Writerly resolutions for 2024

Spring crocus cr Judy DarleyI publish a version of this post almost every year, but I find it always fills me with hope and determination. As we edge into the greyest month of the year, this feels like the ideal time to take stock and see what’s working or not working in your creative life.

But this I mean not necessarily whether you’re creating and selling more, but, rather, whether the moments you can find to write, paint or whatever creative forms you choose continue to satisfy you, and whether you feel you’re making progress, whatever that may mean to you.

Before continuing, I must confess, I rarely make new year’s resolutions as such. To me, they seem at best like a form of procrastination (‘oh, I’ll start doing that in Jan’), at worst a way of setting yourself up to fail. But it is a good time to look at how your life is going and see if there’s anything you need to change to stay on or get back on track.

It’s also a fab way to lay the foundations for a new habit that will pay dividends in years to come. Here are five that have served me well in the past.

1. Write whenever you can find the time

In 2012 I set myself the challenge of writing at least one short story every month, which is something I did without fail every month until 2017, by which time the habit was well and truly entrenched. I found it a great way to keep those creative muscles taut and ready for action.

When times are busy and stress is high, adding something to your to-do list can feel counter-intuitive. But whenever I do focus on creating something, whether that’s a sentence, a full flash, or even editing an existing paragraph, I emerge feeling brighter and lighter and a little bit sunnier. My aim now is to maintain, respect and nurture writing as an ingrained part of my everyday life.

This fuel keeps me going even when I don’t have the chance to spend as much time dreaming up new characters and worlds as I like. Writing sustains me in a way I’ve only gradually come to understand.

2. Submit regularly

A few years before that I set about ensuring I submitted at least four works of creative writing somewhere each month, which I also continue. The challenge is flexible enough not to cause undue stress (some months I submit all four pieces in the same week then forget all about them for the rest of the month; other months I’ll find I’ve submitted eight by day 30), and also ensures that whenever I receive a rejection, part of me breathes a quiet sigh of relief – now I can send that piece off elsewhere to fulfil part of the current month’s quota.

It helps me stay positive, because for every rejection, there’s a healthy handful of tales still out there dreaming big. And when I get an acceptance, it’s a lovely surprise, because by continually sending out creative pieces I’m never quite clear what’s out there, and therefore not too focused on any one thing.

Which brings me to the third resolution.

3. Stay organised

Around the same time I started sending out four and more stories each month, I set up a simple spreadsheet to help me keep track of them all.

This helps my writing in two ways, firstly, by ensuring I know what I’ve sent where and whether they’ve responded, and secondly, by distancing me from the process emotionally.

By transforming all these acts of hope into columns and rows, I save myself from heartache. Each time a email or post out a piece of writing, I enter its name into the spreadsheet along with the details of where I’ve sent it and the date. Then, when it comes back, I colour that row according to the response – one colour for ‘no thanks’, one for ‘no, but positive feedback’ and one for ‘yes please!’

It all provides an immense sense of productivity, without too much effort at all, which in turn helps me stay motivated. And I’m happy to say that over the years the colour dedicated to ‘yes please’ is infiltrating the worksheets more and more.

4. and 5. Finally, pledge simply to celebrate even the smallest literary successes, and relish the pleasure of writing for its own sake. Lovely.

What works for you?

Publications in April

Mushrooms by Judy DarleyMy flash fiction Stretching Out found a home in Hencroft’s Issue One, a spectacular debut entirely focused around the theme of Fungus. It’s about the relationship between Agnes and her Grandfah, who encourages her to be more that society dictates.

Here’s a paragraph from the tale:

It was Grandfah who encouraged her thirst for knowledge about the natural world. When she knelt to admire the gills of clouded agaric fungi clustered in leaflitter, he told of their strands stretching and intertwining far underground.  He suggested Agnes sketch the honey fungus clinging to rotted boughs, nodding in response to her observations as though her words had weight. He even had a special name for her interest: mycology, and said that one day she’d be a great mycologist.

My small strange micro tale The Sideways House, inspired by the so-called ‘new normal’, appeared in Issue 4 of Twin Pies Literary.

At just 92 words, it explores the challenges of living within previously unforeseen constraints.

Here’s a line from the centre:

All our pictures hung askew, books domino-ed, and the showerhead swung like a perturbed cat’s tail whenever we dared turn it on. 

You can read the rest here www.twinpiesliterary.com/volume-four/thesidewayshouse

In other news, I was nominated for a Sabotage Reviews Award in the Best Reviewer of Literature category. You can vote in all the categories here by 5th May. If you enjoy my reviews, please consider voting for me. Thank you!

Short story – Stealing from Windowsills

Laugharne Castle tower interior by Judy DarleyMy short story Stealing from Windowsills, which I wrote at the Flash Fiction Festival 2019 has been published by the marvellous Thin Air magazine. Based on a traditional fairytale, the story began life in a flash workshop at 2019, but swiftly outgrew the form.

Likewise, my character Zel has, I believe, outgrown her inspiration.

Here’s Zel, introducing herself from her tower room:

My mirror shows me my imperfection – my wide nose as dappled as a hooded crow’s egg rather than grandly hooked like Mother’s; my eyes large and dark, unlike Mother’s fine bloodshot glints.

My wild, long hair is almost a separate creature. I pretend it is a pet, one that purrs, neighs, and, on rare instances, bites. I bunch, braid and tint it sea-dragon green with the ivy and other plants that shimmy up the stonework to meet me.

You can read the full story here.

Review – Quartet: The Four Seasons

Quartet coverEdited by Deborah Gaye of Avalanche books, Quartet is a celebration of the moods that make up each season. The anthology of poetry and short prose doubles up as an almanac reminding us of the best that every quarter of the year has to offer.

Two of my pieces, a poem and a flash fiction (More Water Than Land and The Moth Room), lodge in these pages, among with many, many others. We begin in winter with a murmuration, glimpses of lapwings, an “upturned umbrella” on Pendine Sands, and the generosity of a dawn sky “layered in gold.”

In DecemberJohn Mole welcomes nostalgia in the form of “our ghosts/ as they come out of hiding/ to warm their hands/ at the fire we have made”, while in Foula, Auls Yule, Katrina Porteous invites us to “drink to the days/ the sun makes ripe”.

In Precious, Gaia Holmes evokes the magic of ice working “its dark magic,/ gliding and glazing/ the grid of dull roads,/ laminating grass/ and slug tracks,/ making rotten fence posts/ precious”. It’s such a vivid, recognisable scene of the ordinary rendered spectacular. Continue reading

A short story – First Light

Victoria Park frost by Judy Darley

My short story First Light has been published in the December issue of Living Quietly magazine. This Christmas story is inspired by my dad, who in retirement used to go and watch the sunrise and share stories with a group of friends. I remember him coming home more than once wearing a carved wooden medal enscribed with the words Best Liar!

My story begins:

Living Quietly Issue 4 front coverIt’s still dark when he wakes me, the familiar creak of the bedroom door and his low “Time to get up, love” making me think for a moment that I’m a child still, on the brink of a school day’s slog. The blaze of his white hair catches the light spilling in from the landing, dragging me back to the present.

I haul myself out of bed and pull on thermal underlayers, jeans, socks, extra socks, a lambswool jumper. A scent of spice catches the back of my throat: cinnamon and nutmeg.

Downstairs the kettle rumbles, a flask standing by ready to be filled. Dad’s wrapping oven-warmed mince pies in a clean tea-towel so they’ll hold their heat.

Download your copy of the issue here or click on the lovely glowy issue cover above.

Short stories – Fish Flakes, Wriggler, Safe Arbor

Reggie cr Judy DarleyYesterday I received the news that Fish Flakes, a short story I submitted to an online publication in May, has been accepted. And today they notified me that it’s been published!

Just shows it’s worth being patient! I’m excited because it’s a creepy/ridiculous work of fiction (honest!) that stars our resident goldfish Reggie. Apologies to our neighbour’s cat who cameos, but doesn’t fare so well. Click on the link below to read it in full. They even used the photo of Reggie, with a slightly sinister filter…

If you’re having a vague sense of deja vu, it may be because I posted a writing prompt about Reggie some months ago. I followed my own advice and wrote a piece inspired by our unexpected lodger, with a rather twisted ending. Perfect for Halloween week!

Sunday Stories: “Fish Flakes”

My bittersweet story Wriggler has been published in the October 2018 issue of the intriguingly named Ghost Parachute. It captures the moment when a mother recognises the hazards of the age her son has reached.

Laugharne Castle by Judy Darley

The picture above shows Laugharne Castle, a destination for my duo.

Here are the first couple paragraphs to give you a taste:

The suspension bridge tries to catch us in its wires as we drive from Bristol to Wales, chasing storm clouds as we go. “It’s like a spider with a gazillion legs,” Sam says, staring up through the sun roof.

I can’t help but smile at him. In those words I hear the little boy he used to be, just last year or the year before. Not that 12 is so very close to fully grown, but the perils he faces now seem disturbingly adult.

To read the story in full and see what other fab fictions this literary ezine has to offer, visit ghostparachute.com.

My surreal story Safe Arbor has been published by the excellent fairytale magazine Enchanted Conversation as their Saturday Tale.

It’s an exploration of old age and sibling loyalty, and includes the line: My sister nods her branches with the breeze and murmurs…

…which gives you a clue to the direction I’ve taken it in 🙂

You can read the story in full here.

A short story – Evening Tide

Little House by Gilly Mound

Little House by Gilly Mound

My story Evening Tide has been published in the October issue of Living Quietly magazine. It’s a version of my tale Farewell Gifts, which I shared at Salon Soirées’ mirror-themed evening on Tuesday 11th September. It reveals the crunch moment in a woman’s life, and a fresh start within earshot of the sea.

The story was partly inspired by artist Gilly Mound’s painting Little House, pictured above.

Here are a few lines from it:

The house sits on the edge of a field, its tiled roof sagging in camaraderie with windows and doors. Sunbeams bounce from the panes as though someone inside has turned on a light.

The lettings agent allows me to spend half an hour exploring.

“Let me just…” I keep saying as I try to imagine how the spaces will feel with only me and the resident spiders to occupy them. Cobwebs glint wherever the sun sneaks in, nestling where beams meet and holding the place together.

“It’s perfectly safe,” the lettings agent says as we emerge.

“I’ll take it,” I respond. My heart flutters as I utter the words, and I grin at the crooked house.

I’m really pleased to have Evening Tide included in the magazine, which describes itself as being for people “who want to tread more gently through life.” How lovely.

The Moth Room and Adrift – short stories

Moth wings cr Judy DarleyMy very short story The Moth Room has been published in issue 21 of Gone Lawn, which describes itself as “a web journal of artistic and progressive literature.” What a lovely home for my tale!

Inspired by a visit to the studio of artist Rose McLay, my flash fiction draws strands of Cinderella together with a touch of moonlit iridescence.

Click here for a read.

The opening line is: He follows her home from the ball, trailing in the pitch of her laughter: bright as glass, bleak as snow.

My short story Adrift has been selected as the #StorySunday tale over at Litro magazine’s  marvellous website.

If you’re seeking a small work of fiction to transport you, drop in and read my piece about  a house full of sand…

Read it at http://www.litro.co.uk/2016/05/adrift/

A story, a poem and a literary event at Foyles

Woman preparing pineapple, Borneo cr Judy DarleyMy very short story ‘Towelling Robe‘ has been published by The Pygmy Giant, a brilliant online home for UK flash fiction and very short non-fiction. You can read it here.

And my poem ‘Strays’ (sort of pictured left – you’ll understand when you read it) has been picked up by Literary Bohemian and will appear on the site soon. Such lovely company my words are keeping these days!

Plus tomorrow I’ll have the pleasure of taking part in ‘A Hint of Crime’, a literary event at Foyles Bookshop, Bristol. I’ll be reading my tale Flyleaf, which appropriately enough begins in a bookshop. Other readers include Suzanna Stanbury, AA Abbott, Tim Kindberg and bestselling crime writer Sarah Hilary. Ooh, and it’s free, so do come along (4-6pm) if you’re in the area!

The Puppeteer published by Toasted Cheese

My short story The Puppeteer has made it onto the pages of the tastily named Toasted Cheese lit mag’s September issue.

Shirley Sharp picI am very excited about this! The Puppeteer is a rather sad but ultimately hopeful story that was initially prompted by this amazing painting by artist Shirley Sharp. (published here with her permission).

The characters populating Shirley’s canvasses often have a somewhat melancholy air, which gave me the first seeds of my protagonist’s personality. Then I needed to make sense of the two creatures apparently sitting on his hands, and suddenly the idea came to mind of a puppeteer who’d lost his family through his obsession for his craft. Thanks for the inspiration, Shirley!

Here is a paragraph from the tale:

He tried not to feel their bewilderment, not to hear their shrieks of fear, as the flames sent acrid, choking smoke into the night sky and made a dark scorched circle on the grass. Tears streamed down his sooty face, and he told himself he was committing some kind of sacred act; a magician’s trick to bring his wife and Pippa home to him, prove how little hold the puppets had over him, compared to his love for the two of them.

Read the full story here.

I’ll be teaching a workshop on writing from art at the Bristol studio of sculptor Carol Peace on Wednesday 12 November from 2-5pm. Find out more here.

Later this month, my poem Mermaid will be published by Streetcake magazine issue 37.

The poem explores ideas of old age, and begins with the lines

I used to hold it on my tongue, my lips, like salt from the sea,
his land language ready to be spoken at will.

It was prompted in part by my husband’s Dutch grandmother, who slowly lost her English as dementia took hold, and by my own father’s encroaching semantic dementia. In a way it seems to me that the world becomes an unfamiliar and less welcoming place as we age. This poem was my way of examining these thoughts and making them more manageable.

I’ve been following the work of Streetcake duo Nikki and Trini for many years, and am always impressed by the words they serve up in their “online magazine for innovative, experimental and visual writing”. They’re always on the lookout for intriguing, original work, so why not submit?