A girl is seen in a forest, living in the trees, eating raw meat and screaming with the voice of birds and beasts. A boy crosses Bosnia amid gunfire and bombs in an attempt to reach what little remains of his family. Continue reading
Using genuine vintage footage from Beady Eye Theatre founder Kristin Fredricksson’s childhood, the show blends this with audio-snippets, props, puppetry and some truly exuberant dancing. This is a tragedy tenderly told with grace, generous abandon and moments of utterly raucous laughter.
It is a noisy, chaotic, poetic, beautiful and sometimes painful portrayal of childhood bewilderment as Kristin and her twin sisters cope with the uncertainty of a mentally unwell mother.
I left feeling both emotionally drained and emotionally enriched, resisting the urge to hug everyone involved. If it comes anywhere near you, go and see it.