Writing prompt – glimmer

Easter egg cr Judy DarleyA few weeks ago I was leaving my house, when I spotted a small foil-wrapped egg on the footpath. Intrigued, I picked it up, then put it in the bin. Days later, a glimmer of gold caught my eye and I found an identical egg nestled in the leaves of a dandelion like a small precious meteor.

#Writingprompt Where could these eggs have been coming from, and why? And more curiously, if they’re intended as Easter offerings, why were they appearing so early?

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

Poetry review – Take This One To Bed by Antony Dunn

Take This One to Bed by Antony DunnIn an homage to rural and suburban living, and the creatures that live among (and, in one case, within) us, poet Antony Dunn examines human nature by setting it alongside, well, nature.

We meet spiders, newts, frogs, slugs, sheep, mice, bats and crows startled to “beating black”; unborn children, born ones, and, most evocatively, lovers, all sensuously laid out in deceptively simple verses that summon up the world.

For me, Leaving: vi Two Mohitos in Bratislava, feels plucked from my own memory; causing my mouth to flood with a craving for the zing of citrus and mint. The word choices are crisp and visceral – happiness is sucked, a quartered lime fished, an ice-cube shunted. It’s deeply, satisfyingly, envy-inducing.

Even in a poem about a solo journey, Dunn conjures flavour and texture by mentioning “the woman with her honey in mis-matched jars” and  “sunlight quickening/ the dust and tar/ and rosemary”.

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Writing prompt – promises

Museum of the Moon by Luke Jerram photo1 by Judy DarleyHave you ever been made a completely implausible promise? Did you end up disappointed or resigned when it failed to come to fruition, or did you have a moment of wonder when your promiser delivered?

Artist Luke Jerram is currently touring his Museum of the Moon, offering us the chance to promise to take someone to the moon, and actually mean it. Imagine if that really was the moon, however. What havoc could it cause the seas and oceans, our gravitational pull and the night sky?

Write a tale based on an unfeasible promise, and the chaos it causes when it actually comes true.

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

Writing prompt – rural

Golden Teasels by Jane Betteridge

This painting, Golden Teasels by Jane Betteridge, seems loaded with potential to me. I have the sense of someone wandering along deep in their thoughts, then unexpectedly witnessing something private and possibly awful unfurl.

Or perhaps this is a scene of bucolic beauty and innocence.

What does it bring to mind for you?

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

Writing prompt – grave companion

Grave companion cr Judy DarleyMy local Victorian cemetery where I like to run is littered with tombs topped by curious effigies. When I spied the small horse above, my only thought was, “Funny, I never noticed that one before.”

I actually ran past, then trotted back for a closer look, and realised that what I’d taken for carved stone was in fact sodden fur, moss-stained and sullied by spending who knows how long in a graveyard?

Grave companion by Judy Darley

Who could have lost this precious companion? What lonely soul might have claimed it as their own?

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

Writing prompt – crisis

Deceased March wasp photo by Judy DarleyApologies, I realise this post should have come with a warning for those entomophobes among us.

I stepped over this deceased wasp on a sunny day last week and was struck by how wrong it is to see a wasp, alive or dead, at this time of year. To my knowledge, they’re best known for spoiling late summer picnics, so what was this one doing out and about so early, and what caused its demise?

To me this insect corpse is a potent symbol of the climate crisis – a seemingly minor anomaly, but heralding potential catastrophe – the equivalent of a butterfly effect with a sting in its tail. It seems ripe with metaphor and satire for cli-fi (yes, that is a genre) writers.

Curiously enough, when I googled the definition of wasp, as well as getting lots of info about White Anglo-Saxon Protestants (go figure), I was informed that a wasp is A) a social social winged insect which has a narrow waist, and B) a solitary winged insect which has a narrow waist.

So there you go, plenty of tangents to fly with.

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

Strawberry Thief – a short story

Strawberry Thief by Judy DarleyJust as the birds are dashing around celebrating the start of spring, my flock-infused tale Strawberry Thief has found a new home with the deliciously named Straylight Magazine, biannual literary magazine of the University of Wisconsin-Parkside.

They say: “We look for innovative works of fiction, poetry, and art. Straylight takes pride in being on the edge of literary innovation.” So I’m feeling rather flattered.

The story begins: The hide is empty but for herself and Jonathan. In the clearing beyond the small, wooden structure, birds cavort—more species than she can name. Jonathan would know them all. He understood their code of feathers and colors in a way she’s never been able to grasp.

To read the full story, click here.

Writing prompt – animals

Animal Wall Lioness photo by Judy Darley

Animal Wall Lioness photo by Judy Darley

On a recent visit to Cardiff’s Castle Quarter, I strolled along The Animal Wall, an impressive series of sculptures depicting fauna from across the world. These include an anteater, a seal and a hyena. My favourite is the stately lioness, pictured above with the Castle Clock Tower.

Designed by William Burges, the first nine were sculpted by Thomas Nicholls in 1890, with six more added by Alexander Carrick in 1931.

I love the idea of making one or more of these statues the site of a clandestine rendezvous – “meet me beneath the pelican at 9.15…” Or could the animals themselves have a secret other life?

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

World building with Emma Donoghue

Room by Emma DonoghueYou’ve probably heard of Emma Donoghue’s extraordinarily successful novel Room. You may have seen the excellent screen adaptation, directed by Lenny Abrahamson and featuring Brie Larson as Ma and Jacob Tremblay as Jack.

But until you read the book and, effectively, enter Jack’s mind, you’re missing the opportunity for full immersion in one of the strangest, most complete worlds ever imagined.

It doesn’t sound like much. It isn’t on another planet, populated by peculiar creatures or governed by strange laws, but, and here’s the key, as far as Jack’s concerned it may as well be, except the magic of all these oddities is that they’re the ones he’s grown up with over the five years of his live.

Everything beyond the walls and ceiling of Room is, he believes, outer space.

Jack is an unwavering narrator. His understanding of the small space he and Ma are confined within is absolute. There are a thousand ways to have fun, and enough friends, from Meltedy Spoon to Rug, to keep him from ever being lonely.

Donoghue engages a number of subtle tricks to sweep Jack’s world over and around us. For one thing, apart from dialogue, the whole text is written in Jack’s language. It’s simple enough to understand, but his sentence construction is a little off, and some words are particular to him. Killers, for example, are the painkillers Ma takes for her rotten tooth, the sun is God’s Yellow Face, and sleeping is switching off.

The author builds up the rules slowly, seeding in clues that help us make sense around Jack’s limited understanding.

“Door’s made of shiny magic metal, he goes beep beep after nine when I’m meant to be switched off in Wardrobe,” Jack says, little knowing the horrifying truths he’s letting us in on.

It’s Jack lack of comprehension that keeps the worst elements of his life from being unbearable. To Jack, Room is a safe and magical place, and that makes this book an enjoyable rather than miserable read.

Seen through Jack’s eyes, his world is a place of infinite adventures and possibilities, and Donoghue’s deftness in getting us to swallow this, while allowing us to gradually unravel the darker truths of Jack’s existence, reveals a writer with firm control over her characters and setting. And when it comes to world building, those are the restrictions we need to set our imaginations free to fly.

Room by Emma Donoghue is published by Picador and is available to buy from Amazon.

What are you reading? Impressed by a particular scene or technique? I’d love to know. I’m always happy to receive reviews and comments on books, art, theatre and film. Please send an email to Judy(at)socketcreative.com.

Learn travel writing

Manukan beach, BorneoIf, like me, you’re prone to keeping travelogues whenever you skip out of town, why not have a go at turning your holidays into magazine features?

Tina Walsh is a freelance journalist with more than 25 years’ experience of writing about travel for publications such as TIME, the Guardian, Daily Mail, Daily Express and many more.

She’s leading a five-week online travel course, providing an insight into what travel editors are looking for from freelance journalists and offering tips on how to sell your stories.

What does it cover?

* How to find engaging story ideas
* How to write a pitch
* How to structure your story
* How to get invited on press trips and organise your own trips

The course is suitable for beginners and more experienced travel writers looking to brush up their skills.

Start dates are ongoing, so you can sign up whenever you’re ready and complete the course in your own time.

Taking part costs £250 (inc VAT) for five individual one-hour sessions. It could be the start of a brand new career, or at least add a new string to your writing bow.

Find full details at tina-walsh.com.