Writing prompt – in perpetuity

Arnos Vale Cemetery cat cr Judy DarleyI was walking through Arnos Vale’s Victorian cemetery recently, when a plea for help caught my eye. Apparently, rather than buying a plot, the Victorians’ preferred to rent theirs – I suppose they surmised that they would only need it for a generation or two at most.

According to the sign: “The Victorians often lease family grave ‘in perpetuity’, or for 125 years, with little thought about who would pay for their care after that. Thousands of family graves have been effectively ‘abandoned’ over the past 50 years, so funds for upkeep have ceased.”

What now?!

I immediately pictured countless wraiths being evicted for failing to pay their rent. What form might they take? Where could they go in search of refuge? Who might let them in?

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com. If you’d like to donate to Arnos Vale Cemetery, visit their website.

Book review – Who Runs The World? by Virginia Bergin

WhoRunsTheWorldcoverFor aeronautical student River, it’s a day like any other. She’s been out in the woods, collecting cider apples, and is now on her way home without a care in the world. But then she encounters a stranger who is seriously unwell. More worryingly, that person is an XY, a male, and River has never in her life met one before.

In Virginia Bergin’s third YA novel, Who Runs The World?we enter a reality set sideways from our own thanks to one significant difference. Sixty years earlier, a virus wiped out the majority of men on the planet, and now all male babies are taken away to live in sanctuaries, safe from the illness that would kill them, but which leaves the females untouched.

River has grown up in a society ruled by women, where concern for the planet comes first, and concern for community second. Concern for self is barely worth mentioning, as empathy and Courtesy (awarded a capital letter throughout) are the only accepted behaviours. It’s an outlook newcomer Mason is set to challenge.

If TV series The Handmaid’s Tale introduced a new generation of women to Margaret Atwood’s warning, Who Runs the World? kicks us into assessing our own auto-responses to what we think of male and female and the space in between. In many ways, the sans-XY world she has created reads like a utopia, but seen through an adolescent’s eyes, there’s a level of naivety and ignorance that allows for credibility to shift and crack. The darkness of the sanctuaries and the realisation that secrets are being kept at higher levels of society knocks River’s certainty about the world she inhabits. It’s a process we all go through as we get older, but set against a re-imagined world, it’s heightened in a way that’s wonderfully thought-provoking.

Throughout, Bergin is subtly seeding ideas about a better tomorrow, not least through the doctrines River takes for granted, from manners to avoidance of greed, waste and laziness. At the same time, the Grandmothers, a generation of women who were teenagers when the virus struck, offer reflections of a more familiar time and outlook. Bergin manages to achieve a perfect balance between the contrasting viewpoints formed by different societies, while allowing for contradictions that make sense within the bubble River has grown up within. For instance, while her understanding of the female gender is refreshingly broad and open (why would some jobs ever be left to men?), her untested opinion of men is stark –

It’s no wonder that when her first encounter with a male doesn’t go well, she can only assume the ideas she’s picked up on are correct. “Every strange and scary thing I’ve ever heard said about XYs comes bursting into my head.” Mason is terrified, and therefore threatening, in a way River has never experienced from any person previously. With her mother Zoe-River equally alarmed by the creature’s arrival in their lives, it takes River’s great-grandmother Kate to point out that Mason isn’t an It or a man, but a boy, and that he has far more reason to be afraid than they do.

This is just the beginning of River’s reawakening, and as she twists and turns through the story, re-examining what she has been brought up to believe, it’s inevitable that we readers do a semblance of the same. “I can’t find a place in my head where that fits,” she says near the beginning, but by the end of the novel, a new space has grown and her mind is more open, and wiser than ever. Throughout, River has questioned what she holds to be true, and we’re prompted to ask questions too, about right and wrong, gender norms and the society we’ve been shaped by, at least to some extent.

Vigorous, energetic and exhilarating, this is a novel that has heart and courage, just as its protagonist River does. A refreshing fiction with a core of truth, which should be compulsory reading for all age groups and genders.

Who Runs The World? by Virginia Bergin is published by Macmillan Children’s Books and available to buy from Amazon.

Read Virginia’s insights into writing YA fiction.

What are you reading? I’d love to know. I’m always happy to receive reviews of books, art, theatre and film. To submit or suggest a review, please send an email to Judy(at)socketcreative.com.

Literary Bristol

Judy Darley in Redcliffe CavesBristol Festival of Literature returns from 19th-28th October 2017, with curious, intriguing, inspiring events popping up all over the city. I wrote a feature about it for The Bristol Magazine, titled Bookish Bristol, and was wowed by the options on offer. Events are already selling out, so get your tickets fast!

You can pick up copies of The Bristol Magazine all over the city, in cafes, hairdressers, estate agents and other businesses.

I’m taking part in a least two events. The first is Bristol Writers Group and Friends Go Into The Dark, taking place in Redcliffe Caves from 7-9pm on Tuesday 24th Oct. Tickets have already sold out! I’m one of the friends, and very excited to be invited back. Reading in the caves is a really magical event – it’s a wonderfully spooky environment. I’ll be sharing my tale Merrow Cave. The pic at the top of this post (photo taken by Sally Hare) shows me at a previous year’s event.

Tickets cost £5.50 each.

The second is Novel Nights, which I’ll be co-hosting with founder Grace Palmer from on Wednesday 25th October. Three local writing talents, Alison Brown, Kate Simants and Deborah Tomkins, will share novel extracts before Cornerstones literary editor Dionne McCulloch offers her insights on novel-writing and answers questions from the audience. It’s happening at The Square Club, 15 Berkeley Square, Bristol. Get tickets for £8 here.

There are so many other fabulous literary happenings to choose from too. Find the full programme and ticketing details at unputdownable.org. Hope to see you at an event or few!

An expression of love

DancinginMocoMoco#3 by Natsuko Hattori

DancinginMocoMoco#3 by Natsuko Hattori

Natsuko Hattori’s soft, curving sculptures are beguilingly sensual creations, yet they express sorrow and feelings of helplessness as well as love.

“In 2011, a year after I moved to New York, the earthquake that devastated the northeast Japan happened,” Natsuko explains. “It was very big thing for me. I lost contact with my family and friends for more than a week. I panicked and spent sleepless nights crying. I felt so powerless.”

Sculptures in blue by Natsuko Hattori

Sculptures in blue by Natsuko Hattori

Through her desperation, Natsuko began to wonder if she could do as an artist to express or alleviate these feelings, not just her own, but those experienced by others too. “In the end, I came to the conclusion that I want my art to make people smile, make them feel warm and tender at the moment they feel sad and down,” she says. “I decided to recreate through art what I feel when I think of the word love. To me, to love is to embrace, or to envelop someone or something with warmth, tenderness and affection. So I came up with the idea of wrapping cotton balls in piecse of cloth and putting them together to create a soft sculpture. This is how MocoMoco was conceived.”

SCULPTURES1 by Natsuko Hattori

Sculptures by Natsuko Hattori

She sees textiles as the perfect medium to t communicate emotions on a relatable level.

“Fabric is my medium of choice because people everywhere can relate more easily to this material, which conveys warmth, natural softness and the intimate human touch,” she says. “My works are all made up of my feelings and experiences. People who have seen my work for many years say that each piece of work represents my life and ideas. For me, the work is like a diary, which confines the feelings of that time. Just through looking at my work, I feel my thoughts from that time again.”

Find Natsuko’s sculptures at www.natsukohattori.net 

Are you an artist or do you know an artist who would like to be showcased on SkyLightRain.com? Get in touch at judy(at)socketcreative.com.

Art worth climbing hills for

Urban Archaelogy 2 By Peter Ford

Urban Archaelogy 2 By Peter Ford

Art On The Hill returns to the Windmill Hill area of south Bristol on 7th-8th October, promising a wealth of exceptional creativity. I’ll be heading to 13 Cotswold Road to ascend the narrow stairs leading to Off-Centre Gallery. Printmaker and curator Peter Ford has long had me entranced with his unique view of the world, and this year he’ll also be joined by artists Dr. Michael McCaldin and Ruth Ander.

Urban Archaeology 1 by Peter Ford

Urban Archaeology 1 by Peter Ford

Other highlights I’m looking forward to include Stephen Mason’s ambiguous photography at 39 Gwilliam Street. Sixty artists have signed up to exhibit on the trail, so there should be plenty to tempt you.

Stephen Mason photography 2

Photography by Stephen Mason

Find full details and the trail map at www.artonthehill.org.uk.

Writing prompt – voyage

Voyage by Judy DarleyIt’s always intriguing to see a boat out at sea. Where are they going and where have they been? Is this about pleasure, arduous work or desperation? Is this the end or just the beginning of their voyage? Weave a tale from this simple image.

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I might publish it on SkyLightRain.com.

The psychology of a landscape

Somerset Coast by Andrew Hardwick

Somerset Coast by Andrew Hardwick

Growing up deep in the north Somerset countryside played a role in shaping Andrew Hardwick as an artist.

In case you were wondering (I had to ask), saltings are grass land that are on tidal land, and are regularly flooded by sea water. Imagine that, a place occupied both by sea and land. My inner poet is in raptures.

These are among views that capture Andrew’s attention and inspire much of his art.

“I have a studio out at the farm and that enables me to collect all the things that are left over from farming,” he says, listing: “Decorating paints, PVA, plastics and pigments – soot and soils. I glue and cement it all together on canvas bound with wire.”

Becoming an artist was a process that gradually consumed Andrew Hardwick over a number of years. “It took quite a long time,” he comments. “The enthusiasm and fascination slowly built up, and before I knew it, it had taken over my life!”

Art classes and a part time foundation course contributed to his enduring desire to create. “I think when you go to art college they expect a level of seriousness and professionalism that cements it, that make you click and identify fully as an artist,” he says. “I’m now totally committed.”

In truth, it was seeded in his psyche from his earliest days.

The artworks themselves just come, Andrew says, “from doing lots of walks. They’re not immediate representations, not something I’ve seen and am recording in a straightforward way. Rather, they’re memories of a landscape, with lots of accidents in play in making the final artwork.”

The moods of his surroundings intrigue Andrew endlessly. “I’m interested in the psychological implications of a place, as I remember it,” he explains. “I do occasional works based on actual places – a recent exhibition was all based on Bodmin Moor, for example – but these aren’t pictures of specific views, rather the feeling of the view.”

Moor, White Sky, Sheep by Andrew Hardwick

Moor, White Sky, Sheep by Andrew Hardwick

Andrew enjoys the challenges of his work. “It’s all very personal and because of that it’s fascinating to do,” he says. “My passion for the landscape is a big part of it, but also the way I perceive it as mirroring my own state of mind. Finding ways to explore that is key to what I do – answering the questions in myself.”

Clouds, Fields, Moor by Andrew Hardwick

Clouds, Fields, Moor by Andrew Hardwick

He’s keen to dispel the myth that dark works are proof of a dark personality. “I work mainly around the estuary and Dartmoor so people might presume I’m a bleak person, but the opposite is actually true. I see my work as reflecting the power of nature and wilderness and the power of being alive. It’s wonderful being out in the rain with the wind blowing. It can be frightening, but it can also be spiritual – elemental.”

He adds: ‘I see a lot of joy in my work – it\s a celebration of life and living things.”

Andrew will be exhibiting at the RWA’s 165th Annual Open Exhibition from 1 October until December 3rd 2017. He will also be showing his work at the Totterdown Front Room Art Trail on 18th and 19th November 2017.

Are you an artist or do you know an artist who would like to be showcased on SkyLightRain.com? Get in touch at judy(at)socketcreative.com.

Writing prompt – angles

London angles by Judy DarleyThe angle you take with a story is as important as the story itself, whether you’re writing fiction, non fiction, or something in between.

What you leave out, what you add in, how you emphasise the heart of the tale are all crucial to your end result.

To me this slide of London represents that perfectly, taking in past, present and possible futures.

What direction would you choose to take from here?

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

Writing prompt – miffed

Geese by Judy DarleyEver noticed how much we humans love to anthropomorphise? This seems particularly true of birds. If I see a group of pigeons, I might mention them gossiping, or if I see a pair of ducks in a hotel swimming pool, my immediate thought is that they’re on holiday.

How about these geese spied recently in Bristol and looking somewhat peeved as the rain churns up their holiday idyll? How might their conversation go?

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I might publish it on SkyLightRain.com.

 

Writing prompt – fairytale

Repunzel photo by Judy Darley

I spotted this torn and disfigured book cover on a shady cemetery path. It feels like an apt reminder of the darkness inherent in traditional fairytales.

As a child the retellings of myths gathered or made up by the Brothers Grimm and Hans Christian Andersen frequently chilled me to my bones. Only in recent years have these twisted tales riddled through with warnings become saturated with the Happy Ever Afters we crave.

Write something skin-shiveringly unsettling inspired by this image.

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.