The New York Times seeks your tiny love stories

Love birds by Judy DarleyWhat kind of love story can you share in two tweets, an Instagram caption or a Facebook post? The New York Times invites you to tell them a love story from your own life — happy or sad, capturing a moment or a lifetime — in no more than 100 words.

They say: “Include a picture taken by you that complements your narrative, whether a selfie, screenshot or snapshot. We seek to publish the funniest and heart-wrenching entries we receive. They must be true and unpublished.”

As days shorten and lockdowns tighten, love may be all you need (other than food, fluids, shelter, Netflix, and a decent broadband connection, oh, and books…), but can you condense it down to 100 words that capture the quirks of a love you know intimately?

They add: “Love may be universal, but individual experiences can differ immensely, informed by factors such as race, socio-economic status, gender, disability status, nationality, sexuality, age, religion and culture. As in the main Modern Love column, we are committed to publishing a range of experiences and perspectives in Tiny Love Stories. We especially encourage Black and Indigenous people and other people of color to submit, as well as writers outside of the United States and those who identify as members of L.G.B.T.Q. communities.”

I highly recommend you read some earlier examples of Tiny Love Stories at nytimes.com/modernlove.

Click here for submission terms, and bear in mind that “accepted stories will be edited for clarity and content in consultation with the writer.”

Find full details and submit here: https://www.nytimes.com/2018/09/19/style/modern-love-tiny-love-stories.html

Submit your writing to Zoetic Press

Arnos Vale sunken grave cr Judy DarleyGot a few moments to spare between Christmas and New Year? Zoetic Press invite submissions of fiction and non-fiction eulogising the fallen icons who have touched your lives. The chosen works will be published in an anthology titled Dear Beloved.

The deadline for submissions is 13th January 2017.

They say: “2016 has been a year of the significant loss of cultural icons, from music and recording artists to literary titans and sports heroes. Social media has made grief and loss a shared experience for the people influenced by these celebrities. And while the internet guarantees that there will never be agreement in the legacy left behind, it has also created a new norm in how we grieve, publicly and privately. Artists, musicians, writers, directors, sports heroes, politicians, and actors reveal us to ourselves through their work.”

Written a piece to help you mourn Prince, David Bowie or Victoria Wood? This could be your chance to publically mark their impact on your life. While Zoetic Press are particularly interested pieces which memorialise public figures who’ve died this year, all in memoriams submitted will be given equal attention. “However, please make sure the icon you’re writing about is actually dead – we suggest double-checking the Dead or Alive Info website just to be certain.”

They add: “We regret that we cannot consider In Memoriam pieces for Dearly Beloved which are not about public figures. We cannot consider pieces about family members, pets, friends, or figures that are not public for Dearly Beloved – this anthology is a memorial for the artists and public personalities that shape each of us differently.”

For this anthology, Zoetic Press seek fiction and creative non-fiction of up to 5,000 words in length, and flash fiction up to 1,000 words in length.

Find full guidelines here zoetic-press.myshopify.com/pages/submissions

Book review Things That Are by Amy Leach

Things That Are book coverA beautiful book crammed with exquisite details about our universe and everything in it. The subtitle is Encounters with Plants, Stars and Animals, and in this collection of poetically observed scientific essays, Stars really do seem like just another bobbling entity, not that dissimilar to a whirligig beetle, a baby penguin (which she describes as a “pear-shaped bit of fluff”) or a biscuit starfish.

I found myself entranced by the juxtapositions Leach throws together – drawing unexpected connections between tomato frogs and bears and grass (they all prefer to live in light) or between man-of-war jellyfish and Leo Tolstoy (both resembling, she asserts, a single entity while actually being made up of many).

Moments of surrealism gather you in – there’s a whole section on sirens, were “free like thunder, and dangerous like tornadoes, and enchanting like fire” and who used to sing songs “people would follow to the other side of life” and now forced into service as Emergency Warning Sirens sounding the alarm.

There’s a whole chapter marvelling on the efforts of the hapless water lily, and another on the delight of peas (which Leach describes pleasingly as “clocky children who become spoony adults”). Continue reading