Poetry review – Visiting The Minotaur by Claire Williamson

Visiting The Minotaur by Claire WilliamsonDrawing on myths to make sense of our mortality, Claire Williamson’s first collection with Seren is at once heartbreaking and comfortingly human, with the skill to make your spirits soar.

Seen through Williamson’s eyes, a half bull, half man hybrid is nothing compared to the complexities of surviving your average childhood. From the aching tenderness with which she knits memories about her own daughters to the grief and confusion of losing a sibling and mother, Williamson immerses you with such conviction that you can’t help but empathise.

There’s a distinct irreality to much of the carefully conjured imagery, which only serves to heighten the stark honesty of the sensations being shared. Family members long gone return as horses: “She thrusts her black muzzle/ into the cleft of my torso and arm/ and I feel her warmth for the first time/ since she drank that poison.”

Bereavement is a theme throughout, but even in the bleakest contemplations, Williamson manages to find humour in the moments she captures.

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Fancy a Flash?

FlashWalk2016_Actors JoButler TomParker

National Flash Fiction Day UK 2018 erupts tomorrow – Saturday 16th June – with events across the UK and a special trio of celebrations in Bristol.

The day unfolds with the #FlashWalk organised by yours truly.

We invited competition entries on the theme of Urban Landscapes, between 40 and 400 words in length. Wonderful submissions arrived from all over the world, and we managed to narrow it down to 12 winning entries, which will be performed by our talented actors, Ashley Green, Christopher Ryan and Poppy Hocken, during the #FlashWalk.

Ashley Green, Christopher Ryan and Poppy Hocken.

Actors Ashley Green, Christopher Ryan and Poppy Hocken

The fully guided #FlashWalk begins at 10.30am on 16th June, outside the harbourside entrance to Bristol’s M Shed. It will finish at the GreenHouse, Hereford Street, BS3 4NA (just under a mile’s stroll away), between an hour and an hour and a half later.

The GreenHouse will be the venue for the afternoon’s free writing workshops. There will also be an evening of flash fiction performances at Bedminster Library, and the launch of the 2018 National Flash Fiction Day anthology.

You can find more details here: https://www.facebook.com/events/178868469594679/,
here https://www.facebook.com/events/177406499633651/
and here: 
https://www.facebook.com/events/2106124046323877/

Hope to see you there!

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Writing prompt – misplaced

Hair grip, Arnos Vale Cemetery by Judy DarleyOne of the early inspirations for my story Knotted Rope (published on the Seren website) was a small pink hair clip I saw lying beside a grave in Arnos Vale Cemetery. It made me wonder about the child who had lost it, and then wonder what would happen if the child want missing instead of the clip.

Could this inconsequential item serve as a clue? In the end my story about a missing child took a different route, and that initial thought was reduced to the following:

       I overhear one police officer mutter to another: “Shame it’s not a girl.”

       “Excuse me?” My voice rattles through the air. “What difference would that make?”

       “Oh, none, nothing. Just, little girls tend to carry things, hair slides…” He flounders, pointing to a broken clip on the side of the path. The pink paint is peeling away; it’s spotted with rust. “They’re more likely to leave a trail.”

       I glare at him. “If you’re any good at your job you won’t need a trail, will you?”

What ephemera you spotted by the side of a path or road? What directions could it carry you in your writing?

If you write or create something prompted by this, please send an email to judydarley(at)iCloud.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

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Poetry review – In Her Shambles by Elizabeth Parker

In Her Shambles by Elizabeth ParkerI recently had a conversation with poet Elizabeth Parker in which I mentioned that post-it notes are a reviewer’s greatest ally. They’re a tool that can work brilliantly, but also have their fallibilities. With In Her Shambles, I ended up needing almost as many post-it notes as pages, as every poem contained lines to call me back, and make me want to re-absorb their power.

Parker is a master of shimmering last lines, drawing you quietly to a crescendo – a moment of thrill or unease. In each case, the final few words lie in wait, ready to tilt you off kilter, steadied only by the surety of Parker’s pen.

In Lasagne, the making of a meal represents a deeply rooted love affair, in which the ending stanza speaks volumes: “I peg pasta/ between fingers and thumbs/ lay it down for him.”

In Lavinia Writes, a eulogy of sorts to Shakespeare’s ill-fated character from ‘Titus Andronicus’, that ultimate declaration is a shout of rebellion, as the silenced victim, her tongue cut out, finds a way to share her anger by unpicking the stitches of her wound: “I tear more, free more/ until I am fluent.”

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Theatre review – A Monster Calls

A Monster Calls11There are some stories that seem seeded in the emotional centres of our imaginations, where grief is almost made bearable by the multitude of disguises we hide it behind. In Patrick Ness’ exquisitely painful A Monster Calls, the stories themselves take on characters, revealing truths about our lead, 13-year-old Conor, while offering him a way to grapple with the tragedy unfolding around him.

Director Sally Cookson has taken this tale, itself inspired by an original idea by Siobhan Dowd, and worked with the ensemble and writer in the room Adam Peck to create a play that gives voice to our darkest fears.

Conor’s mum (Marianne Oldham, shown left) is seriously ill, and everybody knows it. What they don’t know, because he’s working so hard to hide the fact, is how much the situation is taking its toll on him.

In the role of Conor, actor Matthew Tennyson is extraordinarily expressive, embodying the fear, rage and determined self-delusion with heartbreaking vulnerability. Unusually, the ensemble remains on stage throughout, offering the impression of a world populated by unseen beings who guide or trip us – when Conor needs a bowl for his breakfast cereal, one is held out to him, and his school tie is placed unceremoniously over his head. It highlights the skill of the cast, as well as the director and set designer Michael Vale, that this seems at once normal and oddly moving.

Vale has devised a set that leaves our imaginations free to unfurl, where chairs and ropes perform a multitude of functions.

While the monster itself is performed with visceral otherworldliness by Stuart Goodwin, the immense, ancient yew tree he represents takes shape thanks to an assortment of artfully strung ropes, which the actors clamber through with unnerving agility.

From the start we find ourselves in the midst of Conor’s nightmares, where screened visuals, the physicality of the ensemble, and powerful use of sound, plunges us into a storm-torn horror that leaves the actor, and us, fighting for breath.

Cookson has created a skin-shiveringly immersive show, aided by a soundscape from Benji Bower and Will Bower, that adds infinite atmospheric layers. We, the audience, may remain in our seats, but as Conor battles demons, both real and metaphorical, including a trio of school yard bullies (John Leader, Hammed Animashaun and Georgia Frost) we’re pulled along with him every step of the way.

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Selina Cadell is compelling as the grandmother torn between her own distress over her daughter’s illness and the challenges of a largely non-communicative, anguished grandson. Her home is signified by a swinging pendulum and relentless ticking that probably feels familiar to anyone who’s ever visited a grandparent’s house. The ticking heightens tension, which the possibility of an actor being accidentally flattened by the vast pendulum only adds to.

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Time is a prevalent theme in the story, with the monster only ever arriving at 12.07, and the terrible sense of time running out for Conor’s mother.

Throughout the play, this is the awful truth that no one quite dares speak. And yet, as the monster reminds Conor, right and wrong, true and false, and, above all, belief, are all complicated, ambiguous things. Not unlike an ageless yew tree that walks when called, represented by an armful of rope.

A Monster Calls is on at Bristol Old Vic until Sat 16th June 2018. Suitable for ages 10+.  Find out more.

Seen or read anything interesting recently? I’d love to know. I’m always happy to receive reviews of books, art, theatre and film. To submit or suggest a review, please send an email to judydarley(at)iCloud.com.

Writing prompt – busker

Street performer by Judy DarleyAt this time of year, magical performances begin unfolding on every city centre street. It’s a touch of the bizarre that I love to see, but it does make me curious.

What could lure or drive a person to such a precarious, public way of making a living? Or are they investment bankers in the week and unicyclists on weekends?

If you write or create something prompted by this, please send an email to judydarley(at)iCloud.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

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A global odyssey

Starry Roundscape by Hattie Buckwell

Starry Roundscape by Hattie Buckwell

Discovering the imaginative illustrations created by Hattie Buckwell is a little like finding an opening in the back of your wardrobe, and stumbling out into the version of the world you always hoped was true.

It’s an impression only deepened by the shape of her Dreamscapes Within Roundscapes series, offering the sense of looking through a telescope or porthole.

“I have a bit of thing for circles, painting within a circle is much closer to what we see through circular pupils,” Hattie admits. “Our field of vision is somewhere between a circle and an oval so I love this way of illustrating.” 

Mountains to Climb Oceans to Swim

Mountains to Climb Oceans to Swim by Hattie Buckwell

Inspiration often comes to light when Hattie is on the move. My series of ‘Homes of the World’ came from a love of travelling – imagining what its like to live up a treehouse or surrounded by snow-capped mountains,” Hattie says. “I love to paint places I’ve been (or want to go to), recording what it feels like to be in a particular part of the world.”

As you might expect, lots of Hattie’s illustrations stem from her love of walking amid nature, and from her passion for travel. “I always have a sketchbook on me and draw a lot, bringing together elements from different ideas into paintings later.”

Hattie also loves watching documentaries and reading ‘proper nature encyclopaedias’. “I really enjoy of infographics of all kinds, learning with pictures, symbols on maps,” she says. “Some of my illustrations came from a want for a visual guide to something, for example, ‘Eat Fresh’ is an illustrated guide to what food is in season.”

Eat Fresh by Hattie Buckwell

Eat Fresh by Hattie Buckwell

In fact, many of Hattie’s artwork titles read like instructions for living well and enjoying life: Eat fresh, explore, feast, swim wild…

There’s a real sense of narrative in Hattie’s illustrations, which I find irresistibly enticing.

I often work on a series of illustrations, with individual pieces coming together to tell a story,” she comments. “I recently completed my ‘Explore’ Series, playing with illustrating tiny people exploring vast natural landscapes. Some by canoe, some skiing down slopes, some pulled by huskies. Through illustration I can create miniature worlds for the viewer to explore. I enjoy adding tiny details to spot little going-on’s within the tiny worlds seen in the paintings.”

Various elements of Hattie’s past and present influences these tiny worlds.

I grew up doing house-swaps with my family, swapping homes with people living all over the world,” she recalls. “So much more than a holiday, it allows you to really get a feel for life on the other side of the world. I feel very lucky to have so many memories and photos to draw inspiration from. Now I live in Bristol, such a thriving creative community and always so much to see and do – it is a constant source of energy to make.”

When I first picked up one of Hattie’s business cards, she described herself as a textile artist, a element of her past that immediately intrigued me, especially with reference to its impact on her art today.

“I trained as a textile artist – my work was based around colour, colour mixing, traditional dyeing and print techniques, and creating repeat prints from my illustrations,” she tells me. “At the beginning of a painting I still use a lot of the same processes of testing colours, playing with different layers of detail. I love to dye and play with textiles, but my first love was always in drawing & painting. The simplicity of working on sheets of paper, I feel freer to concentrate on the illustration itself.”

She still finds a lot of  satisfaction in creating a design which repeats perfectly, “like ‘Koi’. In the future I would love to work on some more repeat illustrations which could be printed on fabric, but for now I’m still revelling in the simplicity of paper and colour.”

Swim Wild by Hattie Buckwell

Swim Wild by Hattie Buckwell

Being an artist suit Hattie’s free spirit perfectly. “I love that every day is different, and that I can work on lots of different projects at once,” she says. “If it’s a sunny Monday I can just go and explore or spend the day planting in the garden if I want to. When I first went to art collage, I couldn’t believe that I could work on creative projects all day. Now I really couldn’t imagine doing anything else! It’s been a lot of hard work to get to where I am today, but I’m so proud to be able to do this full-time.”

Hattie co-owns Blaze shop and studio at 84 Colston Street in Central Bristol, “so naturally this has the best selection of my work. It’s a co-operative run by artists and we are proud to sell the work of more than 60 Makers living in Bristol, from printmaking to ceramics to original paintings. It’s right in the middle of the Christmas Steps Arts Quarter which has so many fantastic independent shops to explore.”

Check out Hattie’s website www.hattiebuckwell.co.uk to see more of her work and her online shop, and find a list of current stockists. Hattie’s artworks make great writing prompts too!

Are you an artist or do you know an artist who would like to be showcased on SkyLightRain.com? Get in touch at judydarley (at) iCloud.com.

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Writing prompt – travel

Twin Blue and Green Lakes, Sete Cidades cr Judy DarleyI often find myself moved to write strange and dreamy fictions while travelling. For instance, my story Two Pools of Water, inspired by a trip to the Azores, and published this week by dear damsels.

My story draws on local myths, and the yearning of youth.

My sister Bia leads me to a balcony. The twin lakes show beyond, half-shrouded in cloud. With the sky overcast, the green and blue are harder to see. She tells me the fairytale I’ve heard a thousand times before, of the shepherd and the princess, embracing on the bridge and weeping through their farewells. ‘Her green eyes made the emerald lake, and his blue eyes made the sapphire one,’ she says. ‘He cried more, which is why the blue lake is so much bigger.’

Think of a place you’ve visited far from and as unalike home as possible, and use that as the setting for a story. If you can weave in a bit of local legend, so much the better!

If you write or create something prompted by this, please send an email to judydarley(at)iCloud.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

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Writing prompt – tension

Storm in Bristol by Judy DarleySome storms sweep in fast and transform the world, if only for a few wracked hours. Create a scene with a moment of tension that builds and breaks in rhythm with rain, wind and thunder. A marital spat, sibling rivalry, two strangers misconstruing an encounter…

Try writing the scene inside, with rain streaking the window as lightning flashes, and then shove your characters out into the weather to see what impact this has.

If you write or create something prompted by this, please send an email to judydarley(at)iCloud.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

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Green Island

Logoa do Fogo, Sao Miguel by Judy Darley

Logoa do Fogo, Sao Miguel

My travel feature on the tranquility of Sao Miguel, one of the Azores islands, was recently published by In The Moment magazine. It provided a wonderful chance for me to re-live the beauty of that Portuguese isle.

You can buy back issues of In The Moment here. My feature appeared in issue 10.

This is my third feature published about that trip, the previous ones being published in Wedding ideas magazine and A Year In Portugal journal.

I’ve also had a piece published about a somewhat chillier visit to Iceland in Balance magazine. Love getting out to see the world and sharing my discoveries!

Icelandic Thrills feature by Judy Darley