to set the tone, and even layer in background information
  • Last lines matter. Somehow, they are the pebble that really casts a ring of ripples that will draw readers back to your story time and again.

To reach the small sum of 25, we each had to extricate and wave sorrowful farewells to some truly outstanding works. One I removed on day three continue to wriggle in my mind with such insistence that I retrieved it on day four and included it in my 25.

Once we’d ordered our 25 choice according to  preference, Santino Prinzi, the competition coordinator, correlated these, reissued the shortlist of 26 and asked us to narrow these down to our top ten. At this point, certain stories really began to shine.

I have emerged from tales breathless with wonder. It’s been an incredible, exhilarating journey, every step of the way.

NFFD 2019 logo

Now we have announced our winners and high commendably micro fictions, all of which will be published in the National Flash Fiction Day anthology 2019. There are some absolute stunners among them. Huge congratulations to these final ten, as well as everyone who reached the shortlist!

Being a co-judge of the NFFD completion 2019 has been a privilege. more than that, it’s been an education that’s spurred me on to aspire to write deeper, write truer and uncover more through my own writing.

A perfectly crafted paragraph is a powerful thing.

Enter the NFFD Micro Fiction Competition

Sweets by Judy DarleyI’m excited to be one of the judges of the National Flash Fiction Day micro fiction competition 2019, along with the marvellous Diane Simmons, Angela Readman and Kevlin Henney.

We’re hungry for your most finely crafted, resonant unpublished words. Disturb us, discombobulate us, turn our expectations upside down and make us regard the world anew, or draw us into a life and move us, all in only 100 words or fewer.

The deadline is Friday 15th March 2019, 23:59pm GMT. You’re invited to submit up to three flash fictions on any theme.

Titles aren’t included in the word count.

First prize is £75.

Second prize is £50.

Third prize is £25.

The winning and shortlisted authors will be published in the National Flash Fiction Day 2019 anthology. Winning and shortlisted authors will also receive a free print copy of this anthology.

Find full competition rules and entry fees here.

You can read my interview with Diane Simmons, in which I talk about what I’m hoping to see in submissions, here.

I can’t wait to read your submissions. Good luck!

Win a spot at the Iceland Writers Retreat 2019

Gullfoss Falls Iceland photo by Judy DarleyThe good folks of the Iceland Writers Retreat have partnered with Iceland Travel to offer one person a free spot at their retreat scheduled for April 2019. The winner will receive  a free hotel stay, tours, most meals, and all workshops for the duration of the event, from 3rd to 7th April 2019.
To be in with a chance you need to write an essay, story or poem on the theme of equality, preferably including a mention of Iceland. Your entry must be no more than 500 words long.
The submission deadline is 23:59 (GMT) Monday 17th December 2018. There is no fee to enter. Click here to enter.
If you win and have already paid to attend the Iceland Writers Retreat, your payment will be refunded. Entries will be judged anonymously.
Find the full details and conditions here. but note that the prize does NOT include airfare to Iceland or airport transfers.
About the Iceland Writers Retreat
Held for the first time in April 2014, the Iceland Writers Retreat is an event comprised of a series of small-group writing workshops and cultural tours designed to introduce participants to Iceland’s rich literary heritage. Faculty in 2019 include Louis de Bernieres, Tessa Hadley, Ivan Coyote, Chigozie Obioma, and Lina Meruane. The Iceland Writers Retreat was named one of the world’s best writers’ retreats by the Sydney Morning Herald, and one of the top 10 “Events to travel for in 2014” by Four Seasons Magazine.

Enter The Bare Fiction Prize 2018

Almunecar cr Judy DarleyThe excellent folks at Bare Fiction are inviting submission to their creative writing awards. This year Deborah Alma judges the Poetry category (max 40 lines), C.G. Menon judges the Flash Fiction category (max 500 words), and Luke Kennard judges the Short Story category (max 3,000 words).

First, second and third prize winners in each category will receive £500, £200 and £100 respectively, plus two highly commended entrants will receive £25 each.

Fee per entry is £5 for poetry, £6 for flash fiction, and £8 for fiction, however, Bare Fiction is offering free entry to the Bare Fiction Prize 2018 for 50 UK low income writers. To be eligible you must be in receipt of benefits such as Job Seeker’s Allowance, Working Tax Credits, Universal Credit, Disability Living Allowance, Carer’s Allowance, or Employment and Support Allowance, or earn less than the London Living Wage of £9.45 per hour.

Eligible applications for free entries will be accepted on a first-come, first-served basis, and must be received by Tuesday July 31st 2018.

Click here to submit your application for free entry.

There’s no theme, but bear in mind that the British periodical aims to “offer a platform for new creative writing across poetry, fiction and plays to encourage writers who are testing their boundaries to stretch themselves creatively.”

The deadline for all non-free entries is 31 October 2018. Find full competition details here.

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The Fiction Desk’s Newcomer Prize

Flash fictionThe Fiction Desk’s Newcomer Prize specifically seeks writing from new authors. It’s only open to writers who have not been previously published by The Fiction Desk, and who have not yet published a novel or collection of short stories in print.

The deadline for entries is Thursday 31st May 2018.

They say: “If you’re looking for inspiration, the winning stories from last year’s competition will appear in our next anthology, due this spring. Why not subscribe to the anthology series and receive your copy as soon as it’s published?”

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Write for a Flash Walk

Totterdown coloured houses cr Judy DarleyI’m happy to say that after a year’s hiatus, the #FlashWalk is set to return as part of the National Flash-Fiction Day celebrations on 16th June 2018. Far less seedy than it sounds (depending on the tales submitted), the Flash Walk will take place in Bristol, celebrating fiction in its shortest and most intense form.

The Flash Walk will take place in central Bristol, and your words can be part of it.

To be in with a chance of being included, all you need to do is send us a piece of flash fiction, prompted by some aspect of the theme Urban Landscape. You can take this idea in any direction you choose, using any theme and any genre, providing your tale is between 40 and 400 words in length.

Bristol can be but doesn’t have to be a source of inspiration for your submission.

The deadline for submissions is Monday 21st May 2018.

The selected stories will be shared by  actors during the walk, so if yours is chosen, all you need to do is come along and enjoy the performance!

The walk begins at 10.30am on 16th June, just outside the main entrance to Bristol’s M-Shed on the harbour side. It will finish at the GreenHouse, Hereford Street, BS3 4NA (just under a mile’s stroll away), between an hour and an hour and a half later.

The GreenHouse will also be the venue for the afternoon’s free writing workshops

To be part of National Flash-Fiction Day‘s #FlashWalk2018, submit your entries to bristolflash@gmail.com before midnight on Monday 21st May 2018. There’s no charge to enter, so why not give it a go?

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley(at)iCloud(dot)com.