Enter the Fractured Lit Ghost, Fable and Fractured Fairy Tales prize

The Fractured Lit team urges you to dig into the darkest recesses of your imagination to write stories of ghosts, fables, and fractured fairy tales in 1,000 words or fewer.

The deadline is 4th February 2024.

Guest Judge Aimee Bender will choose three prize winners from a shortlist. The winner of this prize will receive $3,000 and publication, while the 2nd and 3rd place winners will receive publication plus $300 and $200, respectively. All entries will be considered for publication.

They say: Whichever tradition you choose, make sure you find a new way to approach it, to twist and discombobulate it, so it pushes us away from the mundane and into the strange or uncanny. Transport us from the here and now to a new land of discovery, a fresh way of being entertained that embraces all of the ways we show our humanness.”

A $20 reading fee allows you up to two stories of 1,000 words or fewer each per entry.

Aimee Bender is the author of six books: The Girl in the Flammable Skirt (1998), which was an NY Times Notable Book; An Invisible Sign of My Own (2000), which was an LA Times pick of the year; Willful Creatures (2005), which was nominated by The Believer as one of the best books of the year; The Particular Sadness of Lemon Cake (2010), which won the SCIBA award for best fiction, and an Alex Award; The Color Master (2013), a NY Times Notable Book for the year; and her latest novel, The Butterfly Lampshade (July 2020), which was longlisted for the PEN/Jean Stein Award. Her books have been translated into sixteen languages. Her short fiction has been published in Granta, GQ, Harper’s, Tin House, McSweeney’s, The Paris Review, and more, as well as heard on PRI’s “This American Life” and “Selected Shorts.”

Find full details of how to enter here: https://fracturedlit.com/fractured-lit-ghost-fable-and-fractured-fairy-tales-prize/ 

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud (dot) com.

Enter The SmokeLong Grand Micro Competition

MerryGoRound cr Judy DarleyUntil Tuesday 10th November 2023, the SmokeLong editors invite you enter the SmokeLong Grand Micro Competition (The Mikey), a biennial competition that celebrates and compensates the best micro fiction and nonfiction online.

Prizes:

The grand prize winner of The Mikey is automatically nominated for The Best Small Fictions and other prizes. There are also some substantial cash prizes.

  • The grand prize winner receives $1,500
  • The second place winner receives $500
  • The third place winner receives $300
  • Finalists receives $100

All finalists and placers will be published in the winter ’23 issue of SmokeLong Quarterly.

Entry Fees

This year entrants in The Mikey receive discounts for the we are autumn Afterglow webinars (a series of live or recorded webinars, peer-review workshops, and feedback). If you’re planning to do both, take advantage of this discount.

Up to 2 Micros: $13
Up to 4 Micros: $19
Up to 4 Micros with 1 Afterglow webinar (attendance only): $30
Up to 4 Micros with 3 Afterglow webinars (attendance only): $48 (best value)

Guidelines:

Your entry must be 400 words or fewer, excluding the title. There is no minimum word count.

Enter as many times as you like, but make sure the right entry fee accompanies each one. If you submit multiple entries at the same time, they must all be in the same document.

Fiction, non-fiction, and hybrid narratives are considered. While the line between prose and poetry is often blurry, you need to take into consideration that SmokeLong does not consider poetry.

Judging

All entries are read blind by a team of 15 SmokeLong editors from around the world. You must remove all identifying information from the story document itself. Please make sure you remove your name from the page number heading and the filename as well. Your name should appear ONLY in your cover letter, which the judges will not see.

You will probably receive a reply within two weeks if they decide to pass on your entries. If they take longer than two weeks, be encouraged. This means that at least one of your stories has made it through the first round of judging. Due to the blind nature of the judging process they aren’t able to communicate regarding which micro we are still considering.

If you’re unable to pay an entry fee, don’t give up hopes of entering – email editor@smokelong.com.

Before you enter

I highly recommend that before submitting your words, you devote some time to reading the kind of stories SmokeLong publishes. The editors have a very specific tastes in micro tales – sharp edges polished thin enough to see sunlight through are definitely preferred.

I recommend Fistful of Blueby Lindsey Pharr, which won the CNF competition of A SmokeLong Summer 23.

Find the full contest guidelines and enter here.

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud (dot) com.

Enter the Fractured Lit Flash Fiction Open prize

Button on Kilve Beach cr Judy DarleyGot a fresh micro or flash fiction you’re ready to zing out into the world? Enter the Fractured Lit Flash Fiction Open Prize.

The deadline is 16 July 2023.

Guest judge Sara Lippmann is the author of the novel Lech (Tortoise Books) and the story collections Doll Palace (re-released by 7.13 Books) and Jerks (Mason Jar Press.) Her fiction has been honored by the New York Foundation for the Arts, and her essays have appeared in The Millions, The Washington Post, Catapult, Literary Hub, and elsewhere. With Seth Rogoff, she is co-editing the anthology Smashing the Tablets: Radical Retellings of the Hebrew Bible for SUNY Press. She is a founding member of the Writing Co-Lab and lives with her family in Brooklyn.

The first place winner will receive $2,000 and publication, while 15 finalists will receive $100 and publication. All entries will be considered for general publication.

Fractured Lit publishes flash fiction with emotional resonance, with characters who come to life through their actions and responses to the world around them,” says Fractured Lit editor in chief Tommy Dean. “We’re searching for flash that investigates the mysteries of being human, the sorrow and the joy of connecting to a diverse population.”

Entries must be under 1,000 words in length.

You need to pay a $20 reading fee per entry of up to two tales.

Find full details and enter here: https://fracturedlit.com/flash-fiction-open/

Good luck!

Got an event, challenge, competition, opportunity or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) ICloud (dot) com.

Write 250 words celebrating trees

Arnos Vale star tree by Judy DarleyTrees in local public gardens and parks boost our spirits, offer a natural haven, improve air quality and willingly offer us something to hug. Sydney Gardens TREE WEEKENDER Writing Competition invites you to put your feelings about trees in public gardens and parks into just 250 words.

The deadline for entries is midnight (GMT) on Monday 1st November 2021, or whenever 125 entries have been received.

It is free to enter. Entrants are limited to two entries only – you may submit a poem and a flash story, two poems or two stories.

Sydney Gardens in Bath, UK, has been a public park for more than 100 years attracting residents and visitors alike, including Jane Austen. Once a private Georgian pleasure garden limited to those who could afford a subscription, it’s now a green jewel within the World Heritage site of the City of Bath.

A recent recipient of Heritage Lottery funds, Sydney Gardens has undergone a restoration that has been delayed by the pandemic but is now coming to fruition, which is being celebrated with a ‘Tree Weekender’ on the weekend of 27 & 28th November.

As part of this celebration of trees, you’re invited to write a flash story or poem of 250 words or under about trees in your local public garden or park.

In particular, they are seeking pieces that examine the value of trees in local parks and public gardens. They want to know the stories from where those trees came from, how they’ve been managed, cared for and loved, and what they mean to you.

Poet Samantha Walton & Charlotte Smith from the B&NES Parks and Trees Service will judge the poetry competition. Nigel Bristow and Andrew Stuck are the judges for the flash pieces.

Judges will draw up a longlist from the entered poems and stories, and all works on the list will be published on the TREE WEEKENDER web pages during November. Shortlisted poems and stories will be chosen, audio recorded and geo-located within and around Sydney Gardens to be available over the TREE WEEKENDER.

Shortlisted authors will be invited to join an exclusive nature writing on- line roundtable on Saturday 27 November, and will be invited to read their work at the TREE WEEKENDER Showcase online finale on Sunday 28th November 2021.

The winner and runner up in both the poetry and prose categories will receive a Book Token to the value of £50. They and the runners up, will each receive an artwork that illustrates their poem or story, created by Alban Low. There will also be special prizes of artwork for the best poem and story submitted by a resident living within Bath & North East Somerset.

The longlist and shortlist will be announced by Monday 22nd November.

The Sydney Gardens Tree Weekender writing competition is run by Rethinking Cities Ltd / Museum of Walking on behalf Bath & North East Somerset Council.

Find full details and terms and conditions here: https://www.bathnes.gov.uk/sites/default/files/sgtw_writingcomp_final_eligibilityrules.pdf

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud (dot) com.