Legend Press offers work experience placements

Cornish shore cr Judy DarleyLegend Times is inviting applications for work experience placements with Legend Press, its fiction publishing company.

The independent book publisher was founded in 2005 by Tom Chalmers. Legend Press specialises in original fiction, crime thrillers and its Legend Classics series, with title including Emily Bronte’s Wuthering Heights and Walt Whitman’s Leaves of Grass.

Much of the publishing house’s success has been due to keenness to innovate and to be a market-leader for new initiatives. As its ultimate mission, Legend Press aims to produce books of the highest quality, provide a global platform for authors and to inspire and thrill book readers around the world.

They are currently offering two-week unpaid work experience placements, covering a wide range of areas including editing, sales, media and marketing.

This is an opportunity to gain an insight into a varied and dynamic working environment and the full publishing process.

To apply, email info@legendpress.co.uk with your CV and cover letter, detailing your interest in the role and what you think you would bring to it.

Although Legend Times is based in London WC1E 6HJ, all staff are working remotely from home due to the current Covid-19 pandemic with flexibility likely to continue over the next year and onwards. It is therefore likely that work experience placements will include both home and office work once government rules allow a return to offices.

Find out more about Legend Press here.

Got an event, challenge, competition, opportunity or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) ICloud (dot) com.

Enter Oxford Flash Fiction Prize 2021

Oxford University buildings. Photo by Judy Darley. Photo of old buildings in the English city of Oxford.Oxford Flash Fiction Prize 2021 invites you to submit your finest flash fiction tale for a chance to get 2021 off to an excellent start.

The deadline is 31 January 2021.

The word limit is 1,000.

  • First prize is £1000.
  • Second prize is £200.
  • Third prize is £100.

Shortlisted entrants will be offered the chance to be published in the end of year digital anthology.

You can choose to enter one flash at £6, two at £10 or three at £14.

A limited number of free entries are available to low-income writers. Find out more here.

Rules of entry

  • All entries must be formatted as a single-spaced word document or PDF.
    Font: Arial, 12pt. This is to standardise entries so that all stories are treated equally. Only entries that are under the 1000-word limit (not including the title) will be accepted.
  • All entries must include the title of the story but not the name or address, or any identifying information of the entrant.
  • This is an international competition, and all entries must be in English.
  • All entries must be the work of the person entering and must not have been published anywhere online (including blogs and websites) or accepted for publication elsewhere. The copyright remains with the author.
  • Entries will not be accepted without payment, and any entries that do not comply with the competition rules will be disqualified.
  • No corrections post-entry can be accepted or refunds given.
  • The results of the competition will be published online and the decision of the judge(s) will be final.
  • The closing date for entries is midnight (UK time) on the 31st January. Winners will be notified by email within six weeks of the closing dates.

Find full details here.

The New York Times seeks your tiny love stories

Love birds by Judy DarleyWhat kind of love story can you share in two tweets, an Instagram caption or a Facebook post? The New York Times invites you to tell them a love story from your own life — happy or sad, capturing a moment or a lifetime — in no more than 100 words.

They say: “Include a picture taken by you that complements your narrative, whether a selfie, screenshot or snapshot. We seek to publish the funniest and heart-wrenching entries we receive. They must be true and unpublished.”

As days shorten and lockdowns tighten, love may be all you need (other than food, fluids, shelter, Netflix, and a decent broadband connection, oh, and books…), but can you condense it down to 100 words that capture the quirks of a love you know intimately?

They add: “Love may be universal, but individual experiences can differ immensely, informed by factors such as race, socio-economic status, gender, disability status, nationality, sexuality, age, religion and culture. As in the main Modern Love column, we are committed to publishing a range of experiences and perspectives in Tiny Love Stories. We especially encourage Black and Indigenous people and other people of color to submit, as well as writers outside of the United States and those who identify as members of L.G.B.T.Q. communities.”

I highly recommend you read some earlier examples of Tiny Love Stories at nytimes.com/modernlove.

Click here for submission terms, and bear in mind that “accepted stories will be edited for clarity and content in consultation with the writer.”

Find full details and submit here: https://www.nytimes.com/2018/09/19/style/modern-love-tiny-love-stories.html

Litro literary courses

Pendine Sands, brittle star. Photo by Judy DarleyDid you know the marvellous folks at Litro Magazine have launched an assortment of online writing classes designed to boost your confidence and ensure it’s backed up by core writing skills?

From weekly one-hour online flash fiction workshops with Litro’s Flash Friday Editor Catherine McNamara to a ‘work in progress’ course for those who have a first draft of a novel or story, are stuck halfway through, or are beginners looking to shape or develop their next piece with Gabriel Gbadamosi, there are plenty of topics and writing disciplines to choose between.

The array of writing tutors is pretty impressive – look out for courses from Inés Gregori Labarta, Sarah Moore Fitzgerald and Maria Thomas, among others.

Find full details on the Litro Masterclasses website. You can also sign up for free writing tips.

Got an event, challenge, competition, new venture or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud (dot) com.

The New Deal on Migration invites input from artists

Train station cr Judy DarleyThe Joint Council for the Welfare of Immigrants (JCWI) has put out a call for submissions from visual artists working in all disciplines to contribute to a campaign to safeguard the safety of undocumented migrants.

Find out more about the campaign and how art can help bring about a fairer future at a special event on Wed 2nd September.

  • Deadline for submissions: 9am Monday 7 September
    Notice of successful commission: 5pm Friday 11 September
    Deadline for completed work: 9am Monday 28 September (or later, as agreed)

If you have queries, please contact Ruth at membership@jcwi.org.uk

The JCWI says: “Undocumented migrants have been on the frontline of this crisis. Working in hospitals, as delivery drivers, in takeaways or care homes – the work they have done has been essential, but invisible.

The lack of papers makes their lives vulnerable. Cut off from basic rights – the right to healthcare, the right to housing, the right to income support – and incentivised or forced to keep working even when it would be safer to shield. The hostile environment has cost some people their lives – afraid to seek help in case they get deported – and put countless more lives at risk.

As a new normal begins to take shape, we are launching a radical new campaign that centres the voices of undocumented migrants,and calls for all our lives and work to be equally valued and protected, no matter what papers we hold.

Our major new campaign (working name: “a new deal on migration”) will call for a radical re-think of the way that the lives, and the work, of undocumented migrants is portrayed and valued. Detailed policy asks will sit alongside a communications campaign, designed to mobilise those who are already passionate about migrants’ rights and start new conversations with some of those who are not.

We are demanding radical change. We need your help to share the ideas within this campaign, inspire people in our belief that a fairer future is possible, and motivate our audiences to take action.”

Objectives

The team are seeking illustrators, graphic designers, photographers and other visual artists to commission for three briefs.

The aim will be to:

  • Generate engagement on social media. That means content that grabs attention and encourages audiences to stop scrolling.
  • Inspire and motivate – to spread the word that change is possible. “We have been inspired by creative campaigners from around the world and what we are looking to do is celebrate those who share their stories and inspire readers/viewers to get involved.”

    View the inspiration board.

    Download the creative briefs and guidelines.

Manchester Poetry and Fiction Prizes

The-Royal-Exchange-Manchester-cr-Judy-DarleyManchester Writing Competition 2020 is open to online and postal entries of poetry and fiction. Each category offers a £10,000 first prize.

The competitions were instigated in 2008 by by Poet Laureate Carol Ann Duffy in 2008. The aim was designed to attract the best new writing from around the world, and to establish Manchester as a literary focal point.

The deadline for all entries is 5pm GMT on 18th September 2020. The entry fee for both contests is £18, with a limited number of reduced price entries  available to writers who might not otherwise be able to take part

The chair of poetry judges is Malika Booker. The £10,000 prize will go to the writer of the best portfolio of three to five poems (maximum combined length: 120 lines). Find full details and enter on the Poetry Prize page.

The chair of fiction judges is Nicholas Royle. The writer of the winning short story of up to 2,500 words will be awarded £10,000. Find full details and enter on the Fiction Prize page.

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at JudyDarley(@)ICloud(dot)com.

Enter a Bedtime Story Competition

Ted. By Judy Darley

The lovely folks at Lighthouse, Poole’s Centre for the Arts, are inviting entries of bedtime stories for their competition, inspired by their current series of online Bedtime Stories performed by Dorset artist Michele O’Brien.

They say, “Not only do we think bedtime stories can be the best part of the day for lots of children but also for parents. As part of our ‘It’s All About You!’ #Lockdown themed creative engagement programme we are giving you the opportunity to be creative and write your very own Bedtime Story with the winning story performed by one of our associate artists from Black Cherry Theatre Company.”

There are no age restrictions and you may want to team up with your household and do this as a family project. Stories must be typed and no more than 2500 words

All you have to do is read and comply with the Conditions of Entry, give your story a title and submit it with your name, contact number, email address and social media handles to learning@lighthousepoole.co.uk by midnight on Tuesday 21st July 2020.  

Find full details here.

Entries can be on any subject relevant to a bedtime story and in any style or form and you can enter more than once if you wish.

Worldwide copyright of each entry remains with the author, but Lighthouse Poole has unrestricted rights to publish the winning stories and any extracts from the opening chapters along with any other relevant promotional material.  Lighthouse Poole will commission a Lighthouse Associate Artist to perform at least one of the winning stories which will be uploaded to its social media platforms and website.

Winners will be notified by email on or before 31 July 2020.

Good luck!

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud(dot)com.

Submit cataclysmic poetry to Ambit

Ruin, Villahormes cr Judy DarleyAmbit invite you to submit your poetry on the theme of ‘Cataclysm’ to their Annual Poetry Competition.

According to Oxford Languages, a cataclysm is

  • ‘a large-scale and violent event in the natural world.
    “the cataclysm at the end of the Cretaceous Period”
  • a sudden violent political or social upheaval.
    “the cataclysm of the First World War”

I suspect you can come up with a few more recent examples.

The deadline for entries is 15th July.

The entry fee is £6 per poem. Submissions will be judged by poet and playwright  Fred D’Aguiar.

Winners receive £500, £250 or £100 and will be published in the October issue of Ambit. Winners and runners up will be invited to read at the October issue launch.

You can submit your work here: http://www.ambit.submittable.com/submit

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley(at)iCloud(dot)com.

Online writing classes with Writers & Artists

Dylan walk estuary serenityThe folks at Writers & Artists are plotting their next series of online writing courses following their successful virtual classes in May.

They say: “We’re excited to launch Fiction Writing: Fundamentals and Fiction Writing: Advanced, courses designed to give you the time, expertise and confidence required to develop your book this summer.”

Fiction Writing: Fundamentals

Monday evenings from 20th July-10th August | 6-8.30pm | £275

Fiction Writing: Fundamentals is an introduction to the essential elements of the writing process, lead by critically acclaimed author William Ryan, and a perfect opportunity to learn about the nuts and bolts of writing fiction. You’ll receive guidance on how to apply these tips to your own work, develop your confidence as a writer, and receive invaluable critical feedback on both your prose and story structure.

To book and view the full course outline click here.

Fiction Writing: Advanced

Mondays from 14th September-19th October | 6-8:30pm | £395

Following on from Fiction Writing: Fundamentals, William Ryan leads Fiction Writing: Advanced, a six-week course designed to stress-test your work-in-progress.

Expect an interrogation of your plot, tightening of dialogue, and tough questions asked of your cast of characters. As well as live workshopping, presentations on critical aspects of the writing process and regular professional feedback, participants also have the opportunity to hear from a commissioning editor and pitch their writing to a leading UK literary agent.

Book your place now

There’s also the option of special combined price if you want to take both courses.

For special discounts, insights (including interviews with authors such as picture books author Hannah Lee, register to receive the newsletter here

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley(at)iCloud(dot)com.

Call for puppet show scripts with eco-oceanic themes

Marionette shop, Prague cr Judy DarleyCommonwealth Resounds are seeking an original 45-minute script to engage audiences with the challenges facing the world’s oceans.

The deadline for submissions is 15th February 2020.

This open call comes via Commonwealth Writers and aims to connect a writer from the Commonwealth to work in collaboration with the Young People’s Puppet Theatre, the Commonwealth Resounds, the Purcell School for Young Musicians, and the Commonwealth Blue Charter.

The chosen script will be interleaved with original music by exceptional high-school-age musicians, and performed with string marionettes in London and Hertfordshire in September 2020. “The selected writer will develop the script with guidance from professionals experienced in scriptwriting for puppetry.”

The ocean theme should include one or more of the issues currently being tackled by the Commonwealth Blue Charter Action Groups:

  • Coral Reef Protection and Restoration
  • Mangrove Ecosystems and Livelihoods
  • Commonwealth Clean Ocean Alliance (marine plastics)
  • Marine Protected Areas
  • Ocean Acidification
  • Ocean and Climate Change
  • Ocean Observation
  • Sustainable Aquaculture
  • Sustainable Blue Economy
  • Sustainable Coastal Fisheries

In the first instance Commonwealth Resounds invites you to provide a summary of your proposed storyline and a description of the characters in the play, within a maximum of 500 words.

This must be submitted by 15th February 2020, and the preferred storyline will be selected by the end of February. The script will need to be completed by the middle of May 2020.

The selected writer will receive £250 on completion of the script, covering the production in September, and a further £250 royalty each time the script is used in a subsequent production. (For clarity royalties are paid per production, not per performance of a production.)

Find full details and links to useful guidelines on scriptwriting here.

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send me an email at JudyDarley(@)ICloud(dot)com.