Book review – When It’s Not Called Making Love by Karen Jones

when-its-not-called-making-love coverFewer friendships are more complicated than the same-sex ones we have as we near and break into our teens. In ‘When It’s Not Called Making Love,’ Karen Jones draws us into the intimacy that straddles bullying and lust, as innocence sloughs off cell by cell.

Jones makes powerful use of the novel-in-flash form, with each of her 16 flash fictions building on the last as her characters hurtle towards adulthood.

While each story could be siphoned off to stand alone and shimmering in solitary perfection, each plays such a crucial role to the overarching tale that should any be removed, the whole structure could shatter. This contributes to the tension of the underlying story, with a sense of characters clinging on by their fingertips.

The novella opens with ‘Recommended Stopping Distance’, a flash that rings out for almost a full page in one long torrential sentence, before finally a full stop allows us to take a breath. There’s so much crammed into this first sentence that it’s worth reading twice – once for the sheer exhilaration of it, and again, to catch the details that may become important later.

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Book review – Don’t Tell The Bees by Mary-Jane Holmes

Don’t Tell The Bees by Mary-Jane HolmesIn this powerfully layered and tightly stitched novella-in-flash, author Mary-Jane Holmes weaves a world where nature waits in corners and on the edge of hearing, barely out of sight.

Our protagonist, known as ‘No-more’ after the refrain her mother was rumoured to have repeated after her birth “over and over again”, is as spirited as the wild creatures who share the landscape she roams. The opening story deposits her in our lap as her mother leaves her “howling in twitch grass by the river” so that she survives only  because her father finds her stumbles back to the loom, leaving her father Maurice to tie her to his back so that her waking moments are spent “in quarry and field” with his blood pulsing against her own.

Although rooted in “the marshlands from Damvix to Gruelle” in France, there’s a sensuous texture to the novella that evokes folk tales from all parts of the world where people are in rhythm with the land.

Holmes draw us ever deeper into a place where we can feel the cool mud under our feet, and when No-more’s beloved father is hooked by a tip of a weather-vane he is repairing, we fly with him, caught on the same breeze, so visceral is the writing.

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Book review – The House on the Corner by Alison Woodhouse

The House on the Corner coverBookended by the purchase and sale of a home, Alison Woodhouse’s debut novella in flash explores the bricks and mortar that form a family. Woodhouse mines the emotions grinding below the activities of everyday life – the small resentments, disappointments and unspoken dreams we pick up on without identifying, knowing only that we feel uneasy.

The unnamed estate agent has ambitions for the home she needs to sell – “She hoped she’d found the right family to bring the house back to life.”

In less than four pages, Woodhouse introduces us to the individuals that make up the 1980s family tasked with this job: Martin, “who turned up in a smart suit, carrying a briefcase”, Helen, “flustered and fifteen minutes late”, plus the children, later named as Joe and Natalie, who “had climbed into the pink bath. They sat opposite each other, foreheads touching as they whispered.”

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Book review – Stray Our Pieces by Jason Graff

Stray Our Pieces cover photoLeo Tolstoy opens his novel Anna Karenina with the legendary lines: “Happy families are all alike; every unhappy family is unhappy in its own way.”

In Stray Our Pieces you’ll discover one of the most authentic representations of the latter – an ordinary family scraping by, with little to bind them together other than inertia.

At the centre of this apathy you’ll find the family matriarch, Gloria, a woman who drifted into marriage and would love to drift back out, if only she could dredge up the energy that would require. Author Jason Graff has created an anti-heroine whose howling discontent reminds us never to grow complacent. Whether you warm to her or (more likely) not, there’s no doubting that she’ll get under your skin.

Gloria grew up with a strong idea about who she would be as an adult. When that plan got derailed in her early twenties, she honed the full force of her ambition into a seething exasperation with the life she’s found herself mired in. This includes her son David, at times gloriously full of promise, and at others, in Gloria’s eyes, achingly disappointing. He, too, has failed to meet her expectations.

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Book review – Going Short by Nancy Stohlman

going-short-coverThis book is the perfect cheerleader to see you on your first steps of the flash fiction journey. If you’ve been playing in the flash arena for a while, Going Short may well be the coach to take your flash skills to the next level.

With a subtitle of “An Invitation  To Flash Fiction”, Nancy Stohlman’s guide is a warm welcome, with chapters arrayed in bite-sized segments where every word earns its place. She leads by example, explaining the definition of flash fiction as you might to a non-writer friend in a pub (or, more likely these days, over Zoom), laying out word count (under 1,000) and purpose “to tell a story even if much of that story is implied.”

Immediately, I’m bubbling with questions. How do we know how much to tell and how much to imply? How can we trust the reader to be on our wave length and understand the unwritten?

In Part One: Writing Flash Fiction, I reach a paragraph titled ‘The Blank Page’ and am immediately gripped. Stohlman’s concise sentences brook no arguments as they command you’ to let go: of clever tricks, of descriptions, of our need to explain – all things I struggle with in my own writing. “Let silences be potent,” she urges, “don’t rush to fill them.”

It’s advice that sounds almost languid until you reach the next page, titled ‘Urgency.’

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Book review – Families and Other Natural Disasters by Anita Goveas

Families and Other Natural Disasters by Anita Goveas coverAt first glance, the five sections of Anita Goveas’ collection appear elemental. A closer look rewards with the dawning understanding that the categories are types of natural disaster, with the final two a little more tongue in cheek. Fire, Water, Wind, Love and Families each warn of the emotions contained within, or, more, likely, poised to spill over.

The opening sentence of a collection is crucial in setting the tone for what’s to come. Goveas does this fearlessly, dropping into our laps the unflinching line: “There’s an ancient prophesy that you’ll die by volcano.” What Really Gets You Is the Rising Heat is a story that speaks of the expectations we fight against to forge our own path, even if that does turn out to be directly to the same volcano’s mouth our parents marked for us.

The titles form a poetry of their own, with the second tale warning us from the off that A Pilgrimage Can Be One Way, before enfolding us in ‘packing’ and ‘to do’ lists that contain humour, love and heartache within deftly rendered brevity. It’s the kind of hermit crab flash that hints at tireless hours of crafting.

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Book review – This Alone Could Save Us by Santino Prinzi

This Alone Could Save Us coverDespite the saying that a book shouldn’t be judged by its cover, inevitably, we all do it to some extent. In the case of This Alone Could Save Us, though no doubt completed long before we were up to our necks in global calamities, the cover image by artist Stuart Buck paired with that title feels prescient, and, reader, it delivers.

Story after story, some barely half a page long (one only a sentence), feed our darting minds, offer distraction and comfort.

And, yes, there are flashes of sorrow and regret, but there are also stories here of quiet, quivering joy. One of my favourites is Costume: “I taste salt and camaraderie on my tongue. The wind whips past our skin and the sand flicks behind us as we run towards the waves.”

Exhilaration and triumph rise outwards with those flicks of sand.

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Book review – Seventy Percent Water by Jeanette Sheppard

SeventyPercentWater coverJeanette Sheppard’s debut flash fiction collection brims with sensitively perceived, reflective stories that creep beneath our surfaces, reminding us how drops of water can change a landscape, physically, aesthetically and psychologically.

These compact stories embrace big topics. The shifting boundaries of awareness linked to ageing and dementia recur throughout, like ripples spreading outwards, inexorably.

‘Rattle and Spin’ is a beautiful story of a woman who is growing unrooted from her sense of self, yet retains her dignity. The tale flows with steady momentum from line to line, guiding ‘you’ to treat this woman with the respect she has earnt and discover how much more she is than what you take in at first glance.

“Go on, sit in her chair. She will pull up a seat, make you laugh until your mouth swells ready to burst.”

The last sentence is heartachingly tender.

‘How to Enter Another Galaxy’ is another instructional piece. This time, the subject in for exaltation are those annoyingly futile calls to corporations, while you, the caller, have one hand gripping the phone and the other juggling a cat. Naturally, the intergalactic being you need to speak to is never the one on the end of the line.

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Book review – Stillicide by Cynan Jones

Originally written as a commission for BBC Radio 4, this spare, vivid book conjures a time when drinking water has become a rare and precious commodity.

Cynan Jones describes Stillicide as a collection of interlinked short stories. Each provides additional viewpoints and textures to the overarching examination of a future in which water is commodified.

As with all of Cynan’s writing, individual sentences have been honed into missiles, designed to carry and deliver information and emotion in the most efficient way possible, with the spaces on the page designed to make their impact all the more resonant.

Far from being bleak, the chapters or stories are a comfort to climb into, as each is understood from inside a single character’s mind. There’s an unexpected but welcome sense of being sheltered by their grey matter, and of gazing outwards at the strange, thirsty world they inhabit. A meditative quality seeps from the pages, even as the themes themselves ripple with injustice and quiet rage.

The space Cynan has created is far enough removed to give him the freedom to invent at will, yet close enough to remain dauntingly recognisable.

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Book review – Scratched Enamel Heart by Amanda Huggins

Scratched Enamel Heart cover_Amanda_HugginsThere’s a conciseness to Amanda Huggins’ writing that makes me think of a stitch being drawn taut – her words pull the core of you to the core of a story until you gasp for breath.

Her Costa Short Story Award shortlisted tale ‘Red’ uses crimson dust to create a vivid, slightly melancholy landscape where a lone stray dog provides the hope, and a memory of better times provide the drive to reach like a scrawny sapling for light. Like Rowe, the protagonist of the preceding story “Where The Sky Starts’, Mollie needs to leave the place she’s supposed to call home or risk being trapped in a life that could suck her beyond sight of all hope, drive and light.

Huggins has a vivid mastery of words that whips up a setting you can virtually walk into, and uses that mastery to construct scenery that weaves the story’s mood around you: “Mollie hated the dark, brooding weight of the house, the trees so dense they held a part of the night’s heart within them even when the sun shone.”

It’s poetically precise and powerful.

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