This beautifully packaged memory game takes a familiar idea and carries it overseas. The first thing that struck me on opening the box was the sweet smell of plywood. Each smooth cornered square sports a miniature artwork, showing an architectural landmark from an Arab country, such as Jordan, Algeria or Lebanon, with the name written in one or two of three languages – English, French or Arabic.
I’ve always believed that reading and playing are two key ingredients for nourishing a child’s empathy and interest in the world. The third is undoubtedly travel. Arabicity is excellent example of how well this can work, encompassing all three elements as the squares offer glimpses of enticingly foreign settings, with each successfully matched pair providing an insight into a language entirely unlike English.
The smooth, light playing pieces are a pleasure to handle, making this a refreshingly multi-sensory alternative to on-screen games. The illustrations by Noha Habaieb are exquisitely detailed too. Shady stepped streets, grand buildings and friendly locals abound, bringing a sense of distant cities into my chilly British living room.
Arabicity is created by Daradam, a French-based publishing house that specialises in educational toys inspired by the cultural heritage of the Arab world. “Our concept is to awaken kids’ curiosity for this part of the world,” says founding director Hanna Lenda. “For instance, Arabcity takes players to the narrow streets of Sanaa’s old city, in front of the Samaraa mosque in Irak or to visit the Sursock palace in Beyrouth. Some of these architectural wonders are out of reach these days, and Daradam enables little ones to discover them in a fun way.”
I’m planning to take my younger two nephews on a whirl through Arabicity this Christmas, and I’m pretty sure their art-loving nan will relish the game just as much as they do.
Find out more at www.daradam.com, www.facebook.com/daradamkids and www.instagram.com/daradamkids/
“There’s a sameness to this kind of walking, with the corner of my right eye always full of the blueness of the water and my left always full of the greenness of the land.”
So writes Simon Armitage shortly into the follow-up to his troubadour travelogue Walking Home, in which he hiked the Pennine Way. In Walking Away, Simon is again travelling without a penny to ease his way, instead relying on his poems to secure bed and board, plus the funds for the occasional ice cream, by reading his work to enthralled and occasionally bemused gatherings between Minehead and The Scilly Isles.
It’s a pleasingly audacious idea – a challenge to himself to discover whether or not poetry has a relevance in the present day. Almost every evening he gives a reading, in part to see who will attend, and after each event a large sock is left out which attendees are invited to drop donations into, not all of which turn out to be monetary.
Armitage is a hugely likeable fellow, with a keen eye for the gentle absurdities of the world, making each step of the way a delight. He notices things many of us might overlook, so that his commentary is peppered with oddities such as “wilfully quirky signposting”, lanes “so upholstered with spongy luminous green moss it has the appearance of a sea bed or coral reef” and, as the tide rolls in, moored boats in the bay “stirring and righting themselves like horses after sleep.”
A longer version of this feature was originally published by Portugal Magazine in 2007.
Much loved by British holidaymakers, Madeira is an island of exotic flowers, friendly locals, and more than its fair share of luxury hotels. An evocative, mountainous landscape is a constant reminder of the Madeira’s volcanic origins, while the Atlantic Ocean is visible from every terrace and balcony. Reputedly first discovered by an eloping couple shipwrecked on its shores, the island whispers legends from its valleys to its peaks, making it the ideal location for a romantic holiday.